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    Art Radar Asia News conducts original research and scans global news sources to bring you selected topical stories about the taste-changing, news-making and the up and coming in Asian contemporary art.

Royal Academy announces Anish Kapoor retrospective London 2009

Posted by artradar on October 27, 2008



Anish Kapoor is having a busy year. His work commanded one of the top 10 prices achieved at Sotheby’s Contemporary Day Sale at Bond Street London on July 2 2008. His summer survey in ICA Boston ended September 2008 but now Royal Insitute of British Architects holds an exhibition of his models and the British Royal Academy of Arts announces it will hold a major retrospective of his work in September 2009. For details and reviews of the RIBA show and links to information about the Royal Academy retrospective see below.

Place/No Place: Anish Kapoor in Architecture
to 08 November 2008
From an early stage in his career Anish Kapoor has worked closely with architects and engineers on a number of major works. Get a rare and fascinating insight into many of these key projects with an exhibition of his architectural models, many of which have never been displayed to the public before.

Included in the exhibition are models for projects such as Taratantara at the Baltic with Neil Thomas of Atelier One (1999), the Salvation Army Visitor Centre with John McAslan and Partners (unbuilt, 2001), the entrances for the Naples Subway with Jan Kaplicky and Future Systems (2008) and an as yet unrealized project with Cecil Balmond.


Mon-Sat 10am-5pm except Tues 10am-9pm
Venue: Gallery 1, RIBA, 66 Portland Place, London

Review – Independent, UK

Anish Kapoor is extremely keen on vaginas. In his new exhibition, they’re everywhere. Here a chasm, there a crack, over there an abyss that takes you plunging into a void. This, clearly, is a man who’s read his Freud. But what goes down must come up and he’s extremely keen on giant structures too. Taratantara, his “building turned inside out” project at Gateshead’s Baltic Flour Mills, was 35 metres tall. Marsyas, his massive PVC earphone, filled the Tate Modern Turbine Hall. Temenos, an installation in the Tees Valley, announced this summer, will, at almost 50m high, be part of the biggest public art initiative in the world. Who said size doesn’t matter?
The exhibition, in fact, is tiny. It’s like a little Legoland version of Anish world, a world in which giant mirrors sit in city squares, reflecting skyscrapers and sky, or on beaches, reflecting the crashing waves of the sea, and in which massive structures on hillsides overshadow tiny pathways beckoning you into the dark womb inside. Some are “real”, out there, on real hillsides and in real cities all over the world, some are planned, and some, so far, are just a twinkle in the really quite twinkly Kapoor eye. Read more


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