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A perspective on Viewpoints and Viewing Points – 2009 Asian Art Biennale

Posted by artradar on January 27, 2010


Writer for Art Radar Asia reflects on the exhibition

Kate Nicholson, a Taiwan-based contributor to Art Radar Asia, writes about her favourite picks from Viewpoints and Viewing Points , the 2009 Asian Art Biennale exhibition, currently on show at the National Taiwan Museum of Fine Arts.

Viewpoints and Viewing Points, 2009 Asian Art Biennale exhibition, National Taiwan Museum of Fine Arts

“It was just wonderful to start my day knowing that I would soon be surrounded by artwork spanning three galleries, created by 56 of Asia’s best artists. And what a show it was. Every sense was stimulated as there was every kind of art form on display, from painting and sculpture to film and photography and everything in between.

My favourite pieces, in no particular order, included: Takehito Koganezawa’s Propagation of Electric Current, all the works by Mia Wen-Hsuan Liu, a Taiwanese artist, and Bloated City and Skinny Language by Hung Keung.

The latter struck me with its beauty when I first entered the space and looked across to see what I assume to be stylised Chinese characters floating across the wall via projection equipment.

However, it became a whole new experience when a man and his very small daughter realised that if you stand at a certain point in the room the characters gently swarm around you and move with you as you move. It was beautiful to watch them interacting with the piece…”

Read the complete article at Kate Nicholson’s blog, jar of buttons.

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