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    Art Radar Asia News conducts original research and scans global news sources to bring you selected topical stories about the taste-changing, news-making and the up and coming in Asian contemporary art.

Reji Arackal is new kid on contemporary Indian art block

Posted by artradar on May 19, 2010


INDIAN ART EMERGING ARTISTS

Art Radar Asia is pleased to bring you a review of new kid on the block Reji Arackal’s “Sans Divine Machines” by guest contributor and veteran Indian art writer, Deepanjana Pal.

Reji Arackal is among the promising upcoming artists in the Indian contemporary art arena. Represented by one of Mumbai’s premier galleries, Sakshi, Arackal has shown all over India and Sakshi has previously shown his works at group shows held at Sakshi Gallery Taipei. “Sans Divine Machines” is his first major solo in Mumbai and will be on display till April 30, 2010.

 

Sharing the Concept of Abortion by Reji Arackal

Sharing the Concept of Abortion by Reji Arackal

 

Mumbai-based art critic Deepanjana Pal wrote about the show:

There is little colour in Arackal’s new show “Sans Divine Machines” and, judging from the titles, a generous dose of Roger Penrose was used in the making of these charcoal drawings. Arackal seems to agree with Penrose’s theory that human intelligence doesn’t have rationale. It’s a curious combination of illogic and the absurd. And despite the apparent chaos, it all works, but according to its own curious laws.

The human body is a strange machine in Arackal’s charcoals. His figures are bloated, almost like blimps, and yet there is no slackness to them. These aren’t fleshy bodies, as seen in Lucian Freud’s paintings, but enormous masses of humanity, like in Diego Rivera’s murals. Their immensity has something very solid about them, like the mammoth statues and drawings of peasants from Russia’s Communist years. However, unlike much of Communist art, Arackal also has a sense of humour and it surfaces unexpectedly in many of his works…

Read the complete post at Deepanjana Pal’s blog What They Got Away With.

Deepanjana Pal has been writing about art since 2006 and is the author of “The Painter: A Life of Ravi Varma“. In the past, she has written for Time Out Mumbai, where she edited the art section, and has also  contributed articles for publications like ArtIndia, NuktaArt, Time Out Beijing and Time Out London.

DP/KN

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