Top Australian media artists introduced at Art Taipei – public lecture by Antoanetta Ivanova
Posted by artradar on September 9, 2010
MEDIA VIDEO AUSTRALIA ARTISTS CURATORS AGENCY ACQUISITION ART FAIR EXHIBITION
Ela-Video “Encoded” was a special exhibition organised as part of the broader Ela-Video exhibition held as part of this year’s Art Taipei. Guest curated by Antoanetta Ivanova, also a producer and agent for Australian media artists, “Encoded” aimed to show the diversity and sophistication of media and video art being created in Australia today. Art Radar attended a public lecture in which Ivanova introduced the eight Australian media artists we have listed below.
Ivanova manages a company called Novamedia which has been in operation since 2001. Novamedia is unique in that it is the first media arts agency to be established in Australia; their focus is on media and digital art. They provide advice to private collectors and organisations looking to acquire new media works, and also try to generate opportunities to promote Australian media art overseas. An example of this, according to Ivanova, is the “very important exhibition on art and science collaborations” they took to China in 2006.
This list, generated from those artists discussed by Ivanova in her talk, shows “the diverse range of media art” produced by leading Australian proponents in this field. Only one of the artists listed here, Jon McCormack, had work in Ela-Video “Encoded”. The other artists in the exhibition were Jonathan Duckworth, Leon Cmielewski and Josephine Starrs, Martin Walch, Jess MacNeil and Justine Cooper. The artists are listed below in the order Ivanova spoke about them. We encourage you to visit the artists’ websites to explore their work in more depth.
Matthew Gardiner is most well-known for his work with origami, namely robotic origami. He has completed a number of residencies with major scientific and new media research laboratories and has exhibited his origami work worldwide in galleries and public spaces. He is also the founder and director of Airstrip, a website design company.
“The artist will design his object on the computer and make it for the printer. The final artwork is interactive. The origami has a sensor in the middle and it can sense when people approach…. As you go across it the origami opens and if you move away it will fold in…. He has been making traditional paper origami for many, many years and he lived in Japan…. He translates [a] traditional art form into a very contemporary art form.” Antoanetta Ivanova at Art Taipei 2010
Since 1968, Stelarc has undertaken numerous performances during which he manipulates his body, most often in involuntary ways and using mechanical means. As described in his biography, he has “used medical instruments, prosthetics, robotics, Virtual Reality systems, the Internet and biotechnology to explore alternate, intimate and involuntary interfaces with the body.” In addition to his art work, he has been a research fellow and named an honorary professor for numerous Australian and international universities.
“[Stelarc’s] a performing artist. He has attached his body to various machines to show how there is a clash between the body and machinery in contemporary society.” Antoanetta Ivanova at Art Taipei 2010
“[Piccinini’s] a more traditional artist because she makes sculptures but her work raises important issues about the natural environment and artificial nature…. She uses organic … and artificial forms in her work. She’s fascinated by the modern sciences of biotechnology and genetic engineering and she says that if people are disturbed by her work it’s because [it] asks questions about fundamental aspects of our existence. With all these advances in technology, what kind of world are we really making?” Antoanetta Ivanova at Art Taipei 2010
Davies graduated from The University of New South Wales in 2001 with a Bachelor of Fine Arts and is currently a PhD Candidate in the Media Arts department of the institution’s College of Fine Arts. He is a prolific artist who creates his interactive, installation and performance art works using various media including sound and music, video and photography.
“As you go through the exhibition space you will see a … hole to look through. Audiences line up to look through to see what’s on the other side. But all they see is their own back plus a ghost person standing behind them…. The work mixes real time video captures of us and puts another person in there. He also did another [installation with] speakers in the space and you could actually hear people standing around you.” Antoanetta Ivanova at Art Taipei 2010
Henschke’s most recent work with the Australian Synchrotron is an art and science collaboration that has brought about an entirely new art form – using light beams to create artworks. As explained on the artist’s website, the Synchrotron “allows one to ‘see’ the spectrum of light energy from microwaves to xrays and look at objects at scales of a millionth of a metre.” The artist is participating in a three month residency with the Synchrotron, set up by the Australian Network for Art and Technology (ANAT), in which he will use the technology to create “a ‘synchrotron art’ mural commission.”
Henschke is based in the Australian city of Melbourne and has been working with digital media for the past fifteen years. His main areas of research are in art and science relationships, interactive and hybrid media and experimental audio.
Lynette Wallworth is an Australian video installation, photography and short film artist who specialises in the creation of immersive and interactive installation environments. Her representing gallery, Forma Arts and Media Limited, describes her work as being about “the relationships between ourselves and nature, about how we are made up of our physical and biological environments, even as we re-make the world through our activities. She uses technology to reveal the hidden intricacies of human immersion in the wide, complex world.”
“People are given a glass bowl and with the glass bowl they go into a dark room and search to capture light that is beamed from the ceiling. When they capture the light, images of deep ocean and deep space are projected into the bowl and then people pass the bowl around to others to experience.” Antoanetta Ivanova at Art Taipei 2010
Born and educated in New Zealand, Crooks received an Australia Council Fellowship in 1997 to research motion control at the Royal Melbourne Institute of Technology which brought him to Australia. Since then he has participated in numerous exhibitions in Australia and abroad, working with a range of media including digital video, photography and installation. He is most well-known for his ongoing Time Slice project, begun in 1997, in which he uses the computer to manipulate video images to stretch time.
Craig Walsh works predominantly with site-specific large-scale image projection, most often in public places and always created in response to existing environments. He has, for example, projected huge faces onto trees in the Australian city of Melbourne and has projected sharks swimming in water onto the ground (first) floor windows of a corporate building.
“[Walsh’s] work takes a lot of time to develop and very powerful projectors and technology to set up. He works first of all with small block architectural models to the design the projection … and then he [conducts] many tests [to see] how the projection will work…” Antoanetta Ivanova at Art Taipei 2010
“Jon McCormack is one of the very few artists in Australia who creates work by writing computer code. He was trained in both art and computer science – he has two degrees. For example, the work we’re showing here at Art Taipei is not an animation…. What you experience is actually the computer making the drawings…. The drawings happen before our eyes – it’s not recorded…. It never repeats…. The artwork is a programme that Jon designed.” Antoanetta Ivanova at Art Taipei 2010
- ‘A Red Carpet’ for Singapore’s Digital Nights Showcase, courtesy artist Tom Carr – September 2010 – a short news piece on this large scale public projection artwork
- The 17th Sydney Biennale – Art Radar rounds up highlights, disappointments and critiques – August 2010 – a run-down on what the critics had to say about this year’s fare
- Will Youtube become a new platform for video art? Guggenheim experiments – July 2010 – an overview of this new technology collaboration
- Young Chinese artist Lu Yang brings anti-humanist elements to the Hong Kong art scene – June 2010 – an interview with this artist on art/science collaboration
- Debbie Han first Korean artist to be awarded the Sovereign Asian Art Prize – May 2010 – guest writer Kate Bryan on this artist work with the female form
This entry was posted on September 9, 2010 at 2:46 am and is filed under Art and science collaboration, Artist Nationality, Australian, Bio (biological) art, Body, Computer animation software, Definitions, Design, Electronic art, Environment, Events, Fairs, From Art Radar, Genetic engineering, Human Body, Installation, Interactive art, Large art, Lists, Medium, Multi category, New Media, Overviews, Performance, Professionals, Public art, Research, Social, Sound, Sound art, Styles, Taiwan, Technology, Themes and subjects, Time, Urban, Venues, Video, Virtual. Tagged: agent, Airstrip, Alex Davies, ANAT, Antoanetta Ivanova, Art Taipei, Art Taipei 2010, artificial, artist residency, Australia Council Fellowship, Australian artists, Australian contemporary art, Australian media art, Australian media artists, Australian Network for Art and Technology, Australian Network for Art and Technology (ANAT), Australian Synchrotron, biotechnology, biotechnoloty, body, Chris Henschke, computer code, computer science, Craig Walsh, Daniel Crooks, digital art, Ela-Video, Ela-Video "Encoded", Encoded, Forma Arts and Media Limited, genetic engineering, honorary professor, interfaces with the body, Japan, Jess MacNeil, Jon McCormack, Jonathan Duckworth, Justine Cooper, Kate Nicholson, Leon Cmielewski and Josephine Starrs, Lynette Wallworth, machinery, Martin Walch, Matthew Gardiner, Media Art, medical instruments, Melbourne, modern science, New Media Art, New Zealand, Novamedia, organic, origami, Patricia Piccinini, performance artist, performing artist, producer, projection, projection art, prosthetics, Recent and emerging trends in Australian media art, research fellow, robotic origami, robotics, Royal Melbourne Institute of Technology, Stelarc, the Internet, The University of New South Wales, Time Slice, Virtual Reality systems, website design. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.