New project on Chinoiserie and contemporary art to launch at London’s Victoria and Albert Museum
Posted by artradar on October 7, 2010
CHINESE CONTEMPORARY ART CHINOISERIE CONFERENCE
Originating in the 17th century to describe the Western fascination with Chinese art and design, the phenomenon of Chinoiserie will be the focus of a new three year project SINOPTICON: Contemporary Chinoiserie in Contemporary Art which opens with a symposium at London’s Victoria and Albert Museum (V&A) in early October this year.
Project founders Eliza Gluckman and Gayle Chong Kwan will chair sessions, including a keynote speech by Beijing-based curator and writer Philip Tinari, alongside sessions featuring Ben Schmidt (University of Washington), Ying Kwok (Chinese Arts Centre, Manchester, UK), Glenn Adamson (V&A), Sarah Teasley (Royal College of Art, London) and artists Wu Chi-Tsung, Ed Pien and Erika Tan. Each will set out the key themes of the project, identified as: politics and trade, authorship, interpretation and cultural misunderstanding, fantasy, escapism, fiction and design.
In the words of SINOPTICON, the project aims “to use the metaphor of Chinoiserie to expand the discourse of artistic exchange between the two sides of the globe”. As well as the symposium, Philip Tinari will write a series of critical articles for the SINOPTICON website. Major new works are to be commissioned, including a collaborative pavillion featuring Gayle Chong Kwan and Stephanie Douet in late 2010. Art residencies and a touring exhibition can also be expected as the project unfolds.
SINOPTICON is part-funded by Arts Council England and supported by the National Trust’s ‘Trust New Art’ programme. Places for the symposium are now fully booked but those interested can still contact Eliza Gluckman via the SINOPTICON website to receive updates on future events.
- MoMA Asia Art Archive Collaborate, launch Chinese arts projects with public programmes – September 2010 – recent museum project on documenting Chinese contemporary art
- Blog provides ground view of Chinese contemporary art – interview Katherine Don – September 2010 – on the launch of another English language web resource dedicated to Chinese contemporary art
- Asia Art Forum 2010 meets growing demand for art collector education in China – Jing Daily – May 2010 – a forum held gathering collectors and curators of Chinese art
- Top 6 research sources for Contemporary Chinese art by Asian art history major – January 2010 – a student’s reflections on the best online content for those studying contemporary Art from China
This entry was posted on October 7, 2010 at 12:33 am and is filed under Chinese, Chinoiserie, Classic/Contemporary, Collaborative, Conference, Crossover art, Events, Globalization of art, London, Projects, Research, Residencies, Styles, UK. Tagged: art symposium, Arts Council England, Ben Schmidt, Chinese art, Chinese contemporary art, Chinoiserie, Chinoserie, Conference, contemporary art, Ed Pien, Eliza Gluckman, Erika Tan, Gayle Chong Kwan, Genuine American Chop Suey Served With Some Hokey-Pokey!, Glenn Adamson, Hugh Govan, Karen Tam, Philip Tinari, Royal College of Art (London), Sarah Teasley, Shot Through: Journey of Connections, SINOPTICON, Stephanie Douet, symposium, Trust New Art, University of Washington, V&A, Victoria And Albert Museum, Wu Chi-Tsung, Ying Kwok. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.