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  • Curators announced for Central Asian Pavillion, 54th Venice Biennial
  • Contemporary Chinese photographic aesthetic captured at 3 top American museums
  • Ai Weiwei fills Tate Modern’s Turbine Hall with 100 million ceramic sunflower seeds
  • New media art showcased in first Indian festival of its kind
  • Art Radar speaks with Para/Site curator, director Fominaya on November auction event
  • Asian artists overwhelm Artprice list of top ten artists under thirty
  • International contemporary artists produce unique works for Istanbul
  • Japanese gallery MEM re-opens in new Tokyo space with RongRong & inri exhibition
  • Hong Kong Street Art Series: Above Second imports new energies and aesthetics to local art scene
  • Video artist Chen Chieh-jen premieres in UK with Empire’s Borders II
  • Performance art festival Action Script aims to provide deeper understanding of art form – event alert
  • Jitish Kallat talks about Saatchi exhibition of Indian works to Economist – video
  • Sotheby’s London offers four short courses in Asian contemporary art for autumn
  • Artnet chooses Hong Kong as debut venue for new venture – Art Radar scoop interview
  • Sotheby’s Hong Kong presents results of autumn sale of Southeast Asian paintings

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• Top Posts

  • Sotheby's irrevocable bid explained - FT, Saatchi
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  • Taiwanese photographers, video artists and an architect at 53rd Venice Biennale
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  • New nonprofit museum of Indian art groundbreaking first for India - Christies, New York Times
  • 5 80s born contemporary Cambodian artists featured in historic show Forever Until Now
  • Korean artist Kim Joon discusses tattoos, taboos and his inspiration - interview
  • Controversial “Kamoan” artist Andy Leleisi'uao to complete inaugural Taiwanese arts residency - profile
  • Survey of Japanese photography at ICP first in US in decades
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