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Archive for the ‘Wood’ Category

Tyler Rollins names top Asian artist line-up for new season

Posted by artradar on September 19, 2010


CONTEMPORARY ART SOUTH EAST ASIA ART PROMOTION EXHIBITION SCHEDULE

Tyler Rollins Fine Art has announced its 2010-2011 exhibition schedule. The gallery will present solo exhibitions by four of the most highly respected artists from the Southeast Asian region starting from 16 September, this year.

Tyler Rollins Fine Art is a gallery in New York’s Chelsea area that has a primary focus on contemporary Southeast Asian art; one of the art world’s most culturally diverse and dynamic areas. As the gallery says, its objective is to put the spotlight on some of the most exciting trends in contemporary art, drawing attention to the interconnectedness of today’s globalised art world and fostering inter-cultural dialogue between the East and West.

“Rollins’ timing is perfect: while prices for Chinese works dropped in the fall auctions, Southeast Asian art broke records.” Contemporary Art Philippines

The gallery will first show the Filipino artist, Manuel Ocampo, the most internationally-know contemporary artist from the Philippines. Ocampo has been a vital presence on the international art scene for over twenty years and is known for fearlessly tackling the taboos and cherished icons of society and of the art world itself. Marking his sixtieth solo show, Ocampo will be presenting new paintings and woodcut panels featuring traditional Christian iconography combined with secular and political narratives.
“The theme that comes up again and again is of figures that connect to a sort of myth-induced stereotype, rendered iconic but bludgeoned into a farcical conceptual iconoclasm made absurd by its exaggerated impotence as a carrier of meaning or the esthetics of politics. The paintings are a comment on desire, as painting itself is an object accustomed to this wish of being desirous, yet in the series they have a knack of providing some difficulty to the viewer as the conventions of painting are dismantled to the point of ridicule.” Tyler Rollins Fine Art

Following Ocampo, is Vietnam’s most prominent female contemporary artist, Tiffany Chung. Chung, noted for her sculptures, videos, photographs and performance work, will showcase her works at Tyler Rollins from 14 November to 31 December this year. Inspired by maps of urban regions, Chung’s solo show at the gallery explores the topographic after-images of some of the past century’s most traumatic conflicts.

'Berlin Wall', 2010, embroidery, painted metal grommets, and buttons on canvas. The maps that Chung is showcasing tell us about our relations with the past and our visions of the future. Image courtesy of Tyler Rollins Fine Art.

 

Moving away from Southeast Asian art, Tyler Rollins Fine Art will also present works by Tracey Moffatt, an Australian artist who is one of today’s leading international visual artists working in photography, film and video. Many of her photographs and short films have achieved iconic status around the world; Moffatt takes her inspiration as much from popular culture and the idea of fame and celebrity as she does from art history.
In January 2011, Tyler Rollins will be featuring her recent photographic series, Plantation, as well as Other, the final work in her video series inspired by Hollywood films.

'Plantation (Diptych No. 1)', 2009, digital print with archival pigments. 'InkAid', watercolor paint and archival glue on handmade Chautara Lokta paper. Tracey Moffatt's eerie pictures delve into a troubled history of exploitation. The man in the image is an alien, an outsider who is not welcomed into the colonial-style house. Image courtesy of Tyler Rollins Fine Art.

As a finale to this artist line-up, Tyler Rollins will be presenting Agus Suwage from March to April, 2011. Suwage is often named as one of the most important Indonesian contemporary artists. Although little of his work has been seen in the U.S., it has been exhibited around the world over the past few decades and is included in most major collections and surveys of Indonesian contemporary art.

Suwage's paintings explore the predominant theme of the self-portrait, employing the artist’s own body and face in a number of guises to address questions of identity and change in his surrounding socio-cultural condition. 'Playing the Fool' (2004) is the artist’s continuing exploration into violence, pain and joy. Image courtesy of Tyler Rollins Fine Art.

JAS/KN/HH

Related Topics: promoting art, Southeast Asian artists, gallery shows

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Posted in Art spaces, Australian, Filipino, Gallery shows, Indonesian, International, Lists, Painting, Performance, Photography, Promoting art, Southeast Asian, Video, Vietnamese, Wood | Tagged: , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

First Hong Kong solo for Korean sculptor artist Lee Jae-Hyo

Posted by artradar on July 21, 2010


HONG KONG KOREAN SCULPTURE ART EXHIBITIONS

Work by internationally renowned Korean sculptor, Lee Jae-Hyo, will soon be on show in Hong Kong for the first time. In a new exhibition, “From the Third Hand of the Creator”, to be held at Hong Kong’s Kwai Fung Hin Art Gallery from 31 July until 20 August this year, the gallery will present thirty pieces of representative works from Lee Jae-Hyo, including work from his “Wood” and “Nail” series.

Lee Jae-Hyo

Born in Hapchen, South Korea, in 1965, Lee Jae-Hyo graduated from Hong-ik University with a Bachelor degree in Plastic Art. Working with wood, nails, steel and stone as his primary media, Lee focuses his attention on exploring nature’s structural construction. The works are made from a process consisting of dedicated design and complex composing, sculpturing, grinding and refining. The wood pieces are assembled into curves, with which various futurist forms in hyper-modernist style are drawn. Each piece is still embroidered with growth rings. His method has been applauded for exuding a strong personal character and opening up a distinctive direction within contemporary Korean art.

New York-based art writer Jonathan Goodman describes the artist’s work in Sculpture Magazine:

Allowing the materials to speak to him, he builds self-contained worlds that mysteriously communicate with their outer surroundings. One of his most striking images is a photograph of a boat-like structure placed in the midst of a stream whose banks are covered with trees. Clearly a manmade sculpture put out into nature, the work contrasts with and succumbs to its surroundings. In the photograph, self-sufficiency is enhanced by the object’s position in a beautiful scene; the poetics of the sculpture lean on an environment that frames its polished surfaces, conferring a further dignity on a form in keeping with its forested setting.

Lee’s works are created through the assembly of a large number of units of the ingredient, and therefore become the respective images of the individual units. In their overall structures and forms, minimalist geometric lines can be found, rich in hyper-modernist imagination.

Lee’s art is built upon a typical oriental spirit – in the pursuit of unity and a harmonious co-existence between him and the universe, Lee attempts to demonstrate how humanity can continue to develop civilization with grace, on the basis of a mutual respect between the man-made and natural worlds.

Lee Jae-Hyo

Lee Jae-Hyo has exhibited widely: in Korea, Japan, China, the United Kingdom and the United States. He has won many awards, including the Grand Prize of Osaka Triennial (1998), Young Artist of the Day, presented by the Ministry of Culture of Korea (1998) and the Prize of Excellence in the 2008 Olympic Landscape Sculpture Contest. His artwork is collected by a number of prominent Asian, European, American and Pacific museums, hotels and universities.

From the Third Hand of the Creator” will be on show at Hong Kong’s Kwai Fung Hin Art Gallery from 31 July until 20 August this year.

JAS/KN/KCE

Related Topics: Korean artists, sculpture, gallery shows

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Posted in Art spaces, Gallery shows, Hong Kong, International, Korean, Nature, Sculpture, Utopian art, Venues, Wood | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »