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Posts Tagged ‘Adeline Ooi’

Top 14 books on Southeast Asian art by Adeline Ooi

Posted by artradar on April 20, 2009


ART BOOKS INDONESIA MALAYSIA SINGAPORE PHILIPPINES THAILAND

This primer reading list has been selected by Adeline Ooi of Kuala Lumpur-based Rogue Art, an art consultancy group specialising in the management of art projects, exhibitions, collections and publications. Adeline will be speaking about Southeast Asian art at the Asia Art Forum to be held in Hong Kong in May 2009.

This list was first published on Arteri, a new and what looks to be a very promising blog on Malaysian and Southeast Asian art and is republished with permission from Adeline here. As Arteri explains, so much of what curators and experts know

“is acquired through fieldwork, contacts, long hours spent talking to artists, curators, historians, critics. So little of this knowledge (gossips, legends, histories, theories) has yet to be documented and written down, analysed and most importantly shared. Yet, what little that’s already published out there is really worth looking at.”

Books available on Amazon are linked. The list in chronological order:

Indonesian Contemporary Art Now
By Marc Bollansee and Enin Supriyanto
SNP Editions, 2007
ISBN-13: 9789812481429

Between Generations: 50 Years Across Modern Art in Malaysia
Beverly Yong and Hasnul J Saidon (editors)
Universiti Malaya Press, Universiti Sains Malaya Press & Valentine Willie Fine Art, 2007
ISBN: 983861348

Contemporary Art in Singapore
With Essays by Russell Storer, Gunalan Nadarajan and Eugene Tan
Institute of Contemporary Arts (ICA) Singapore, 2007
ISBN-13: 9789810564612
(Note: ICA Singapore is a part of LaSalle-SIA College of the Arts)

Telah Terbit (Out Now): Southeast Asian Contemporary Art Practices during the 1970s
Ahmad Mashadi
Singapore Art Museum, 2006
(Note: This is an exhibition guide and does not qualify as a book but the introduction essay for this show is insightful and really worth the read)

Art and Social Change: Contemporary Art in Asia and the Pacific
Caroline Turner (editor)
Pandanus Press, 2005
ISBN-10: 1740760468

Protest: Revolutionary Art in the Philippines, 1970-1990
By Alice Guillermo
University of Philippines Press, 2005
ISBN-10: 9715421679

Exploring Modern Indonesian Art: The Collection of Dr. Oei Hong Djien
By Helena Spanjaard & Oei Hong Djien
SNP Editions, 2004
ISBN-13: 9789812480101

Flavours Thai Contemporary Art

Flavours Thai Contemporary Art

 

Flavours: Thai Contemporary Art
By Steven Pettifor
Thavibu Gallery, 2003
ISBN-10: 9749173767

Image to Meaning: essays on Philippine Art
By Alice Guillermo
Ateneo de Manila University Press, 2001
ISBN: 9715503764

Contemporary Art in Asia: Traditions, Tensions
Essays by by Apinan Poshyananda, Thomas McEveilley, Geeta Kapur, Jim Supangkat, Marian Pastor Roces, Jae-Ryung Roe
Asia Society, 1997
ISBN-10: 0878480838

Modern Asian Art
By John Clark
University of Hawaii Press, 1998
ISBN-10: 9057040417

Southeast Asian Art Today

Southeast Asian Art Today

 

Southeast Asian Art Today
Joyce Fenema (editor)
Roeder Publications, 1996
ISBN-10: 9810060025

Modern Art in Thailand: Nineteenth and Twentieth Centuries
By Apinan Poshyananda
Oxford University Press, 1992
ISBN-13: 9780195885620

Vision and Idea – Relooking Modern Malaysian Art
T.K Sabapathy (editor)
National Art Gallery (Malaysia) 1994
ISBN: 983957201
(out of print)
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Posted in Filipino, Indonesian, Malaysian, Ooi Hong Djien, Singaporean, Thai | Tagged: , , , , , , , , , , , | 1 Comment »

Inspiring art in important Indonesian art shows Spring 2009

Posted by artradar on April 17, 2009


INDONESIAN ART REVIEWS

Indonesian art has proved a real inspiration in these times of cynicism and economic despair says Adeline Ooi after her tour of some of the most important exhibitions of Indonesian art around Southeast Asia this spring. Read on for her reviews.

 

Installation at Fluid Zones in Jakarta Biennale

Installation at Fluid Zones in Jakarta Biennale

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Jakarta Biennale 2009

My year began with a trip to the Indonesian capital to visit Jakarta Biennale at the end of February. Despite severe budget limitations, which have meant that each of its main components has lasted for just a month or less, the 2009 instalment of the Biennale is probably one of the most well received in Indonesia in recent years.

ARE(N)A -this year’s biennale theme, takes Jakarta, and then Southeast Asia in the world, as its playground, without any grandstanding. The modesty and clarity of the curatorial approach is refreshing. “Fluid Zones” is the central visual art element, which maps Southeast Asian artists under 40 and also works by other international artists made during recent residencies in the region. Curator Agung Hujatnikajennong from Selasar Sunaryo has pulled together a tight and revealing show spread over the Galeri Nasional and the new mall Grand Indonesia, leading us intuitively through the rough and tumble of Southeast Asian chaos via subtle thematic and strategic resonances.

There was no shock-and-awe, and nothing in particular that was mind blowing (perhaps due to familiarity with many of the artists and some of the works), but the overall sense of engagement, the intimacy and personal commitment of the show makes this a truly meaningful experience.

 

Jumaldi Alfi, I Like to see myself as a Prophet, Jendela

Jumaldi Alfi, I Like to see myself as a Prophet, Jendela

 

JENDELA in Singapore – first exhibition outside Indonesia


Ten days later, my colleagues and I drove down to Singapore for JENDELA group’s exhibition “A Play of the Ordinary” at National University of Singapore (NUS) Museum. This is a momentous event for the group as it is their first major exhibition outside Indonesia.

Combining old works dating as far back as 1999 with new ones, “A Play of the Ordinary” traces the group’s development over the past decade. Working in a distinctive visual symbolic language, using still life and landscape forms, these five artists from West Sumatra have differentiated themselves from a predominantly figurative-based and socio-politically driven Indonesian art context and are now leading figures in their own right.

As we walked through each thematically curated room, we witnessed the artists’ maturing styles, their unusual humour and wit, as well as the close friendship and influence they have on each other’s artistic development.
Kelompok Seni Rupa JENDELA or JENDELA Art Group comprises Jumaldi Alfi, Handiwirman Saputra, Rudi Mantofani, Yunizar and Yusra Martunus. Meaning ‘window’ both in Bahasa Indonesia and Bahasa Malaysia, JENDELA members have become key players in Indonesia, and are also recognised as major artists in the contemporary regional art scene.

Not only have they impacted their local scene through their individual and collective practice, members of the group are also passionate promoters of Indonesian art, driven by a sense of duty ¬-‘to give back’. Jumaldi Alfi has recently opened a residency programme in Yogyakarta for college students, researchers, and curator who wish to learn more about Indonesian art.

 Wayang Kulit (shadow puppet) characters from Eko Nugroho's "Hidden Violence" show

Wayang Kulit (shadow puppet) characters from Eko Nugroho's "Hidden Violence" show

 

Eko Nugroho at Cemeti Art House


Eko Nugroho’s “Hidden Violence” at Cemeti Art House in Yogyakarta is the other major March highlight. This rising young star has carved a name for himself through his multi-disciplinary practice, agilely interpreting his comic inspired works through a range of media, from fanzines to mural, from drawings to large-scale embroidery, from 3-dimensional objects sculptures to multi-media installations.

Eko has since ventured into unchartered territory through his latest contemporary ‘wayang kulit’ (shadow puppets) presentation. Fusing the old with the new, the artist has collaborated with local wayang makers or artisans to create a cast of part-man part-machine characters from his sci-fi apocalyptic world.

Eko’s updated version also defies a number of strict rules attributed to this traditional performing art :

1) the characters are not fixed characters and can potentially play villain and/or hero at any time.

2) the soundtrack is an amalgamation of sounds from electronically and digitally generated soundscapes to hip-hop music, and

3) there is more than one story teller (dalang) and

4) the stories relate to the everyday as well as political issues in his surroundings.

Beyond the gleeful laughter of a mischievous provocateur, Eko’s work tends to hit a few home truths, holding up a mirror to contemporary Indonesian society and human nature in general, exposing mankind’s contradictory nature, our quirks and flaws.

 

 

Yuli Prayitno's chair sculpture "I Can't Get Now Satisfaction (2007-2009)"

Yuli Prayitno's chair sculpture "I Can't Get Now Satisfaction (2007-2009)"

 

Yuli Prayitno at Nadi Gallery

Finally, Yuli Prayitno’s much awaited solo exhibition at Nadi Gallery in Jakarta entitled ” I Love…”, opened on April Fool’s day after a near two year delay.

This young promising Yogyakarta based sculptor, also an obsessive compulsive perfectionist, launched into control freak mode a year ago and decided to do away with assistants. The delay is truly worth the wait and the quality speaks for itself; the time taken to make each object contributes to the value of the work. Fine finishing, beautiful treatment of material and form, a witty imagination and sardonic humour are among the main reasons why local collectors covet Prayitno’s works. This exhibition should not be missed.

Where and when

Jakarta Biennale 2009
Fluid Zone: Traffic and Mapping
7 – 27 Feb. 2009
National Gallery Jakarta
Grand Indonesia Shopping Mall, East Side
http://www.jakartabiennale.com

Jendela – A Play of the Ordinary
27 February – 19 April 2009
National University of Singapore (NUS) Museum, Singapore
http://www.nus.edu.sg/museum/exhibitions_jendela.html

Eko Nugroho; Hidden Violence
17 March – 18 April 2009
Cemeti Art House
Jl. D.I. Panjaitan 41, Yogyakarta 55143
http://www.cemetiarthouse.com

Yuli Prayitno: “I Love…”
April 1-13, 2009
Nadi Gallery
Jl. Kembang Indah III, Blok G3 No. 4-5, Puri Indah, Jakarta 11610
http://www.nadigallery.com

Contributed by Adeline Ooi, a curator and arts writer from Malaysia. She is the co-director of RogueArt, an art consultancy specialising in Southeast Asian art and will be talking soon in Hong Kong at the Asia Art Forum lecture series in May 2009. Find out more by clicking the link.

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Posted in Biennials, Conceptual, Indonesia, Indonesian, Installation, Singapore, Southeast Asian, Surveys | Tagged: , , , , , , , , , , , , | Leave a Comment »

Asia Art Forum brings exciting lecture series to Hong Kong

Posted by artradar on April 4, 2009


Asia Art Forum, an educational initiative, brings an exciting lecture series to Hong Kong May 2009 after a successful inaugural session in Shanghai in 2008.

YEE I-Lann Sulu Stories: The Landmark 2005 Digital print 61 x 183 cm

YEE I-Lann Sulu Stories: The Landmark 2005 Digital print 61 x 183 cm

This time speakers with on the ground expertise will be flying into Hong Kong from around Asia providing an opportunity for a limited number of collectors, professionals and enthusiasts to learn directly about the latest developments in China, Japan and South-east Asian art. The 3 day event is scheduled May 8-10th taking place just prior to the Hong Kong art fair.

Art Radar Asia is supporting the event and one of our community, Jehan Chu, art advisor and columnist, will be speaking about collecting. Join us there.

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Asia Art Forum Hong Kong – the announcement

Asia Art Forum Hong Kong is proud to announce a dynamic series of lectures on Asian Contemporary Art featuring respected members of the Asian contemporary art world. Focusing on the emergence and historical development of contemporary art from China, Japan and Southeast Asia, as well as issues pertaining to the Asian art market and the collection of art, the course provides a unique opportunity for anyone seeking an in depth understanding and knowledge of these emerging areas of art history.

Fostering direct encounters with leading members of the Asian contemporary art community, the program offers privileged access to first-hand information and invaluable insights into these developing areas of Asian art history.

The exclusivity of the Forum enables and encourages the exchange of ideas between guest lectures and participants providing a singular opportunity for art professionals, collectors and enthusiasts with an interest in these burgeoning regions currently driving a major transformation of the international art world.

The seminar will take place in Hong Kong over a three day period, 8-10 May. Limited places are available.

Asia Art Forum is an educational initiative in collaboration with Arthub, produced by Pippa Dennis, with consultation from Davide Quadrio and Defne Ayas. 15% of all profits will go to Arthub, a non-profit art and cultural organization which promotes contemporary art creation in China and the rest of Asia.

Asia Art Forum Hong Kong – the programme

China Art Now – Contemporary Art from China

Taking 1979 as the starting point, Philip Tinari will present a critical analysis of this dynamic and fast changing period of Chinese art history. The talk will move forward chronologically focusing on key movements, specific groups and significant exhibitions that form the backbone of the rise of contemporary Chinese art.
Beyond the Superflat – Contemporary Art from Japan

Japan’s art history is deeply embedded in traditional culture and yet absorbed the influences of western modernism and post modernism without losing its identity. The result is a unique artistic expression which has gone on to influcence artists in the west – and never more so than now with the advent of Manga, Anime and video games. This talk will examine the burgeoning contemporary art from this region, looking at why this previously undervalued art has recently captured the world’s attention creating fresh and exciting opportunities for Japan’s artists and art world.
Post Tension and Tradition – Contemporary Art from Southeast Asia

Some of the most interesting and unexpected triumphs at auction and art fairs over the last the last few years has been sparked by artists working in this region. Adeline Ooi will seek to unpick the rich and diverse art histories emerging from this area, focusing on key artists and movements.
The Asian Art Market

Jeremy Wingfield, Phillips de Pury’s China specialist, will be providing essential background and up to date information on the dynamic Asian Art Market. His candid approach will deliver invaluable insight into the current situation, with special focus on the fresh opportunities available to collectors, institutions and art professionals.

For more information Asia Art Forum website or email info@asiaartforum.com

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Posted in China, Chinese, Courses, Events, Hong Kong, Japanese, Southeast Asian | Tagged: , , , , , , , , | 1 Comment »