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Young Chinese artist Li Hui lights up Netherlands: an Art Radar interview

Posted by artradar on September 28, 2010


CHINESE ARTIST SOLO EXHIBITION LIGHT ART NETHERLANDS

Li Hui at work. Image courtesy of Ministry of Art.

Li Hui at work. Image courtesy of Ministry of Art.

Following his impressive solo exhibition last year in Mannheim, Germany, young Chinese artist Li Hui brings yet another surprise to the European art scene. In the pitch-dark exhibition space provided by The Centre of Artificial Light in Art in the Netherlands, Li Hui presents a spectacular display of four of his light works entitled “Who’s afraid of Red, Amber and Green?. The show, which runs from 16 July to 24 October this year, showcases Li’s experiments with laser and LED light.

The current show, the title of which may remind people of Barnett Newman‘s painting Who’s Afraid of Red, Yellow and Blue?, exhibits four of Li Hui’s works: Amber, Reincarnation, Cage and Everything Starts from Here. The works were selected jointly by John Jaspers (director of The Centre of Artificial Light in Art), Christoph and Cordelia Noe (co-directors of The Ministry of Art who represent Li Hui) and the artist.

In an interview with the museum, printed on the museum guide, Li Hui describes his works:

“I can imagine that if someone sees my work for the first time, it can have a very strong visual impact. Just like in Newman’s paintings, the bright colors first have to get stored in one’s brain. I also understand that there are elements in my works that might make people feel a little puzzled or even a little scared when first confronted with them. However, from what I have experienced, it is not just the visual impact, but also the ‘otherness’ or their mysticism that can have this kind of result. It is somehow similar to … Shamanism.”

Art Radar Asia spoke to Li Hui about the ideas in his works, the challenges he faces and his future plans.

Light not an intended media

Specialising in sculpture at the Central Academy of Fine Arts in Beijing, Li Hui learnt to use stainless steel and wood but not light. In fact, he never meant to use light in all of his works, and would not call himself a light artist. It was in the process of production that he thought of light as a possible media for some of his works. He gives an example of how he came up with using LED light for Amber.

“I wanted the transparent material to glow, and I found that LED light is the only light that can produce the effect I wanted. The material is also thin enough for me to install inside the work, so I used it.”

Using LED light led to his discovery of the properties of laser light, a non-heating light which produces pure colors, and he started to experiment with it for other works. Light is not a usual medium for art in China or the world and Li says of this phenomenon,

“Light doesn’t seem like a material that can be used in art – if you do not handle it well, the outcome will be awful. Everyone can use light in their work, but light may not always be a good material to help them express what they want to express.”

"What I want to create is smoke rising from the bed softly and freely. It is a work that would evoke emotions, but this may not be obvious from photos," relays Li Hui. Reader's who are interested in experiencing these emotions firsthand can click on the image to watch a video. (Please note that the video is presented in Dutch.) 'Reincarnation' (200 x 110 cm; height variable) is a sculpture made of laser lights, fog, metal and medical bandage to create a mysterious, psychedelic, religious visual effect. In Buddhism, reincarnation means cycle or life circulation – the recurring process of our spirit being incarnated in another life after we die. Image courtesy of Ministry of Art.

"What I want to create is smoke rising from the bed softly and freely. It is a work that would evoke emotions, but this may not be obvious from photos," relays Li Hui. Readers who are interested in experiencing these emotions firsthand can click on the image to watch a video. (Please note that the video is presented in Dutch.) 'Reincarnation' (200 x 110 cm; height variable) is a sculpture made of laser lights, fog, metal and medical bandages. Image courtesy of Ministry of Art.

At this point, Li hasn’t thought about specialising in light art, and says that he would use whatever materials suit his concepts. Asked about what he is going to do next, Li says that he is interested in the spiritual and the inner world. When asked whether there are particular philosophies that Li Hui wants to convey in his works, he answers no.

“I want to create feelings which cannot be expressed in languages. There are just too many works attached [to] some kind of philosophy, but to me that’s not what art is about. You create feelings in art – if you can feel it, others will feel it too.”

Li Hui says about his work 'Cage': "There are two cages inside the work made of laser beams. Laser beams are special in a way that they look tangible while in reality they are not. The two cages appear alternatively so that a group of people who find themselves 'trapped' in the cage in one moment would suddenly find themselves outside the cage in the next. This work brings out the contrast between reality and illusion." 'Cage' (each 200 x 200 cm; height variable) is made of laser lights, mirrors and iron. Image courtesy of Ministry of Art.

Li Hui says about his work 'Cage': "There are two cages inside the work made of laser beams. Laser beams are special in a way that they look tangible while in reality they are not. The two cages appear alternatively so that a group of people who find themselves 'trapped' in the cage in one moment would suddenly find themselves outside the cage in the next. This work brings out the contrast between reality and illusion." 'Cage' (each 200 x 200 cm; height variable) is made of laser lights, mirrors and iron. Image courtesy of Ministry of Art.

Technological skill toughest obstacle

You may imagine Li Hui’s laboratory crammed with a lot of professional equipment to support his experiments, but in reality he has to seek technological support from others, such as LED light producers, to create his light works. In fact, technology is one of the greatest challenges in the artist’s production process.

“It is impossible to do the works in my own studio. I have to cooperate with others. I don’t have their professional equipment. It is very costly…. The most difficult [thing] is skill – I am not talking about artistic skill, but technological skill. Sometimes the problems are just impossible to solve.”

For Li Hui, every work is born from rounds of brain-storming followed by rounds of experiments in an effort to work through and predict potential problems.

“Experiments push toward the final outcome. At the initial stage of production, I may draw on the computer. Then I begin experimenting with materials. For example, I test a few shots of laser beams with smoke and find the proportion that suits what I want to express.”

Li Hui says about his work 'Everything Starts From Here': "This is a discovery in an experiment. The light beams strike through the transparent dining goblets to project a very impressive light image on the wall. Most of my works are large but this one is not because it is an experimental work." 'Everything Starts From Here' (20 x 30 x 20cm) utilises laser lights, a metal box with a crank, glass and projectors. Image courtesy of Ministry of Art.

Li Hui says about his work 'Everything Starts From Here': "This is a discovery in an experiment. The light beams strike through the transparent dining goblets to project a very impressive light image on the wall. Most of my works are large but this one is not because it is an experimental work." 'Everything Starts From Here' (20 x 30 x 20cm) utilises laser lights, a metal box with a crank, glass and projectors. Image courtesy of Ministry of Art.

Ministry of Art dedicated to Chinese art in Europe

Art Radar Asia spoke with Christoph Noe, one of the directors of The Ministry of Art, an art advisory and curatorial company based in China which represents Li Hui, to find out more about how European opportunities are secured for Chinese or other Asian artists.

“The Ministry of Art … has a broader scope than [just being] a gallery. Our idea is to give artists the opportunity to cooperate with museums or art institutions in Europe … as a lot of the Chinese artists have already had the opportunity to exhibit their works in China or Asia, and some of them lack the opportunity to exhibit in Europe. We come in with our expertise because of our European origins and networks with European institutions. Once we are excited about a Chinese artist we can find an institution that fits very well for that artist.”

Li Hui will participate in a group show called Internationale Lichttage Winterthur 2010 in Switzerland in November. He will present another solo exhibition in June 2011 in Berlin, Germany.

CBKM/KN/HH

Related topics: Chinese artists, light art, museum shows, emerging artists

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Will Youtube become a new platform for video art? Guggenheim experiments

Posted by artradar on July 28, 2010


YOUTUBE GUGGENHEIM VIDEO ART ONLINE BIENNIALS

The world’s most popular online platform for video sharing, YouTube, will soon be put to the test as a potential new platform for art expression in joint initiative with the Guggenheim Museum. Launched this year, YouTube Play. A Biennial of Creative Videos is a creative video competition and art project committed to the exploration of online video art.

A media and an art institutions are cooperating to find out how the internet is changing the video art form and whether there is art in online videos – an emerging media which is continually establishing new ways to create, distribute and consume videos.

The promotional imagery for YouTube Play. A Biennial of Creative Video.

The promotional imagery for YouTube Play. A Biennial of Creative Video.

“This collaboration with YouTube gives us a chance to explore digital media, bring it into the museum, and see how it functions, see if it functions. And through the process learn more about the phenomenon, because we would like to believe that art is transformative.” Nancy Spector, deputy director and chief curator of the Guggenheim Foundation (as quoted in the Otago Daily Times)

For the competition, each applicant may submit one original video entry of ten minutes or less that he or she has created in the past two years. When the competition closes for entry at the end of this month, a team of Guggenheim curators will review all the entries and create a shortlist of 200. A separate jury of nine professionals – from various disciplines such as visual arts, filmmaking, animation, graphic design and music – will then select twenty to be screened in four Guggenheim museums worldwide. All 200 entries will be available to view on the YouTube Play channel.

“We are, in a sense, inviting people to raise the standards of YouTube. This is aspirational for people who are interested in seeing their work be taken artistically.” Nancy Spector, deputy director and chief curator of the Guggenheim Foundation (as quoted in the Washington Post)

The project provides an opportunity for anyone, albeit art professionals or amateurs, to submit an innovative, original video to YouTube Play to compete for the chance of having his or her winning entry shown in October in four Guggenheim museums simultaneously: the Solomon R. Guggenheim in New York, the Deutsche Guggenheim in Berlin, the Guggenheim Bilbao in Spain and the Peggy Guggenheim Collection in Venice. The jury is looking for innovative works that debate on, discuss, test, experiment with and elevate the video medium. They expect to see something “different” – not “what’s now” but “what’s next”.

“People who may not have access to the art world will have a chance to have their work recognized. We’re looking for things we haven’t seen before.” Nancy Spector, deputy director and chief curator of the Guggenheim Foundation (as quoted in the New York Times)

To express your thoughts and opinions of the biennial visit The Take, a platform for commentary and discussion of the project by Guggenheim-invited guests, staff, and web site visitors.

CBKM/KN

Related Topics: media – video, themes and subjects – technology, events – biennials

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Posted in Art and internet, Biennials, Business of art, Crossover art, Emerging artists, Events, Medium, Museums, New Media, Overviews, Promoting art, Technology, Themes and subjects, Trends, Video | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »