Posted by artradar on September 5, 2008
NEW MEDIA ART FROM SOUTH EAST ASIA FOR COLLECTORS
Fortune Cookie projects, an art consulting service with clients who include Clifford Chance, Hermes, UBS and Saatchi, plan to set up headquarters in Singapore this year and they are on the look out for Asian new-media artists whom they can introduce to the West.
“Chinese artists have been the flavor of the month for the last five years,” founder Rutkowski said. “That will not cool, but it will change a bit. International collectors that went in early have got their works and they won’t buy an artist that they got for $20,000 a few years back for $4 million now; if anything, they’re going to sell. So many are looking along the Silk Road, and there is a very strong interest in the Southeast Asian region.”
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Posted in Acquisitions, Chinese, Collectors, Corporate collectors, Electronic art, Market watch, New Media, Video, Virtual | Tagged: art advisors, art in Singapore, Art Radar Asia, Art Radar Asia News, Chinese art, Clifford Chance, Collectors, corporate collectors, Fortune Cookie Projects, Hermes, New Media, New Media Art, Saatchi, South East Asian art, UBS | 3 Comments »
Posted by artradar on September 4, 2008
EXHIBITIONS HONG KONG
Yoshitaka Amano
Yoshitaka Amano – New Works
Fans of Japanese cartoons and animations are in for a treat this September at Art Statements Gallery where legendary Japanese manga artist Yoshitaka Amano is presenting a solo exhibition of new works. No longer a subculture with a limited following, manga has grown into one of the most significant creative forces exported from Japan in recent history and its influence on mainstream popular culture in film, advertising, industrial design, fashion and graphic design is now regarded as nothing short of a phenomenon. Born in 1952 Amano shot to fame in the 1970s with his cartoon series ‘Gatchaman’ (G-Force) and since then has created many popular epics including the hugely successful video game series ‘Final Fantasy’. Featuring several 2 metre long aluminium panels depicting fantastical creatures, warriors, heroines and superheroes, this is a must-see show for manga buffs and manga neophytes alike.
Chan Yu
Showcase 82 Republic!
Mixed media group show: Chan Yu, Liu Ja, Guo Hongwei, Wan Yang, Zhou Siwei
Connoisseur Gallery
1 September to 30 September 2008
September is going to be an exciting month for Connoisseur’s stable of young artists who will be exhibited in four locations across Asia. Known as the 82 Republic artists, this generation Y group of four painters and one sculptor was born in the eighties and incubated in their own dedicated gallery of the same name. Now ready for the world, their work will be shown in two of Connoisseur’s gallery spaces in Hong Kong – Connoisseur Art Gallery and Connoisseur Contemporary – as well as at the international art fairs at ShContemporary in Shanghai and KIAF in Seoul, Korea and in Connoisseur’s Singapore gallery as a parallel event of the Singapore Biennale 2008. Zhou Siwei’s cartoon-like character in ‘Infection – Astroboy no 7’ and the flat translucent shapes of Chan Yu’s ‘Where is My Childhood? No 9’ exemplify the new ‘spirit’ of this era which has been powerfully influenced by animation, toys and digital culture.
Xue Song: A Tale of Our Modern Time
Kwai Fung Hin Art Gallery
4 September to 27 September
An alarming accident was responsible for a crucial turning point in Xue Song’s art practice: “In 1990, a big fire broke out in my dormitory”. His books, magazines, newspapers, pictures and prints, damaged and burnt, were “released from their frames” leaving Xue Song with a new deeper understanding of the fragmentary, mutable nature of life. From these ashes emerged the embryo of his own significant unique visual language quite distinct from his contemporaries: a language of burning, restructuring, collage and drawing. The retrospective show exhibits Xue Song’s range of interests since the fire from his pop art-coloured Mao series made in the 1990s inspired by leader portraits, model operas, big-character posters (Dazibao) and Red Guards to his more recent preoccupation with modern Shanghai and the intriguing relationship between people and cities.
New Ink Art: Innovation and Beyond
Group exhibition
Hong Kong Museum of Art
22 August to 26 October 2008
“Ink has been part of our history for over 3,000 years,” says guest curator Alice King. “I want to show people how Chinese ink painting has evolved through the ages. It is no longer painted the way it was even twenty years ago”. Comprising 64 works by nearly 30 artists from Hong Kong and the mainland, this thorough survey places the increasingly popular Chinese contemporary ink genre in its historical context with a particular emphasis on the part played by Hong Kong master Lui Shou-kwan who, with his New Ink Movement, has inspired ink artists since the 1960s, amongst them Wucius Wong, Leung Kui-ting, Irene Chou and Kan Tai-keung. The exhibition looks to the future too with some controversial exhibits in the boundary-pushing section called “Is it Ink Art?” Some would say that works such as Cai Guoqiang’s gunpowder images, organic installations and digital works are not ink art at all. This show asks us to question our view of ink as a medium and to appreciate it as an essence, an aesthetic which can find expression in a variety of forms.
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Posted in Anime, Cartoon, Chinese, Collage, Cultural Revolution, Drawing, Emerging artists, Hong Kong Artists, Ink, Japanese, Manga, Mao art, Painting, Reviews, Yoshitaka Amano | Tagged: 82 Republic, anime, Art Radar Asia, Art Radar Asia News, Art Statements Gallery, Cai Guoqiang, Cartoon, Chan Yu, collage art, Connoisseur Gallery, Cultural Revolution, eighties born artists, G-Force, Gatchaman, generation Y artists, Guo Hongwei, Irene Chou, Japanese contemporary art, Kan Tai-keung, KIAF, Kwai Fung Hin Art, Leung Kui-ting, Liu Ja, Lui Shou-kwan, manga, Mao art, Saatchi, ShContemporary, Singapore Biennale, urban art, Wan Yang, Wilson Shieh, Wong Chun-yu, Xue Song, Yoshitaka Amano, Zhou Siwei | 2 Comments »
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