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Posts Tagged ‘Ashim Purkayastha’

India’s first art museum Devi employs student curators for its second show – review Livemint

Posted by artradar on January 11, 2009


Shilpa Gupta Blame

Shilpa Gupta Blame

 

INDIAN ART MUSEUM SHOW

Where in The World to 3 May 2009 Devi Art Foundation

Renowned Indian art collector Anupam Poddar opened India’s first art museum, the Devi Art Foundation in 2008. ‘Where in the World’ is its second exhibition and contains works from the Lekha and Anupam Poddar collection of contemporary Indian art. According to Devi’s website

This collection will be the future’s memory of this phase in Indian art. In the absence of other such collections, it may be our only memory of these years.

”Where in the World’ was curated by the students from the first class on art curating at Jawaharlal Nehru University and the result is  ‘adolescent’ says Livemint which at the same time lauds collector Anupam Poddar’s ‘noble’ efforts to promote art education.

while the curating of the show may be weak, it speaks volumes for the foundation that it chose to work with students rather than experienced curators for its second show. It shows that the foundation’s mission is to encourage education just as much as it is to display and promote art.

Happily the  ‘shaky’ execution of the display in which artworks overlap and descriptions are taped to the wall, is more than compensated for by the quality of the works

the artwork is without question some of the best contemporary art in the country.

Poddars before Jaguar in love

Poddars before Jaguar in love

In particular Livemint likes

Atul Dodiya’s mixed media painting B for Bapu, which traps Gandhi behind a rolling grill shutter and Sudarshan Shetty’s giant T-Rex fornicating with a Jaguar (the car) in Love (both of which) have rarely been displayed in the public sphere before.

And overall the show can be enjoyed for its

  sense of playfulness: Rooms hum with the clattering of typewriters and odd machines blow bubbles. Viewers must walk into Shilpa Gupta’s strange apothecary shop, Blame, where the word “Blame” pulsates off flourescent-lit glass bottles.

Newer work, such as the installation Untitled by Susanta Mandal that plays with bubbles; and the video installation piece Pan(i) City by Gigi Scaria, are also given space alongside more monumental pieces from the recent past.

In sum

While there are still some kinks to work out, the exhibit proves Poddar’s genius. The foundation is a force to be reckoned with: It is not about consumerism or the marketability of Indian art, but the simple pursuit of celebrating contemporary art in India.

Livemint

The exhibition includes works by A Balasubramaniam, Atul Bhalla, C. Nannaiah, Sheba Chhachhi, Krishnaraj Chonat, Nikhil Chopra, Atul Dodiya, Anita Dube, Nicola Durvasula, Sheela Gowda, Probir Gupta, Shilpa Gupta, Subodh Gupta, Sonia Jabbar, Bharti Kher, Sonia Khurana, Susanta Mandal, N. Pushpamala, Jeetander Ojha, Jagannath Panda, Srinivasa Prasad, Ashim Purkayastha, Gigi Scaria, Mithu Sen, Tejal Shah, Sudarshan Shetty, T.V.Santhosh, and Navin Thomas.

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Posted in Anupam Poddar, Atul Dodiya, Bharti Kher, Collectors, Curators, Emerging artists, Gigi Scaria, India, Individual, Mithu Sen, Museum shows, Museums, Shilpa Gupta, Subodh Gupta, Surveys, Susanta Mandel, TV Santosh | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Indian contemporary art survey Chalo at Mori in Japan to March 2009

Posted by artradar on November 24, 2008


Bharti Kher The Skin Speaks a Language not its Own

Bharti Kher The Skin Speaks a Language not its Own

 

 

INDIAN CONTEMPORARY ART SURVEY

Chalo! India: A New Era of Indian Art 22 November to 15 March 2009

From the press release:
“Chalo” is Hindi for “Let’s go.” With the words “Chalo! India” (Let’s go! India), we invite you to discover an explosion of creativity and vitality in Indian contemporary art. “Chalo! India” will take you on a journey through more than 100 works by 27 artists and artist groups from all over India. Encompassing a broad range of media, including painting, sculpture, photography and installation, this exhibition examines the latest movements in Indian contemporary art.

Movements and themes: modernisn, political criticism, urbanisation and globalisaton

Following independence from Britain in 1947, Indian artists began exploring new forms of artistic expressions-drawing inspiration and ideas from Western modernism, and India’s own distinctive culture. Over the next 60 years, new types of work that powerfully embodied political and social critiques emerged. More recently, Indian artists have been making works that respond to urbanization and changing contemporary lifestyles-art that reflects the rapid economic development, and globalization that has taken hold since the 1990s. Today the lively Indian art scene is spreading its wings both at home and abroad, and has been attracting a great deal of international attention.

“Chalo! India” is a significant survey of new Indian art, including a sociological research project involving architects and intellectuals, and state of the art interactive media work-as befits an IT giant such as India. Most people see India in terms of its rich and influential history, its Gods and devotion, Bollywood movies, or its awakening as an economic giant. However, there is so much more to the complex and dynamic India of today. “Chalo! India” explores and celebrates the depth of this country; the contradictions of its society, the dreams and hopes of its people, and its energy and passion toward the future.

See tags for participating artists, click here for Exhibition website, more on Indian art, surveys of Asian art

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Posted in Indian, Japan, Jitish Kallat, Justin Ponmany, Museum shows, New Media, Political, Shilpa Gupta, Subodh Gupta, Urban | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Christie’s June 2008 South Asian Modern + Contemporary Sale records dominated by Indian works

Posted by artradar on June 13, 2008


Justin PonmanyINDIA Christie’s South Asian Modern and Contemporary 111 lot sale, held on on June 11 2008 in London, realised US$10,614,225.

While 30% of the lots by over 50 Asian artists remained unsold, Indian master Francis Newton Souza’s ‘Birth’ realised US$2,487,931 setting a world auction record for both the artist and any work of contemporary or modern Indian art .

“12 artists’ records were set in total and reflects the continuing strength of this important category” said Hugo Weihe, Christie’s International Director of Asian Art.     

The top ten highest prices at Christie’s South Asian Modern and Contemporary Art Sale:

Francis Newton Souza – Birth 1955 – US$2,487,931
Tyeb Mehta – Figure on a Rickshaw 1984 – US$1,918,926
Subodh Gupta – Intitled 2007 – US$1,174,842
Rameshwar Broota – Havaldar – III 1980 – US$658,986
Subodh Gupta – Magic Wands 2002 – US$330,714
T.V. Santhosh – Untitled 2005 – US$283,818
Subodh Gupta – Bucket 2007 – US$236,922
Ashim Purkayastha – Attached Wings 2004 – US$213,474
Justin Ponmany – Staple Agony – II (Plastic Memory) 2006 – US$213,474
Syed Haider Raza – Rajput House 1965-66 – US$190,026

Source: Christies http://www.christies.com/presscenter/pdf/06122008/103447.pdf
Image details:  Justin Ponmany, Staple Agony – II (Plastic Memory)

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