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Posts Tagged ‘Cang Xin’

Simon Birch is ringleader of artists in Hong Kong’s conceptual circus ‘Hope and Glory’

Posted by artradar on May 12, 2010


HONG KONG PUBLIC ART EXHIBITION

Galactus, by Simon Birch. Hope and Glory installation shot.

Simon Birch, Hong Kong’s celebrated Englishman artist of Armenian heritage, becomes the ringleader of artists in his conceptual circus ‘Hope and Glory,’ which features a bevy of artists as creative collaborators.

The exhibition, curated by Valerie Doran in Hong Kong, is comprised of 20 interlinked multi-media installations and takes on enormous proportions with a force of 16 credited arts professionals and organizations supporting Birch’s efforts.

Under Birch’s artistic direction, the creative team successfully realizes a space of wonder, effectually filling a 20,000 square foot facility with a visual reinterpretation of the sensory experience of a traditional circus in the middle of urban Hong Kong.

Installation and sculpture

The exhibition’s installation and sculpture works dominate the sprawling art space to create a fantasy atmosphere. Viewers wander throughout the space, which has been turned into a surreal labyrinth and enter interactive video pods, where they individually experience custom-made video works complete with meticulously crafted costume production, sound design, and film editing.

Themes: art as a spectacle, as circus

The monumental show explores various major themes, including the idea of art as a spectacle; a fascination with circuses and sideshows, science fiction and ‘hero’ mythologies, all while maintaining an acute awareness of traditional craftsmanship and the labour involved in art production.

The nature of the exhibition required extraordinary measures to properly express Birch’s vision. Curator Valerie Doran writes:

“Collaborating with artists, designers, actors, filmmakers, technicians, curators, educators, costumers, photographers, to bring this world into being, was necessary. And locating this world in a centralized space in Hong Kong was also necessary.”

All 20 works comprising Hope and Glory can be viewed online here, courtesy of the 10 Chancery Lane Gallery in Hong Kong, which represents Birch.

The creative collaborators who were an integral part of expressing Simon Birch’s vision of Hope and Glory include:

Zero Contact Point, by Cang Xin. Hope and Glory installation shot.

Valerie Doran (Hong Kong)- Curator

Paul Kember and Kplusk Architects (Hong Kong) – Exhibition Technical Design

Anothermoutainman (aka Stanley Wong, Hong Kong) – Graphic Design

James Lavelle and UNKLE (London) – Composition and performance of soundtracks for films: ‘All Heads Turn As the Hunt Goes By’,’Juggernaut’, and ‘Clear Air Turbulence’

Gary Gunn (New York) – Composition and production of soundtracks for films: ‘The Arrival Vengeance’,’I used to think I was the Blade Runner, now I know I’m the replicant’, ‘Tannhauser’, and ‘Azhanti High Lightning’

LucyAndBart (Amsterdam) – Designers for ‘Crystallized’ hologram, and design consultant for ‘Twilight Shadows of the Bright Face’ costumes

Florian Ma (Hong Kong)- Film editing and graphic design

Alvina Lee Chui Ping (Hong Kong) – Costume production for ‘Twilight Shadows of the Bright Face’

Robert Peckham (Hong Kong) –  Concept and educational consultant

Prodip (Hong Kong) – Production of paintings re-interpreting ‘Twilight Shadows of the Bright Face’

Bamboo Star (Hong Kong) – Production of Film ‘The Heaven 17’

Douglas Young (Hong Kong) – Co-design and production of ‘Crawling from the Wreckage’ living room environment

Cang Xin (PRC) – Creation and production of ‘Zero Point Contact’ Sculpture

Wing Shya (Hong Kong) – Photography and production of ‘Hutton’ film

Eric Hu (Hong Kong) – Co-production and filming of ‘Kho Virap’ film

Eddie Cheung (Hong Kong) – Composition and production of soundtracks for ‘Kho Virap’ film and ‘Crystalised’ hologram film

Non-profit public art with Hong Kong government support

Hope and Glory runs from April 8- May 30, 2010, and is presented by the non-profit Birch Foundation with generous support from the Hong Kong government as a cultural enrichment for the Hong Kong public. The exhibition event is held in an ideal location which was made available to the Birch Foundation free of charge. Entry into the exhibition is free, and a series of innovative forums and interactive educational events exploring topics and questions generated by the artworks will be held throughout the exhibition period.

Twilight Shadows Of The Bright Face, opening performance, by Simon Birch. Hope and Glory video installation shot.

Forums

Fri 07 May 2010 . Forum 1 ‘Art as Place’
Fri 14 May 2010 . Forum 2 ‘Re-Generation, De-Generation’
Fri 28 May 2010 . Forum 3 ‘HOPE & GLORY : The Making’

Exhibition and Forum Location:

ArtisTree

1/F Cornwall House

TaiKoo Place, Island East

Hong Kong (MTR: Quarry bay, Exit A)

Open Daily from 10 am – 8 pm  (Free Entrance)


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Posted in Art spaces, Cang Xin, Conceptual, Curators, Events, Fantasy art, Hong Kong, Hong Kong Artists, Installation, Interactive art, Nonprofit, Painting, Performance, Public art, Sculpture, Shows, Simon Birch, Sound, Sound art, Stanley Wong, Stanley Wong Anothermountainman, Surrealist, Valerie Doran, Video | Tagged: , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Which museums are collecting Chinese contemporary art? New database just released

Posted by artradar on November 22, 2009


MUSEUM COLLECTIONS CHINESE ART

The AW Asia gallery in New York has just released a valuable new resource for collectors and researchers intererested in Chinese contemporary art. Searchable by artist or museum its database, which is available online at no cost, lists Chinese artists held in permanent museum collections around the world.

According to AW Asia, the “Chinese Contemporary Art in Museum Collections” database is the first international compilation of its kind, which currently represents 42 contemporary Chinese artists and 67 domestic and international museums.

Artists include heavyweight internationally-recognised multimedia artists such as Ai Weiwei, Cai Guoqiang, Zhang Huan and Xu Bing, photographers such as Cang Xin, Hong Hao, Weng Fen and Hai Bo, ink artists Gu Wenda and Yun-fei Ji , Cynical Realist artists such as Yue Minjun, sculptors including Zhan Wang  and video artists Yang Fudong and Yang Zhenzhong.

AW Asia, a private organization in New York City that promotes Chinese contemporary art through institutional loans and acquisitions, curatorial projects, publishing, and educational programs.

Although the database is not yet comprehensive, it starts to shed light on which international museums are validating contemporary Chinese art. If you are a curator or museum representative with additional information regarding Chinese contemporary art in a permanent museum collection, AW Asia would like to hear from you. Please write to  info@awasiany.com

As the database is still under development Art Radar would like to suggest an additional feature:  a feed so that news sources can be alerted to the latest additions to museum collections. In the meantime, congratulations on creating a useful new resource.

Click to visit the Chinese contemporary art in museums database.

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Liquidity propels prices, Chinese Political Pop is back – Sothebys Contemporary Asian Art Auction 2009 Hong Kong

Posted by artradar on October 16, 2009


SOTHEBY’S AUCTIONS HONG KONG CONTEMPORARY ASIAN ART

Although called a Contemporary Asian Art auction, this sale was dominated by Chinese artists which was a canny move by Sotheby’s given that mainland liquidity is driving prices of property in Hong Kong to record high prices of US$1,000 per square foot and sending Chinese stock markets soaring. According to Bloomberg, Chinese money supply has grown by 55% since the beginning of 2007 compared with 20% in the UK and US.

Some of this liquidity has found its way into the art market at this auction. Mainland buyers were active and revealed some surprising preferences.

Hong Kong artists back in a second showcase

Sotheby’s followed up its inaugural and successful showcase of 8 Hong Kong artists in the ‘Spring auction earlier this year with an expanded selection of works by 10 artists. Affordable prices meant that all but two of the works found buyers with successful bids mostly coming in around estimates.

Simon Go, Hong Kong Old Shops, Inkjet on Bamboo Paper

Simon Go, Hong Kong Old Shops, Inkjet on Bamboo Paper

Works by two artists, sculptor Danny Lee and photographer Simon Go who were both new to the auction this year, did better than estimates. Danny Lee produces stainless steel sculptures which are reminiscent  – though in a more organic liquid form –  of the stainless steel scholar rocks made by the world-renowned sculptor Zhan Wang  whose works have been collected by institutions such as the British Museum . Danny Lee’s Mountain and Stream IV sold for HK$170,000 against a top estimate of HK$160,000 (before premium). (US$1 = HK$7.7)

Danny Lee, Mountain and Stream IV, Steel wood

Danny Lee, Mountain and Stream IV, Steel wood

Simon Go’s set of 2 photographic works called Hong Kong Old Shops: Wing Wo Grocery and Keng Ming Mirror Shop achieved a price of HK$80,000 against an estimate of HK$30-50,000 (before premium). This lot points to several collector trends. According to Larry Warsh, a New York-based dealer, there is a growing interest in Chinese photography and Wing Wo Grocery ( an image of a family clan in an old-style grocery shop from the colonial era recently shut down in preparation for urban renewal) embodies trends identified at an ArtInsight seminar last month called ‘Trends and Opportunities in Photography” . The panelists identified documentary photography and ‘slice of lif’e’ photography as hot areas for collectors now.

Zhan WangThe biggest story of the Hong Kong part of the sale was Tsang Tsou Choi’s calligraphy which saw excited bidding between several bidders in the room and on the phone resulting in a price (before premium) of HK$400,000 which was 8 times the lower estimate of HK$50,000. Work by this artist now deceased was also a surprising success in the Spring 2009 auction perhaps because of local media and public interest in the eccentric behaviour he displayed in his long art career.

Tsang Tsou Choi, Calligraphy, Acrylic on Canvas

Tsang Tsou Choi, Calligraphy, Acrylic on Canvas

In our Sotheby’s Spring 2009 auction post we wrote:

Tsang, Tsou Chin aka The Kowloon Emperor is a Hong Kong legend, famous for his calligraphy graffiti which he painted on public furniture. Undeterred by numerous warnings he roamed the streets for 50 years laying down his family genealogy and his personal history as an emperor in exile in blatant defiance of the Queen and English colonial rule. Deemed a lunatic by some, he was nevertheless recognised when in 2003 he became the very first Hong Kong artist to exhibit at the Venice Biennale.

Cynical Realist artists are back

In the next section of the sale a series of Chinese sixties-born artists, many from the Cynical Realist and Political Pop movements (Yue Minjun Feng Zhenghjie Zeng Fanzhi, Fang Lijun, Zhang Xiaogang) came under the hammer with hefty estimates of several hundred thousand and up to around $5 million per lot.

Yue Minjun, Hats Series - The Lovers, Oil on Canvas

Yue Minjun, Hats Series - The Lovers, Oil on Canvas

On a visit to London last month Art Radar heard several Western commentators describing Chinese art as ‘old’, ‘tired’ and ‘done’. This auction showed clearly that there are keen buyers for Chinese artists of this era who are willing to pay robust prices. Room bidders were mainly middle-aged Chinese men, who are perhaps collectors or more likely dealers for a growing middle class market in the mainland. Most lots in this section sold at estimate and some well above. Yue Minjun’s ‘Hats Series – The Lovers’ attracted several room bidders and a phone bidder eventually selling for HK$5.3m against a top estimate of HK$3.5m.

Institution-endorsed Chinese artists of the  fifties and sixties meet price resistance

Wang Keping, Untitled, Wood

Wang Keping, Untitled, Wood

It is no secret that Western critics regard some of the Cynical Realist artists as lightweight and lacking in intellectual rigour.  Instead major institutions such as the Royal Academy and British Museum in London have favoured and endorsed other mid-century born artists such as gunpowder artist Cai Guo-Qiang and Xu Bing, famous for his invented calligraphy . These artists sold well at lower price levels but lots with high estimates met resistance and failed. Cai Guo-Qiang’s Money Net No 2, part of Royal Academy of Art Project (estimate HK$4.7m – 5.5m) and Xu Bing’s Silkwom Series – The Foolish Old Man Who Tried to Remove the Mountain (estimate HK$5m – 5.5m) were bought in.

Frowns for part-increment bids

What we did see at this auction was a much stronger resistance by the two auctioneers in this marathon four-and-a-half  hour sale to partial bids. In recent auctions we have seen bidders make counter-offer bids at increments lower than standard. In the recent past these were accepted with alacrity by genial auctioneers. At this auction bidders were left waiting, frowned at and as often as not turned down.

Zhang Huan upset

Zhang Huan, My New York, Chromogenic Print

Zhang Huan, My New York, Chromogenic Print

Zhang Huan

, formerly a performance artist and more recently a sculptor and installation artist known for his works in ash and animal skins had 5 lots in the sale. Despite  backing by big-boy galleries in London and New York (Zhang Huan currently has an installation at White Cube in Picadilly London) four of his works including two sculptures and two chromogenic prints were bought in. The only work which was successful was a chromogenic print (numbered 3/8) recording his early endurance performance art which sees him running barefoot along the streets covered in raw meat. This work exemplifies another trend identified at the Artinsight photography seminar: growing interest in photographic documentation of performance art.

Sculpture mixed

Sculpture had a mixed performance. Apart from Zhang Huan’s two failed lots and one by Hong Kong artist Kum Chi Keung, there was a surprise pass on Japanese artist Yayoi Kusama’s pink polyester mannequin Self-Obliteration (estimate $550-650,000). Most of the rest of the ten or so sculptures including Wang Keping’s wooden female forms, Zhang Wan’s scholar rocks, kitsch sculptures by the Luo Brothers and Huang Yan and a run of five works featuring sculpted heads  and figures (by various artists) sold at or above estimate.

Li Hui, Amber Dragon, Neon and steel

Li Hui, Amber Dragon, Neon and steel

Two lots by neon and steel sculptor Li Hui (1977) were highly sought after and attracted across-the-room bidding. Both pieces were purchased by an Asian family who were active bidders in the preceding sale of South East Asian art. The family also acquired an acrylic on canvas by Japanese artist Hiroyuki Matsuura and another by Ryuki Yamamoto. Traditionally collectors’ interests cluster geographically and more often than not collectors prefer to buy their national artists though there have been signs of changes. Despite the recession there is still momentum  behind this trend of pan-Asia buying.

Chinese photography fluid bidding

A handful of photographs were scattered through the sale but the bulk was found in an eleven lot run in the middle.  This run featured sixties-born Chinese photographers such as Hai Bo, Hong Hao, Wang Qingsong, Huang Yan, Cang Xin and Sheng Qi who were active in the nineties and many of whom came to international prominence in 2004 with Christopher Phillips’ seminal exhibition Between Past and Future at the International Center of Photography in New York. Since then major US institutions have been collecting the work of this group as we reported in April 2009:

Hai Bo, Red Guard, Chromogenic Print and Gelatin Silver Print

Hai Bo, Red Guard, Chromogenic Print and Gelatin Silver Print

The J. Paul Getty Museum is the latest institution to add works by Chinese contemporary artists to its holdings. Others include New York’s Museum of Modern Art, which recently acquired 28 works for its photography collection, the Museum of Contemporary Art in Los Angeles, and the Brooklyn Museum, as well as global institutions such as the Tate and the Pompidou Center.

“The acquisition of these works (Wang Qingsong, Hai Bo) affirms an important new direction for the Getty,” says noted photography dealer and collector Daniel Wolf, who helped establish the museum’s collection in the 1980s. “It reflects an interest in expanding the collection in this category.”

Prices were affordable and bidding was fluid. While editions were limited to the 8-20 range and many of the lots were made up of multiple images, sales were made at estimates which were surprisingly affordable. Most lots sold for between HK$40-75,000. Wang Qingsong’s triptych photograph Past Present, Future which sold at estimate for HK$260,000 was the exception.  One buyer snapped up several lots.

One upset was lot 765 by Cao Fei which was passed in. Her works are inspired by the internet, video games, role-playing and the virtual world and she has received wide coverage in London and beyond after a recent show at Battersea Power Station organised in conjunction with the Serpentine Gallery.

Japanese and Korean art

The sale was dominated by Chinese artists but there was a run of cartoon-style art, many by young Japanese artists, a third of the way through the sale which sold at prices HK$50-150,000. Heavyweight Japanese artists were priced much higher but did not always sell or meet the estimate.  Yoshimoto Nara’s It’s Everything sold at HK$3.3m compared with an estimate of HK$3.8-HK$5m. Work by Yoshitaka Amano (described by Time Out as ”the Japanese anime legend behind the Final Fantasy video game” and who attracted spirited phone bidding in the spring sale 2009) was passed in. Takashi Murakami was the exception achieving HK$520,000 for an untitled 1/50 edition screenprint carrying an estimate of just HK$50-70,000. Korean works also achieved mixed results.

Long long auction

The final run of 11 lots saw 6 passes despite affordable prices. This result is probably not worth analysing in depth as it likely had more to do with the numbing length of the 4-5 hour 2 auctioneer sale which saw a packed room of 200 or so dwindle away to 30 or 40 tired stalwarts at what felt like the dog-end of the sale. Perhaps Sotheby’s who charged for coffee and catalogues again this year is still in cost-slashing mode. Let’s hope that by next year there will be enough new money supply for a return to more coffee breaks and free coffee.

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Posted in Auctions, Business of art, Cai Guoqiang, Cao Fei, Cartoon, China, Chinese, Hong Kong, Hong Kong Artists, Japanese, Korean, Li Hui, Market watch, Photography, Sculpture, Takashi Murakami, Xu Bing, Yayoi Kusama, Yoshitaka Amano, Yue Minjun, Zeng Fanzhi, Zhang Huan, Zhang Xiaogang | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Book: Chinese Contemporary Art 7 Things You Should Know

Posted by artradar on October 23, 2008


BOOK OVERVIEW CHINESE CONTEMPORARY ART

Chinese Contemporary Art: 7 Things You Should Know – Melissa Chiu

In China today, contemporary art is readily available in public museums and private galleries in burgeoning gallery districts, and in three new art fairs in Beijing and Shanghai. Abroad, Chinese artists are the subject of museum retrospective exhibitions and grace the covers of international art magazines.

Chinese contemporary art has come of age; yet there are few reference books for the reader who wants a quick but precise history of the field. This book aims to fill that gap. Short and to the point, it is arranged into seven sections outlining the rudiments of Chinese contemporary art: what you need to know about the artists, the art market, and what can legitimately be called a new art movement, perhaps the first great art movement of the 21st century.

Sections:

  • Contemporary art in China began decades ago
  • Chinese contemporary art is more diverse than you might think
  • Museums and galleries have promoted Chinese contemporary art since the 1990s
  • Government censorship has been an influence on Chinese artists, and sometimes still is
  • The Chinese artists’ diaspora is returning to China
  • Contemporary art museums in China are on the rise
  • The world is collecting Chinese contemporary art

 Artists:

Weiwei AI(艾未未), Guoqiang CAI(蔡國強), Xin CANG(蒼鑫), Fei CAO(曹斐 b.1978), Danqing CHEN(陳丹青 b.1953), Zhen CHEN(陳箴), Xiuwen CUI(崔岫聞 b.1970), Lijun FANG(方力鈞), Mengbo FENG(馮夢波), Jianyi GENG(耿建翌), Dexin GU(顧德新), Wenda GU(谷文達), Bo HAI(海波), Duoling HE(何多苓 b.1948), Hao HONG(洪浩), Lei HONG(洪磊), Rui HUANG(黃銳), Yan HUANG(黃岩 b.1966), Yongping HUANG(黃永砅), Shan LI(李山 b.1942), Shuang LI(李爽), Tianmiao LIN(林天苗), Yilin LIN(林一林 b.1964), Wei LIU(劉煒 b.1965), Xiaodong LIU(劉小東), Desheng MA(馬德升), Liuming MA(馬六明), Zhilong QI(祁志龍 b.1962), Zhijie QIU(邱志傑 b.1969), Rong RONG(榮榮), Dong SONG(宋冬), Jianguo SUI(隨建國), Du WANG(王度), Gongxin WANG(王功新), Guangyi WANG(王廣義), Jianwei WANG(汪建偉), Jin WANG(王晉 b.1962), Jinsong WANG(王勁松), Keping WANG(王克平 b.1949), Qingsong WANG(王慶松), Shanzhuan WU(吳山專), Lu XIAO(肖魯 b.1962), Danwen XING(邢丹文), Bing XU(徐冰), Lei YAN(顏磊), Peiming YAN(嚴培明), Fudong YANG(楊福東 b.1971), Jiechang YANG(楊詰蒼 b.1956), Shaobin YANG(楊少斌), Xiuzhen YIN(尹秀珍 b.1963), Minjun YUE(岳敏君 b.1962), Fanzhi ZENG(曾梵志), Wang ZHAN(展望), Dali ZHANG(張大力), Huan ZHANG(張洹), Peili ZHANG(張培力), Xiaogang ZHANG(張曉剛 b.1958), Chunya ZHOU(周春芽), Ming ZHU(朱冥 b.1972)

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Saatchi back with new gallery, school programme, China show, – Reuters, BBC

Posted by artradar on October 12, 2008


COLLECTOR SHOW CHINESE ART

Influential British art collector Charles Saatchi is back after three years out of the limelight, opening a major new gallery in central London showcasing some of China’s hottest artists reports Reuters. The man who introduced the world to Britart stalwarts like Damien Hirst and Tracey Emin has been largely absent from the art scene since his gallery was forced out of its previous home on the River Thames in 2005. Now he is back with a huge new exhibition space in upmarket Chelsea, where he hopes free entry to the imposing former headquarters of the Duke of York will attract passers by.

Critics have lauded the imposing three-storey building with its glass and white-walled interior, and welcomed back one of contemporary art’s biggest players. But the inaugural show, opening on Thursday, has earned mixed reviews.

The Revolution Continues: New Art from China” is dedicated to Chinese artists including established stars like Yue Minjun, Zhang Xiaogang and Zeng Fanzhi, whose painting fetched $9.7 million in May, a record for Asian contemporary artwork.

Some critics have categorized the crazed, laughing men of Yue or the gray, stylized portraits of Zhang as repetitive, even “mass production” art.

Generally more popular were the sculptures, particularly an installation piece called “Old Persons Home” by Sun Yuan and Peng Yu, involving 13 aging men on wheelchairs moving randomly around a large basement room. Their striking resemblance to late world leaders turns the work into a commentary on the pitfalls of power and conflict. The gallery calls it “a grizzly parody of the U.N. dead.”

But the gallery’s head of development, Rebecca Wilson, said Saatchi’s target audience was less the experts — critics, collectors and curators — and more the general public, most of whom are unfamiliar with contemporary Chinese art. “There was a feeling that all of these artists were suddenly emerging from China, doing very well at auction, there were the Beijing Olympics coming up,” she told Reuters. “There was this kind of convergence of interest in China, so we felt it should be the exhibition that we open with.”

IRAN, IRAQ ART TO COME

Early next year the Saatchi Gallery will put on a show dedicated to contemporary Middle Eastern art, including from Iran and Iraq, by artists never seen in Britain before.

“None of those artists have been seen in this country before and will be very little known elsewhere in the world as well,” said Wilson. “I think Charles has been searching for months to try to find interesting works.”

Saatchi sells some art after an exhibition ends, partly to fund his enterprise. Auction house Phillips de Pury is supporting the gallery to ensure entry will be free.

_____________________________________________________________________________

BBC coverage:

Only free contemporary art museum in world

The BBC reports that the Saatchi gallery claims to be the only completely free entry contemporary art museum of its size in the world. Simon de Pury, of auction house Phillips de Pury & Company, who is sponsoring the exhibition, said they expected “millions” of visitors.

Ground-breaking school education programme to come

The gallery said it was seeking to establish a “ground breaking” education programme “to make contemporary art even more accessible to young people.

“It is anticipated that the facilities that the Saatchi Gallery plans to offer – at the gallery, via its website and the gallery’s own classroom – will ensure that teachers receive the best on-site and outreach support for their students.”

——————————————————————

Artists: Zhang Dali, Zeng Fanzhi, Wang Guangyi, Zheng Guogu, Zhang Haiying, Zhang Hongtu, Zhang Huan, Qiu Je, Xiang Jin, Shi Jinsong, Fang Lijun, Yue Minjun, Li Qing, Wu Shuanzhuan, Shen Shaomin, Li Songsong, Zhan Wang, Liu Wei, Zhang Xiaogang, Zhang Xiaotao, Cang Xin, Shi Xinning, Li Yan, Bai Yiluo, Sun Yuan and Peng Yu, Zhang Yuan, Yin Zhaohui, Feng Zhengjie

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Posted in Chinese, Collectors, Cultural Revolution, Gallery shows, Individual, Iranian, Iraqi, London, Mao art, Middle Eastern, Political, Sculpture, UK | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Saatchi site features documentary video of Chinese contemporary art

Posted by artradar on July 29, 2008


CONTEMPORARY CHINESE ART DOCUMENTARY The hour long film produced by Pia Getty Films documents interviews with major Chinese contemporary artists as they work in their studios as well as interviews with gallerists and auctioneers about the market for Chinese contemporary art. Artists featured include Yue Minjun, Zhang Xiaogang, Zeng Fanzhi, Cang Xin, Zhang Huan amongst others.

View video excerpts on Saatchi website here

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Benefit art auction for new contemporary art museum in Hong Kong opening fall 2008

Posted by artradar on June 12, 2008


 

CHINA On 29 June 2008 a fund-raising auction will be held to raise capital to build and operate a new contemporary art museum in Causeway Bay, Hong Kong. Indonesian auctioneers Larasati will put 35 lots donated by Hong Kong gallerists and Chinese and overseas artists under the hammer at the gala dinner sale in the JW Marriott hotel. Executive director of the Moca China museums group envisions that the museum due to open in fall 2008 “could eventually be considered to be one of the finest museums of contemporary art in the world”. Highlights include a piece from the highly sought after emerging artist Shen Hua’s “Manual Workers Series” and a C-Print by the Preview 19th to 28th June 2008. 

More details www.mocachina.org

 

 

 

 

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