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Posts Tagged ‘Chen Ke’

Young Chinese Artists The Next Generation – book review

Posted by artradar on June 10, 2009


EMERGING ARTISTS CHINA BOOK REVIEW

A new book called Young Chinese Artists: The Next Generation was recently sent to us for review by the editors. We were a little concerned that this might be another ostensibly objective production, the real purpose of which is – yes, you guessed – the promotion of gallery artists.

Li Yu Liu Bo She follows you and sleeps in your bed naked? Who is this lady? 2006 C Print and Lightbox

Li Yu Liu Bo, She follows you and sleeps in your bed naked? Who is this lady?, 2006, C Print and Lightbox

We were, however, surprised and delighted to find that it is a book to roll around in, play with and draw inspiration from. At 300 pages long it provides an introduction to thirty artists (six of whom work as duos) born in mainland China between 1975 and 1981, roughly half a decade.

Buy here

Click to buy

This era and time frame – unusually short for a survey – are two of the factors which make this book particularly engaging.

The p0st-’70s era was selected because it marks the end of the Cultural Revolution and artists born in this period are witness to China’s continuing frenetic social and political development: a rich source for artistic inspiration and expression.

But, perhaps just as significantly for the success of the book, these artists, born no later than the seventies, have had enough time to build a body of work large enough for in-depth assessment. At the same time many are sufficiently unknown to allow us a tantalising sense of discovery.

The short time period of 1975-1981 astutely recognises the velocity of change in China in the last thirty years: a shorter time-frame allows for a more rigorous and meaningful analysis of the themes preoccupying artists which are teased out in a series of essays by experts and writers.

The team of twenty writers and editors include influential figures such as Huang Du who was curator for the Chinese Pavilion at the Venice Biennale in 2003 and Philip Tinari who curated the selection of Hong Kong artists at the big-name Louis Vuitton show in Hong Kong 2009.

Xu Zhen, Fitness, 2007

Xu Zhen, Fitness, 2007

Each artist is awarded one chapter which contains an interview, eight or so images, a listing of principal exhibitions and a one-page overview of the development of the artist’s work by one of the team of writers, usually written in a somewhat academic style. This is an extract from Philip Tinari’s essay ‘The Merry Prankster’ about Xu Zhen:

“Xu Zhen’s recent work has grown more light-hearted, if predicated on the notion of elaborate fictional scenarios. In one 2007 work Fitness he rigged exercise machines with remote control technology so that the viewer can get a virtual ‘workout’ by pressing buttons.”

Perhaps the least successful sections are the promising-sounding artist interviews where responses turn out to be  perfunctory. “Do you believe in true love?” “Yes”. Perhaps the fault lies in the skills of the interviewers who use closed-ended questions without follow up. But then again the snappy style was ubiquitous across the responses and could in fact be a telling reflection of the essential culture of this generation of artists: a time-starved, light-chat-as-snack culture propagated by the internet social media.

What we liked most was the sense that the editors had tried to reflect the real art scene as they experience it on the ground, even though their take may be viewed as controversial.

“In the past several years outside of China a number of contemporary art exhibitions featuring young Chinese artists showcased artistic forms such as video, multimedia and installation which gave the impression that painting was passe… while we have observed that the employment of these ‘new media’ is widespread (quite a few artists work in more than one discipline), painting is very much a driving force in the contemporary art scene.”

Find below more facts about the how the artists have been selected and their names.

Further criteria used for selection:

  • representative of the generation – themes which reflect the mindset of the generation
  • origins in mainland China – born and raised there
  • the variety of media actually used by artists – while ” new media is widespread, painting is still a driving force in contemporary art scene”
  • local/international exposure
  • body of work showing discernable artistic development
  • independence of thought and
  • authenticity

No account was given of the market value of the works.

Artists are:

Birdhead, Cao Fei, Chen Ke, Chen Quilin, Chi Peng, Gong Jian, Han Yajuan, Li Hui, Li Jikai, Li Qing, Li Yu and Liu Bo, Liang Yue, Liu Ding, Liu Ren, Liu Weijian, Ma Yanhong, Qiu Xiaofei, Ta Men (THEY), Tang Maohong, Wang Guangle, Wei Jia, Wen Ling, Wu Junyong, Xu Zhen, Yang Yong, Zhang Ding, Zhou Jinhua.

To buy Young Chinese Artists: The Next Generation click here

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Niubi kids and American art – Top ten shows in Hong Kong September 2008 part 2 – Saatchi Online

Posted by artradar on September 7, 2008


 EXHIBITIONS HONG KONG

Top ten shows in Hong Kong this September part 2 published in Saatchi Online Magazine and written by Art Radar Asia’s editor Kate Evans.

Lee Waisler: Portraits and Abstractions
11 September to 11 October
Sundaram Tagore Gallery

Sundaram Tagore’s first solo show in its new gallery in Hong Kong features the eminent American artist Lee Waisler whose works are in permanent collections of prestigious institutions such as the Metropolitan Museum of Art and the Victoria and Albert Museum. Lee Waisler presents two series of works: portraits of iconic figures and abstracts, both in a trademark style in which he loads the canvas with layers of paints and organic materials to create thick sweeps of pigment separated by knife-sharp ridges. His portrait series includes the stylized over-bold faces of, amongst others, Marilyn Monroe, Mahatma Gandhi, Kafka and Albert Einstein. Their textured planes draw our hands to hover over the surface, curious, wanting to touch but not quite daring: a potent echo of the real life lure of iconic idols and our visceral compulsion to draw near, look closely and touch. For this show Waisler has created an interesting new body of work incorporating Chinese culture and imagery including a portrait of Anna May Wong, a famous Chinese-American actress of the 1930s and 1940s and Doctor Ho, a renowned healer from China.

 

Larry Yung: Desire – Loss

Amelia Johnson Contemporary
4 September to 27 September 2008

In the works of this much anticipated show two years in the making, Chinese American artist Larry Yung places idealized images of American and Chinese people alongside material objects of desire and cultural icons such as Mickey Mouse. Smiling characters are painted with a flatness reminiscent of the iconography of Chinese propaganda posters and 1950’s US advertisements of the American Dream. This juxtaposition invites us to examine the complex relationship between the demise of the American Dream and the rise of Chinese aspirations. His stiff stylized figures appear artificial and remind us material prosperity is impermanent and illusory: part of a fleeting cycle of lack, desire, success and loss. His work has been commissioned by Proctor & Gamble, Pierre Cardin and Nordstroms and is held in various private collections including those of Marvel Comics, Esquire Magazine and Microsoft.

 

Niubi Newbie Kids
Mixed media group exhibition: Chen Fei, Chen Ke, Zhou Jin Hua, Zhang Ye Xing, Zhou Yi Qian, Feng Wei
19 September to 13 October 2008
Schoeni Gallery

Schoeni was pivotal in the nineties in promoting the art of then unknown Chinese political pop artists such as Yue Min Jun, Zeng Fan Zhi and Zhang Xiaogang, many of whom have since gone on to achieve iconic status and high auction prices. This September the gallery is showing the next generation of 80s born unknowns, the rebellious Niubi Kids. Untranslatable and a play on Chinese slang curse words, the word ‘Niubi’ is used by young people to identify the new wave of rebellious cool young Chinese. Also termed China’s ‘Me’ generation, a product of China’s One Child policy, they are less concerned with politics than with themselves, issues of identity and alternative worlds. This provoking not-to-be missed show of mixed media works, replete with influences from the internet, comics, video games and Japanese culture, is the result of two years work by the gallery and is the first in a biannual series.

Posted in Acquisitions, Anime, Cartoon, Chinese, Collectors, Corporate collectors, Emerging artists, Manga, New Media, Painting, Photography | Tagged: , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Benefit art auction for new contemporary art museum in Hong Kong opening fall 2008

Posted by artradar on June 12, 2008


 

CHINA On 29 June 2008 a fund-raising auction will be held to raise capital to build and operate a new contemporary art museum in Causeway Bay, Hong Kong. Indonesian auctioneers Larasati will put 35 lots donated by Hong Kong gallerists and Chinese and overseas artists under the hammer at the gala dinner sale in the JW Marriott hotel. Executive director of the Moca China museums group envisions that the museum due to open in fall 2008 “could eventually be considered to be one of the finest museums of contemporary art in the world”. Highlights include a piece from the highly sought after emerging artist Shen Hua’s “Manual Workers Series” and a C-Print by the Preview 19th to 28th June 2008. 

More details www.mocachina.org

 

 

 

 

Posted in Chinese, Indonesian, Painting, Sculpture | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »