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Posts Tagged ‘contemporary Indonesian art’

Tyler Rollins names top Asian artist line-up for new season

Posted by artradar on September 19, 2010


CONTEMPORARY ART SOUTH EAST ASIA ART PROMOTION EXHIBITION SCHEDULE

Tyler Rollins Fine Art has announced its 2010-2011 exhibition schedule. The gallery will present solo exhibitions by four of the most highly respected artists from the Southeast Asian region starting from 16 September, this year.

Tyler Rollins Fine Art is a gallery in New York’s Chelsea area that has a primary focus on contemporary Southeast Asian art; one of the art world’s most culturally diverse and dynamic areas. As the gallery says, its objective is to put the spotlight on some of the most exciting trends in contemporary art, drawing attention to the interconnectedness of today’s globalised art world and fostering inter-cultural dialogue between the East and West.

“Rollins’ timing is perfect: while prices for Chinese works dropped in the fall auctions, Southeast Asian art broke records.” Contemporary Art Philippines

The gallery will first show the Filipino artist, Manuel Ocampo, the most internationally-know contemporary artist from the Philippines. Ocampo has been a vital presence on the international art scene for over twenty years and is known for fearlessly tackling the taboos and cherished icons of society and of the art world itself. Marking his sixtieth solo show, Ocampo will be presenting new paintings and woodcut panels featuring traditional Christian iconography combined with secular and political narratives.
“The theme that comes up again and again is of figures that connect to a sort of myth-induced stereotype, rendered iconic but bludgeoned into a farcical conceptual iconoclasm made absurd by its exaggerated impotence as a carrier of meaning or the esthetics of politics. The paintings are a comment on desire, as painting itself is an object accustomed to this wish of being desirous, yet in the series they have a knack of providing some difficulty to the viewer as the conventions of painting are dismantled to the point of ridicule.” Tyler Rollins Fine Art

Following Ocampo, is Vietnam’s most prominent female contemporary artist, Tiffany Chung. Chung, noted for her sculptures, videos, photographs and performance work, will showcase her works at Tyler Rollins from 14 November to 31 December this year. Inspired by maps of urban regions, Chung’s solo show at the gallery explores the topographic after-images of some of the past century’s most traumatic conflicts.

'Berlin Wall', 2010, embroidery, painted metal grommets, and buttons on canvas. The maps that Chung is showcasing tell us about our relations with the past and our visions of the future. Image courtesy of Tyler Rollins Fine Art.

 

Moving away from Southeast Asian art, Tyler Rollins Fine Art will also present works by Tracey Moffatt, an Australian artist who is one of today’s leading international visual artists working in photography, film and video. Many of her photographs and short films have achieved iconic status around the world; Moffatt takes her inspiration as much from popular culture and the idea of fame and celebrity as she does from art history.
In January 2011, Tyler Rollins will be featuring her recent photographic series, Plantation, as well as Other, the final work in her video series inspired by Hollywood films.

'Plantation (Diptych No. 1)', 2009, digital print with archival pigments. 'InkAid', watercolor paint and archival glue on handmade Chautara Lokta paper. Tracey Moffatt's eerie pictures delve into a troubled history of exploitation. The man in the image is an alien, an outsider who is not welcomed into the colonial-style house. Image courtesy of Tyler Rollins Fine Art.

As a finale to this artist line-up, Tyler Rollins will be presenting Agus Suwage from March to April, 2011. Suwage is often named as one of the most important Indonesian contemporary artists. Although little of his work has been seen in the U.S., it has been exhibited around the world over the past few decades and is included in most major collections and surveys of Indonesian contemporary art.

Suwage's paintings explore the predominant theme of the self-portrait, employing the artist’s own body and face in a number of guises to address questions of identity and change in his surrounding socio-cultural condition. 'Playing the Fool' (2004) is the artist’s continuing exploration into violence, pain and joy. Image courtesy of Tyler Rollins Fine Art.

JAS/KN/HH

Related Topics: promoting art, Southeast Asian artists, gallery shows

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Posted in Art spaces, Australian, Filipino, Gallery shows, Indonesian, International, Lists, Painting, Performance, Photography, Promoting art, Southeast Asian, Video, Vietnamese, Wood | Tagged: , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Top 20 Asian artists June 2010: Art Radar Asia’s most-searched artists

Posted by artradar on July 26, 2010


TOP ASIAN CONTEMPORARY ARTISTS

In January this year, we published the article, “Top 17 Asian artists 2009: Art Radar’s most-searched artists, listing Art Radar Asia‘s most searched for artists to the end of 2009. This was so popular with our readers that we have decided to publish these results again. This list below highlights artists searched for between 30 June 2009 to 30 June 2010.

Takashi Murakami

Takashi Murakami

Art Radar Asia receives an average of 27,000 page views a month. Our readers come to us in various ways: via links from other websites, from Twitter, facebook and other social media, from our email newsletter, from word of mouth referrals and, of course, via search engines.

Many readers find us by typing a specific artist name into Google or another search engine and finding a story written or image published by Art Radar Asia. Our analytics package tracks these search terms for us and we thought you might be interested in this data, too. The search terms used by readers when finding each artist are varied. For example, common search terms recorded for Japanese artist Takashi Murakami included: “takashi murakami”, “murakami”, “murakami takashi”, “takashi murakami art” and “takeshi murakami”.

Art Radar Asia‘s 20 most searched artists – the list

We can’t claim that this list is a reliable proxy for the most-searched Asian artists on the Internet overall (take a look at our notes at the bottom of this article). However, we do think the list throws up some fascinating data, particularly when compared with the 2009 results.

  1. Takashi Murakami – male Japanese anime painter and sculptor – 36,086  searches (34,000, December 2009)
  2. Shirin Neshat – female Iranian photographer – 4,532 searches (2,200, December 2009)
  3. Anish Kapoor – male British-Indian sculptor – 4,246 searches (3,500, December 2009)
  4. Marina Abramović – female New York-based Serbian performance artist – 3,092 searches (not listed, December 2009)
  5. Yoshitaka Amano – male Japanese anime artist – 829 searches (460, December 2009)
  6. Cao Fei – female Chinese photographer and new media artist – 672 searches
  7. Terence Koh – male Canadian-Chinese photographer, installation and multimedia artist – 634 searches
  8. I Nyoman Masriadi – male Indonesian painter – 625 searches
  9. AES+F – Russian photography and video collective – 521 searches
  10. Hiroshi Sugimoto – male Japanese photographer – 503 seaches
  11. Subodh Gupta – male Indian painter, installation artist – 417 searches
  12. Ori Gersht – male Israeli photographer – 408 searches
  13. Ronald Ventura – male Filipino painter – 393 searches
  14. Farhad Ahrarnia – male Iranian thread artist – 377 searches
  15. Farhard Moshiri – male Iranian painter – 363 searches
  16. Jitish Kallat – male Indian painter – 329 searches
  17. Gao Xingjian – male Chinese-French ink artist – 301 searches
  18. Bharti Kher – female Indian-British painter, sculptor and installation artist – 270 searches
  19. Shahzia Sikander – female Pakistani miniaturist – 264 searches
  20. Zhang Huan – male Chinese performance artist – 237 searches

How has the top 5 changed?

As with the last list, published at the end of 2009, Takashi Murakami is still holding the title spot with more than 36,000 searches. This is compared with 34,000 in 2009’s list. Shirin Neshat and Anish Kapoor have switched places since the previous list, although the difference between their numbers is somewhat insignificant. Yoshitaka Amano is new to the top 5, moving up to 5th place from 6th place in 2009, perhaps due to the 2010 announcement that he has established a film production company called Studio Deva Loka, in addition to directing a 3D anime named Zan. These announcements followed a small solo tour of his artwork. Marina Abramović has surged into the top 5 this time around, particularly notable as she did not appear on the 2009 list. This is most likely due to her 2010 MoMA exhibition, “Marina Abramovic: The Artist Is Present”.

Marina Abramovic, 'Happy Christmas', 2008, silver gelatin print, 53.9 x 53.9

Marina Abramovic, 'Happy Christmas', 2008, silver gelatin print, 53.9 x 53.9

How has the list changed since it was first published?

The following artists have returned since the 2009 list was published, but many have moved up or down by one or two places: Cao Fei (4, 2009); I Nyoman Masriadi (5, 2009); Ori Gersht (7, 2009); Terence Koh (8, 2009); AES+F (9, 2009); Ronald Ventura (10, 2009); Hiroshi Sugimoto (11, 2009); Farhad Moshiri (12, 2009); Subodh Gupta (13, 2009); Farhard Moshiri (12, 2009) ; Farhad Ahrarnia (14, 2009); Gao Xingjian (15, 2009); Jitish Kallat (16, 2009).

There are some new additions: Marina Abramović, perhaps due to her 2010 MoMA exhibition, “Marina Abramovic: The Artist Is Present”; Shahzia Sikander, whose medium has recently become popular with collectors and critics and who has herself surged into prominence with a win at ART HK 10 ; Bharti Kher, whose works are currently auctioning for large sums; and Zhang Huan, who has had a number of permanent sculptures installed in US cities this year, and whose company designed the permanent public sculpture for the US pavilion at the 2010 Shanghai World Expo.

Only Chinese ink artist Wucius Wong doesn’t reappear. His surge in popularity in 2009 may have been due to the retrospective exhibition, “Myriad Visions of Wucius Wong“, at The Art Institute of Chicago.

Preferred media of most-searched artists: miniatures and performance art rising in popularity

Most of the arists work in various media but in this list we have tagged them with the media they are best known for. Six of the artists are known primarily for painting, compared with only five in the 2009 list, and once again, this list is dominated by photographers, new media artists and sculptors. Miniature painting and performance art seem to be new topics of interest for readers.

Artist Age

Most of the artists were born in the 1960s and 1970s, as you would expect for a contemporary art website.

Interestingly, Shirin Neshat (Iranian photographer), Anish Kapoor (British Indian sculptor), Marina Abramović (Serbian performance artist), Yoshitaka Amano (Japanese anime), all born before 1960, were listed as number 2, 3, 4 and 5 respectively. Of course, due to their age and time spent working in the arts, they each have large bodies of work which are consistently being exhibited, collected and discussed.

Artist Gender

male 14 (13, 2009); female 5 (3, 2009); mixed collective 1 (1, 2009)

In the year to June 2010, there were more female artists on the list though men still dominated (approx. 75 percent). Those female artists who were on both lists appeared higher up this year than last.

Breakdown of artist nationalities

Chinese 4 (4, 2009); Indian 4 (4, 2009); Iranian 3 (3, 2009); Japanese 3 (3, 2009); Serbian 1 (not listed, 2009); Israeli 1 (1, 2009); Indonesian (1, 2009); Filipino (1, 2009); Russian (1, 2009)

As you can see, this result is almost identical to the previous result, with the edition of one Serbian artist (Marina Abramović, Serbian performance artist). Once again, artists from China and India are among the most searched nationality, despite fears the Indian art market would be slow to recover after the 2008-2009 global art market turndown.

Shahzia Sikander working on a mural in the USA.

Shahzia Sikander working on a mural in the USA.

Notes
This list is not a reliable proxy for the most-searched artists on the internet overall. Here is why: If we have not written a story on or tagged this artist, the search engines will not bring us traffic for this search term and it won’t appear on our traffic analysis stats page. As we have only been up for 18 months it is quite possible that we have not yet covered some higly-searched artists. And even if we have referenced an artist on our site and the artist is highly-searched, the searcher will not come to us unless we have a good page ranking for the story on the search engine.  For example if the story is, say, after page 4 of the search engine results, the searcher probably won’t find our story and will not appear in our stats. Despite these limitations the data is likely to be a reliable indicator for certain trends. Finally even if we have a story and the story is well-ranked, it may be that other stories on the same page are more alluring than ours and readers do not find their way to us.

KN/KCE

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What is Indonesian style? Jumaldi Alfi on the art, style and Jogja – interview

Posted by artradar on November 25, 2009


CONTEMPORARY INDONESIAN ART

The Sotheby’s success of contemporary Indonesian artists like  I Nyoman Masriadi, who sold  a single painting for more than $245,000 USD at auction on October 6th, 2009 in Hong Kong, has grabbed the attention of the art world. There finally appears to be much international interest in art from the politically heated Southeast Asian island nation. However, what is Indonesian art, and is there an ‘Indonesian style’? Art Radar Asia researcher Erin Wooters discusses the emerging style from this part of the art world with renowned Indonesian artist Jumaldi Alfi at Sin Sin Fine Art in Hong Kong before the opening of the ‘Diverse 40 x 40’ exhibition, which features the works of Alfi, Andy Dewantoro, and Nasirun.

Renewal/ Verjungung Series 3-A, by Jumaldi Alfi, 2009. Acrylic on canvas. Image courtesy of Sin Sin Fine Art.

Jumaldi Alfi, born July 19th 1973, is from Padang in West Sumatra, and studied in Java at the Indonesian High School of the Arts and then the Indonesian Institute of Arts in Jogja (also known as Yogyakarta or Jogjakarta.) In 2008 his work sold for upwards of $35,000 USD at Sotheby’s,  and he has experienced continued success in 2009. He describes his complicated journey to becoming an artist:

Alfi: My family has a poetry culture. My uncle is a poet and my family prepared me to be appointed to his position, because in our clan we need someone to talk to people with symbolic words. My uncle taught me, but I couldn’t [take his position], because in our poetic culture you need to have very focused writing, from the first to the last word, or else the meaning is gone… Honestly, I did not always want to be an artist. I thought I would follow my uncle, because of our bloodline. But when I chose to be an artist for my career, my mom wanted to know why. They thought artists were not disciplined, so stinky, long hair..

Q: What do you think makes Indonesian art different or unique from other Southeast Asian art?

Alfi: Eighty percent of the artists stay in Jogja.. In Indonesia, especially in Jojga, we live together and have an open community, keeping and sharing the energy… We open our hearts, not just the brain.

Q: So you think the way the people interact is special and different, and that’s what makes the art different?

Alfi: Yea, the place! The city is open, individual, and very personal. Jojgakarta is a small city, and feels like all family. If I am bored or depressed when working in my studio late at night, I can go out, places will still be open, and many artists will be there. I think it’s good. We talk, and then I am back to my studio with a renewed energy.

Q: Is there anything else that makes Indonesian art unique or different from other Southeast Asian art?

Alfi: Yes, our heart.

Renewal /Verjungung Series 2-B, by Jumaldi Alfi, 2009. Acrylic on Canvas. Image courtesy of Sin Sin Fine Art

Q: Are there any subject matters or themes relating Indonesian art?

Alfi: Honestly, we don’t have a connector in Indonesian art. You can’t find something and say – Oh, this is Indonesian style. You can see the style is very modern. We use Western techinique. We use oil and acrylic, but still you can feel it is not Western. It is not Western because when we start working, we don’t use our brain first. We use our feeling, it’s about feeling. If we’re inspired, we work. If not, we stop.

Q: I see. That touches on the next question, which is if there is a distinct ‘Indonesian style’.

Alfi: We don’t have an Indonesian style. Indonesia is only a nation. A nation- basically, we are different. West Sumatra and Java are different. The language, the culture, the food, the character, and the emotional feeling are different. The Javanese people are more defensive than the Sumatrans. Sumatrans are more progressive, and have more heart. Javanese are more quiet.

Q: What is Jogja surrealism, and what inspired it?

Alfi: The 80’s! Jojga surrealism and abstract expressionism is the generation from the 1980’s. In Jojga, the painting is not only surreal, the situation is surreal. Many modern people live there but still believe in traditional mysticism. The surrealism concept in Indonesia and in the West is totally different.

Q: Is your art spiritually inspired or a response to the spirituality in Indonesia?

Alfi: Yes, very much. [It is] not conceptual. Art is the way for me to understand myself.

Renewal /Verjungung Series 4-B, by Jumaldi Alfi, 2009. Acrylic on Canvas. Image courtesy of Sin Sin Fine Art.

Q:  Is there a central theme in your artwork or a certain idea you are exploring?

Alfi: It is my idea of myself. It is about myself and what I’m feeling. If you want to know the people, know yourself. If you know yourself, you know the people.

Q: How did you meet Sin Sin?

Alfi: I think we found each other because of her karma and my karma. When I first met her my English was really bad and we couldn’t talk, but when I showed her my work she understood. I felt good energy, and that is very important to me. I knew it was a good situation. I believe in the connection of body language and the aura. Sometimes you meet people you don’t know, but you want to help them. After one minute, you feel like old friends.

Q: What is the nationality of your major collectors?

Alfi: Mostly Indonesian, although the art is making its way to Europe. I think 80% of my collectors are concerned with investment and business, and the rest are serious art lovers.

Jumaldi Alfi is currently exhibiting at Sin Sin Fine Art’s “Diverse- 40 x 40” with fellow Indonesian artists Andy Dewantoro and Nasirun. The show runs from Nov 12- Dec 13, 2009.

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Posted in Gallery shows, Heart art, Hong Kong, Indonesia, Indonesian, Interviews, Jumadli Alfi, Painting, Self, Spiritual, Surrealist | Tagged: , , , , , , , , , , , , , , | 1 Comment »

Auction topper Indonesian artist Masriadi video interview with Singapore Art Museum

Posted by artradar on November 9, 2008


INDONESIAN ARTIST VIDEO INTERVIEW

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Indonesian, Filipino prices rise at Sotheby’s despite meltdown

Posted by artradar on October 13, 2008


I Nyoman Masriadi The Final Round

I Nyoman Masriadi The Final Round

 

AUCTION SOUTH EAST ASIAN ART 2008

Sotheby’s autumn sales in Hong Kong were grim apart from the South East Asian sale which provided some much needed relief. The success of the sale prompted an ebullient quip from Sotheby’s entertaining auctioneer Chin Yeow : “Is there a financial meltdown out there because I am not feeling it. The banks should ask our bidders if they need money!”

The sale included Malaysian, Filipino, Singaporean and Vietnamese art but was dominated by Indonesian works. Bidding was thin for Vietnamese lots and these attracted interest mainly from Paris. In contrast the Filipino and in particular the Indonesian lots attracted fierce bidding wars from bidders on all continents.

The works which attracted most interest included those by I Nyoman Masriadi, Agus Suwage, Rudy Mantofani and FX Harsano.

Two Indonesian markets: modern/colonial and contemporary/popular

Information about Indonesian art is notoriously difficult to come by. Helen Spanjaard, a Dutch art academic specialising in Indonesian art (one of only two in the world who speak English she says), explains that there are two distinct markets for Indonesian works – the colonial/Dutch influenced body of works eg Affandi and the new generation mostly born in the seventies.

“There is established buying support for the colonial works mostly from Chinese Indonesian collectors who compete with one another to drive up prices”. There is a second much more international market for the seventies generation artists. Dr Spanjaard notes that those works which are particularly popular are reminiscent of Chinese pop art or refer to popular cultural influences such as cartoons, superheros, flat stylisation, fantasy.

This was certainly borne out in the sale. Indonesian artist I Nyoman Masriadi’s The Man From Bantul (The Final Round), 2000, lot 838, an impressive triptych of a fight painted in a flat stylised manner sold for HK$7,820,000 (US$1,000,725) after lively bidding, five times its high estimate of HK$1-1.5 million.

A number of other works by Masriadi fetched impressive prices  including Petualanganku Berakhir Setelah Ketemu Ibumu (My Adventure Ended After I Met Your Mother), which sold for HK$2,900,000 (US$371,113) (lot 895, est. HK$250/350,000), and Too Small, which achieved HK$1,820,000 (US$232,905) (lot 808, est. HK$250/350,000), both bringing many times their high estimates. These works featured flat images with cartoon-style poses and speech bubbles.

Sotheby’s again set a record for the work of Rudi Mantofani (b. 1973) following the record price achieved
in its series of spring 2008 sales last season. Pohon-Pohon Langit (Sky Trees) sold for HK$3,020,000
(US$386,469), bringing almost eight times its high estimate (lot 868, est. HK$280,000 – $380,000). Mantofani is known for his surreal fantasy landscapes in which for example trees are clouds and shadows are holes.

Artist records were also broken for Dipo Andy and Jumaldi Alfi. More abstract contemporary works and by for example Yunizar, Putu Satawijaya and the moderns also attracted interest but to a lesser extent.

Filipino artists

Filipino artists who did well in this sale included Geraldine Javier, Ronald Ventura, Annie Cabigting, Yasmin Sison and Lirio Salvador.

Why is South East Asian art so popular now?

Some commentators note that there is a structural issue which is affecting the art market. Today’s buyers are more speculative than at any time in the history of art buying and that the interest in South East Asian works is coming from former buyers of Chinese art who are looking for the next hot trend. Others note that the sale was a success because prices of South East Asian art are relatively cheap compared with other markets.

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Posted in Auctions, Cartoon, Collectors, Critic, Filipino, Hong Kong, Individual, Indonesian, Malaysian, Market watch, Pop Art, Professionals, Recession, Singaporean, Southeast Asian, Vietnamese | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »