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Posts Tagged ‘contemporary Iranian art’

Top 20 Asian artists June 2010: Art Radar Asia’s most-searched artists

Posted by artradar on July 26, 2010


TOP ASIAN CONTEMPORARY ARTISTS

In January this year, we published the article, “Top 17 Asian artists 2009: Art Radar’s most-searched artists, listing Art Radar Asia‘s most searched for artists to the end of 2009. This was so popular with our readers that we have decided to publish these results again. This list below highlights artists searched for between 30 June 2009 to 30 June 2010.

Takashi Murakami

Takashi Murakami

Art Radar Asia receives an average of 27,000 page views a month. Our readers come to us in various ways: via links from other websites, from Twitter, facebook and other social media, from our email newsletter, from word of mouth referrals and, of course, via search engines.

Many readers find us by typing a specific artist name into Google or another search engine and finding a story written or image published by Art Radar Asia. Our analytics package tracks these search terms for us and we thought you might be interested in this data, too. The search terms used by readers when finding each artist are varied. For example, common search terms recorded for Japanese artist Takashi Murakami included: “takashi murakami”, “murakami”, “murakami takashi”, “takashi murakami art” and “takeshi murakami”.

Art Radar Asia‘s 20 most searched artists – the list

We can’t claim that this list is a reliable proxy for the most-searched Asian artists on the Internet overall (take a look at our notes at the bottom of this article). However, we do think the list throws up some fascinating data, particularly when compared with the 2009 results.

  1. Takashi Murakami – male Japanese anime painter and sculptor – 36,086  searches (34,000, December 2009)
  2. Shirin Neshat – female Iranian photographer – 4,532 searches (2,200, December 2009)
  3. Anish Kapoor – male British-Indian sculptor – 4,246 searches (3,500, December 2009)
  4. Marina Abramović – female New York-based Serbian performance artist – 3,092 searches (not listed, December 2009)
  5. Yoshitaka Amano – male Japanese anime artist – 829 searches (460, December 2009)
  6. Cao Fei – female Chinese photographer and new media artist – 672 searches
  7. Terence Koh – male Canadian-Chinese photographer, installation and multimedia artist – 634 searches
  8. I Nyoman Masriadi – male Indonesian painter – 625 searches
  9. AES+F – Russian photography and video collective – 521 searches
  10. Hiroshi Sugimoto – male Japanese photographer – 503 seaches
  11. Subodh Gupta – male Indian painter, installation artist – 417 searches
  12. Ori Gersht – male Israeli photographer – 408 searches
  13. Ronald Ventura – male Filipino painter – 393 searches
  14. Farhad Ahrarnia – male Iranian thread artist – 377 searches
  15. Farhard Moshiri – male Iranian painter – 363 searches
  16. Jitish Kallat – male Indian painter – 329 searches
  17. Gao Xingjian – male Chinese-French ink artist – 301 searches
  18. Bharti Kher – female Indian-British painter, sculptor and installation artist – 270 searches
  19. Shahzia Sikander – female Pakistani miniaturist – 264 searches
  20. Zhang Huan – male Chinese performance artist – 237 searches

How has the top 5 changed?

As with the last list, published at the end of 2009, Takashi Murakami is still holding the title spot with more than 36,000 searches. This is compared with 34,000 in 2009’s list. Shirin Neshat and Anish Kapoor have switched places since the previous list, although the difference between their numbers is somewhat insignificant. Yoshitaka Amano is new to the top 5, moving up to 5th place from 6th place in 2009, perhaps due to the 2010 announcement that he has established a film production company called Studio Deva Loka, in addition to directing a 3D anime named Zan. These announcements followed a small solo tour of his artwork. Marina Abramović has surged into the top 5 this time around, particularly notable as she did not appear on the 2009 list. This is most likely due to her 2010 MoMA exhibition, “Marina Abramovic: The Artist Is Present”.

Marina Abramovic, 'Happy Christmas', 2008, silver gelatin print, 53.9 x 53.9

Marina Abramovic, 'Happy Christmas', 2008, silver gelatin print, 53.9 x 53.9

How has the list changed since it was first published?

The following artists have returned since the 2009 list was published, but many have moved up or down by one or two places: Cao Fei (4, 2009); I Nyoman Masriadi (5, 2009); Ori Gersht (7, 2009); Terence Koh (8, 2009); AES+F (9, 2009); Ronald Ventura (10, 2009); Hiroshi Sugimoto (11, 2009); Farhad Moshiri (12, 2009); Subodh Gupta (13, 2009); Farhard Moshiri (12, 2009) ; Farhad Ahrarnia (14, 2009); Gao Xingjian (15, 2009); Jitish Kallat (16, 2009).

There are some new additions: Marina Abramović, perhaps due to her 2010 MoMA exhibition, “Marina Abramovic: The Artist Is Present”; Shahzia Sikander, whose medium has recently become popular with collectors and critics and who has herself surged into prominence with a win at ART HK 10 ; Bharti Kher, whose works are currently auctioning for large sums; and Zhang Huan, who has had a number of permanent sculptures installed in US cities this year, and whose company designed the permanent public sculpture for the US pavilion at the 2010 Shanghai World Expo.

Only Chinese ink artist Wucius Wong doesn’t reappear. His surge in popularity in 2009 may have been due to the retrospective exhibition, “Myriad Visions of Wucius Wong“, at The Art Institute of Chicago.

Preferred media of most-searched artists: miniatures and performance art rising in popularity

Most of the arists work in various media but in this list we have tagged them with the media they are best known for. Six of the artists are known primarily for painting, compared with only five in the 2009 list, and once again, this list is dominated by photographers, new media artists and sculptors. Miniature painting and performance art seem to be new topics of interest for readers.

Artist Age

Most of the artists were born in the 1960s and 1970s, as you would expect for a contemporary art website.

Interestingly, Shirin Neshat (Iranian photographer), Anish Kapoor (British Indian sculptor), Marina Abramović (Serbian performance artist), Yoshitaka Amano (Japanese anime), all born before 1960, were listed as number 2, 3, 4 and 5 respectively. Of course, due to their age and time spent working in the arts, they each have large bodies of work which are consistently being exhibited, collected and discussed.

Artist Gender

male 14 (13, 2009); female 5 (3, 2009); mixed collective 1 (1, 2009)

In the year to June 2010, there were more female artists on the list though men still dominated (approx. 75 percent). Those female artists who were on both lists appeared higher up this year than last.

Breakdown of artist nationalities

Chinese 4 (4, 2009); Indian 4 (4, 2009); Iranian 3 (3, 2009); Japanese 3 (3, 2009); Serbian 1 (not listed, 2009); Israeli 1 (1, 2009); Indonesian (1, 2009); Filipino (1, 2009); Russian (1, 2009)

As you can see, this result is almost identical to the previous result, with the edition of one Serbian artist (Marina Abramović, Serbian performance artist). Once again, artists from China and India are among the most searched nationality, despite fears the Indian art market would be slow to recover after the 2008-2009 global art market turndown.

Shahzia Sikander working on a mural in the USA.

Shahzia Sikander working on a mural in the USA.

Notes
This list is not a reliable proxy for the most-searched artists on the internet overall. Here is why: If we have not written a story on or tagged this artist, the search engines will not bring us traffic for this search term and it won’t appear on our traffic analysis stats page. As we have only been up for 18 months it is quite possible that we have not yet covered some higly-searched artists. And even if we have referenced an artist on our site and the artist is highly-searched, the searcher will not come to us unless we have a good page ranking for the story on the search engine.  For example if the story is, say, after page 4 of the search engine results, the searcher probably won’t find our story and will not appear in our stats. Despite these limitations the data is likely to be a reliable indicator for certain trends. Finally even if we have a story and the story is well-ranked, it may be that other stories on the same page are more alluring than ours and readers do not find their way to us.

KN/KCE

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Stop…look again! Work of Iranian activist artist Parastou Forouhar is not what it seems…

Posted by artradar on September 22, 2009


CONTEMPORARY IRANIAN ART

For a revealing insight into contemporary art and its relationship with political and gender issues in Iran today, don’t miss this intriguing interview with Parastou Forouhar in which she describes how she challenges viewers to take a second look.

Parastou Forouhar

Parastou Forouhar, from Series II, Tausend und ein Tag, 2009.

Art by Iranian artist Parastou Forouhar takes on political proportions with her intriguing delicate imagery of torturous acts being perpetrated by Iran’s authoritarian regime.

Political violence is a deeply personal issue for the activist artist, whose parents were the victims of a politically motivated murder in Iran.

In an interview with DB Art Magazine, she discusses this trauma and her artistic style of creating beautiful ornamental artworks, which upon closer inspection reveal twisted scenes of cruelty.

Forouhar, who is now based in Germany, has exhibited at the 2nd Berlin Biennial in 2001, the Global Feminisms show in 2007 at the Brooklyn Museum of Modern Art, and her works can currently be seen in Iran Inside Out — a comprehensive exhibition at the New York Chelsea Art Museum. However, at the moment the artist is “more involved with politics than with art.”

Forouhar says she consciously intended for viewers to first see her ornamental images and feel they are beautiful, and then become shocked when the true subject matter becomes apparent. She says:

I challenge the viewer to take a second look. At first glance, you see the beautiful pattern and think you’ve understood it. And then you get a little closer and realize, no, it’s completely different, I didn’t understand anything at all. To challenge the viewer to take a second look is exciting to me. The viewer is thrown back on himself and is forced to reevaluate his perception.

This compelling interview also covers whether Islamic art is becoming ‘more Catholic’, (and yes, she agrees it is leaning more towards visual Islamic-pop elements and ritual), and questions the attitude of the young male Iranian generation towards their patriarchal past (they are reportedly ‘fed up’ with the traditional masculine character.) Read full interview here.

-contributed by Erin Wooters

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Posted in Activist, Germany, Iranian, Museum shows, Parastou Forouhar, Political | Tagged: , , , , , , , , | Leave a Comment »

56 artist show Iran Inside Out – Will election unrest fan the debate about Iranian contemporary art?

Posted by artradar on June 30, 2009


IRANIAN CONTEMPORARY ART EXHIBITION US

New York’s Chelsea Art Museum is holding its “groundbreaking” exhibition Iran Inside Out (26 June to 5 September 2009) which features 35 artists living and working in Iran alongside 21 others living in the diaspora.

We are promised a “multifarious portrait of 56 contemporary Iranian artists challenging the conventional perceptions of Iran and Iranian art”. However, do not be at all surprised if unfolding events in Iran and the very art itself will result in heated debate and deep schisms about this interpretation.

Pooneh Maghazehe, Hell's Puerto Rico Performance Still, 2008 copyright artist

Pooneh Maghazehe, Hell's Puerto Rico Performance Still, 2008 copyright artist

The debate was ignited by ‘Unveiled’, a show of Middle Eastern art (half of it Iranian) at The Saatchi Gallery London in the early months of this year. The exhibition garnered plenty of critical attention but strongly divided views were expressed about the success of the organisers’ claim to overturn the cliched idea that the Middle East is synonymous with violence and intolerance.

According to Henry Chu of LA Times , “Unveiled is an exhibition which offers an alternate vision: the Middle East as a source of lively, stimulating contemporary art — informed by conflict, certainly, but not consumed by it.” Nonsense, says Dorment in The Telegraph who claims the show is replete with references to bombs, religious police and the denigration of women.

This debate will be fanned anew by recent political disturbances in Iran. Relations between foreign powers and Iran are now severely strained following the disputed re-election on 12 June of President Mahmoud Ahmadinejad.

Click to browse Iran Inside Out catalogue

Click to browse Iran Inside Out catalogue

“Iran has repeatedly accused foreign powers – especially Britain and the US – of meddling after the 12 June election, which officially handed him a decisive victory” says the BBC while The New York Times gives us a specific quote:

President Obama, who made his most critical remarks of the Iranian leadership on Friday, when he called the government’s crackdown “outrageous” … said the prospects for a dialogue with Iran had been dampened.

…“Didn’t he say that he was after change?” Mr. Ahmadinejad asked. “Why did he interfere?”

Unfolding political events will challenge the New York show’s curators, artists and museum staff and test their courage. Even before the protests, in reference to Iranian art in ‘Unveiled’, the Guardian was saying:

It is still amazing how far into politics this art bravely goes and it is no overstatement to speak of bravery in this case. One of the artists represented here, who lives in Tehran, is muffled in the gallery’s publicity shot to conceal his identity. Another, the prodigiously gifted Tala Madani, has escaped Tehran for Amsterdam but still refused to have her face revealed in a photograph. Guardian

The museum’s website raises the interesting point – and this is perhaps the nub of it – that artists in the diaspora and at home in Iran choose different forms of expression:

Ironically, contrary to one’s expectations, the artists living abroad often draw more on their cultural heritage, while those on the inside focus more on issues of everyday life without much regard to what ‘the outside’ views as specifically Iranian references.

But, whereas the museum’s writers see the focus of home-based artists on the  ‘everyday’ as an act of choice, there are some who suggest it is an act of self-preservation. Time will tell whether the description of this show will be excoriated like that of the catalogue description of ‘Unveiled’:

In her catalogue introduction to .. ‘Unveiled: New Art from the Middle East’, Lisa Farjam airily dismisses European perceptions of the Middle East as a place synonymous with political oppression, religious intolerance, and terrorism as unthinking ‘clichés’ that prevent us from understanding the richness and diversity of Muslim societies.

All I can say in response is that the artists in this show profoundly disagree with her sunny take on this part of the world. The evils Westerners see from a distance are the everyday context in which many of these painters and sculptors make their work – and it was precisely to escape repression at home that so many of the best of them now live in New York or Paris.

Their art isn’t (like so much Western art) about consumerism or celebrity or art itself; it’s about suicide bombers, religious police, unending war, and the denigration of women in Islamic societies. While I admit I was surprised that those still working in Tehran feel able to treat the subjects of gender, sexuality, religion, and politics without risking imprisonment or death, among the photos of the artists displayed at the end of the show, I noticed that one, who still lives in Tehran, has taken the precaution of wearing a balaclava. Telegraph

Related links: Exhibition description on Chelsea Art Museum site

Catalogue

In a still unusual and much-appreciated move, the museum has put the show’s catalogue online. It is a glorious glimpse of a very active art scene. Text and works by artists sit alongside interviews with collectors and galleries. Buy the ‘Iran Inside Out’ catalogue here.

FEATURED ARTISTS:

Inside Iran (35)

Abbas Kowsari, Ahmad Morshedloo, Amir Mobed, Alireza Dayani, Arash Hanaei, Arash Sedaghatkish, Arman Stepanian, Barbad Golshiri, Behdad Lahooti, Behrang Samadzadegan, Bita Fayyazi, Daryoush Gharahzad, Farhad Moshiri, Farideh Lashai, Golnaz Fathi, Houman Mortazavi, Jinoos Taghizadeh, Khosrow Hassanzadeh, Mahmoud Bakhshi Moakher, Majid Ma’soomi Rad, Mehdi Farhadian, Nazgol Ansarinia, Newsha Tavakolian, Ramin Haerizadeh, Reza Derakshani, Reza Paydari, Rokni Haerizadeh, Sadegh Tirafkan, Saghar Daeeri, Shahab Fotouhi, Shirin Aliabadi, Shirin Fakhim, Siamak Filizadeh, Siavash Nagshbandi, Vahid Sharifian

Outside Iran (21)

Ala Ebtekar, Alireza Ghandchi, caraballo–farman, Darius Yektai, Kamran Diba, Leila Pazooki, Mitra Tabrizian, Nazanin Pouyandeh, Negar Ahkami, Nicky Nodjoumi, Parastou Forouhar, Pooneh Maghazehe, Pouran Jinchi, Roya Akhavan, Samira Abbassy, Sara Rahbar, Shahram Entekhabi, Shahram Karimi, Shirin Neshat, Shiva Ahmadi, Shoja Azari

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First UK survey of Iranian women film, photography artists in London to January 2009

Posted by artradar on November 11, 2008


iran

Shadi Ghadirian Be Colourful

IRANIAN ART PHOTOGRAPHY FILM WOMEN 27 September 2008 – 10 January 2009

30 Years of Solitude is a survey show of photography and film by some of Iran’s most talented women artists and is the first exhibition in the UK featuring artists who all live and work in Iran.

Curated by architect Faryar Javaherian and artist Haleh Anvari the exhibition focuses on the feelings of anxiety, isolation and the sense of loss that Iranian society has experienced in the last 30 years.

Thirty Years of Solitude came about after the art critic Edward Lucie-Smith was struck by the quality of the work coming out of Iran, and persuaded the president of New Hall, Anne Lonsdale, to consider mounting an exhibition. New Hall, one of two all-women colleges in Cambridge, is a long-time supporter of women artists and displays the world’s second-largest collection of women’s art on its college walls.

Lonsdale then booked herself on an anonymous tourist holiday to Iran – “I didn’t want to get anyone into trouble” – to sound out Javaherian, a Harvard-educated architect, about the possibility and saw immediately that it would be worth doing. “These directors and photographers deserve to be better known,” she says. “Let’s hope this is part of an increasing dialogue between Britain and Iran.”

Maryam Kia

Maryam Kia

 

For younger artists, who cannot remember pre-revolutionary Iran, restrictions are simply a fact of life. Farzaneh Khademian is Iran’s leading woman photojournalist, whose work appears regularly in news magazines around the world. She has covered everything from battles in Beirut to sex-change operations and says “you can do almost everything you like, only sometimes you have to do it more quietly.”

Her photographs in the exhibition show veiled women kayaking and kick-boxing, although normally, she points out, the women would be doing this in sports clothes. “It was only because I was there, they had to put on their scarves.” She is aiming for a full set of sportswomen, from golfers to skiers, to show how fully Iranian women live their lives, but has given up for the moment because “you ask and ask for permission and nothing happens, and then you get tired, and you think you will just put it down for a year and go back to it later.”

Iranian women’s lives are full of contradictions. They do not have he same rights as men, and their testimony in a court of law is worth exactly half of a man’s. Yet they drive, travel and do jobs of all kinds. “People think that we are living like the Arabists (sic),” says Khademian, “but it is not like that. Women are far more active now than they ever were before the revolution. They are studying, working, doing everything they want to do.”

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Gender examined in Pergamon Museum of Islamic Art’s exhibition of Iranian contemporary art to September 7 2008

Posted by artradar on August 23, 2008


Ahmad Morshedloo Untitled

Ahmad Morshedloo Untitled

IRAN CONTEMPORARY ART MUSEUM SHOW  to 7 September 2008

 

 

 

The relation of the sexes to each other is at the very forefront of the various debates on societies shaped by Islam which are currently being held all over the world. The exhibition “Naqsh – Insights into Gender and Role Models in Iran” aims to present a differentiated view of the subject, by taking Iran as an example and by looking at the debate going on within the country itself, with all of its peculiarities and contradictions. The show is being held at Pergamon Museum in its Islamic section on Berlin’s museum island.

The subject of “Gender, Feminism and Islam” is approached on two different levels: firstly in the form of theoretical documentation and secondly in artistic execution. On display will be works of art from Iranian artists and a German artist of part-Iranian parentage who all use various media to tackle the subject of constructions of gender identities. The documentary component will comprise audio and video interviews from Iran and the diaspora, in which representatives of secular and Islamic feminism and a transsexual man are given the chance to speak alongside scholars and activists.

Participating artists include Bita Fayyazi, Parastou Forouhar, Alireza Ghandchi, Shirin Homann-Saadat, Ahmad Morshedloo, Neda Razavipour, Maryam Salour.

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Buying frenzy lights up Iranian art market

Posted by artradar on July 10, 2008


Source: Middle East Times

 

 

 

IRANIAN ART MARKET The prices have soared by a factor of 20 within two years, the galleries are packed with prospective buyers and the works are both modern and daring, but this is not a description of the art scene in New York, Paris or London, but Tehran. Far removed from the increasingly tense standoff over the country’s nuclear programme and domestic frustration because of rising inflation, Iran’s best known artists are enjoying a huge rise in demand for their work.

 

Interest in buying art increased in last 2 years

“For 30 years no one was interested in us. Today everyone wants to buy,” Parviz Tanavoli, 72, Iran’s best known sculptor, told AFP. “People have money. They used to invest it in property. Today they see there are other places to put it.”

A 1975 sculpture by Tanavoli, “The Wall (Oh Persepolis),” sold in late April for 2.84 million dollars at a Christie’s auction in Dubai — the highest figure ever reached for a contemporary Iranian work.The 1.8-metre-high (6-feet) bronze block was typical of Tanavoli’s intricate style, partly inspired by the ancient art of the Achaemenian empire, and praised by experts as being more than worth its stratospheric price.

The younger artist Farhad Moshiri, known for his bright three-dimensional paintings of jars emblazoned in calligraphic Persian script, has seen his canvases sell for up to 750,000 dollars.Lesser known artists have seen their work sell at the numerous galleries in upmarket northern Tehran for between 20,000 and 30,000 dollars. Just two years ago the asking price would have been more like 2,000.

 

More buyers for investment

The boom is another example of the striking gulf between wealth and poverty in Tehran, where the rich can afford imported cars and luxury apartments while the worst off struggle to make ends meet. Despite the rise in prices there are more buyers than before. Many people want to make investments,” said Shahnaz Kansari, who heads the Moon art gallery in Tehran.

Amir Hossein Etemad, of the Negarkhaneh Etemad gallery, warned: “I’m worried that this will prove to be nothing more than a speculative bubble that will explode. “But it’s true that the prices were very low before.”

Abstract tendencies have long appeared the most popular in modern Iranian art, possibly because of the strict rules governing the portrayal of the human form in an Islamic state. Iranian visual art also crosses genres in unusual ways: Cannes prize-winning Iranian film director Abbas Kiarostami is also a renowned artist whose stark photography is a major draw at Tehran galleries.

 

Iranian art crosses genre boundaries

One of the fathers of Iranian modernist painting was the poet Sohrab Sepheri, considered one of the greatest of all Iranian modern writers, whose abstract landscapes are true collector’s items.”We are at the beginning of the road. More and more there are individual exhibitions by Iranian artists abroad,” said the painter Farideh Lashaie.”Iranian culture used to be known abroad from the names of ancient poets like Hafez, Ferdowsi and Rumi. But painting and contemporary sculpture also have something to say.”As with cinema, people did not expect to see paintings and sculptures like this coming from Iran. Perhaps this explains their success.”

© 2008 Agence France-Presse

Image details: Iranians visit an exhibition by female artist Golnaz Afruz at the Mah Gallery in Tehran AFP

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