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Posts Tagged ‘drawings’

How is Chinese ink painting explored in contemporary art? RedBox Review in discussion with Liang Quan

Posted by artradar on October 7, 2010


CHINESE INK CHINESE ARTISTS ARTIST INTERVIEWS

In a conversation with Chinese-based art blog RedBox Review the artist Liang Quan (b. 1948), living and working in Shenzhen, China, explains how ink painting is used in contemporary art and how this exploration continues to follow the philosophy of traditional Chinese painting.

Liang Quan is considered as one of the pioneers of contemporary ink painting.

“Ink painting”, also known as “wash painting”, was developed in China during the Tang Dynasty. Ink painting or shui-mo hua in Chinese (水墨畫) is composed of water,  shui and Chinese ink, mo. In Western art, using similar techniques, it is known as drawings.

 

Liang Quan, "Tea Stain No3", 2008, ink and paper, 63.8x48cm

Liang Quan, 'Tea Stain No. 3', 2008, ink and paper, 63.8x48 cm.

 

In this conversation Liang Quan highlights to RedBox the difference between ink painting and ink art:

The exploration of using ink and referring to the tradition of Chinese painting is part of a greater narrative to define a cultural identity.

American contemporary artists like Brice Marden and Cy Twombly inspired Liang Quan while he was living and working abroad. On top of using ink painting and water, Liang incorporates paper into his works.

Liang’s ink painting seems abstract but in reality he follows the philosophy of this art. He aims to capture the soul of the subject rather that trying to reproduce the exact appearance of it. As he relates to RedBox,

My use of collage, combining strips of ink and/or tea stained paper, may seem abstract to the unknowing eye, and without direct correlation to a depiction of reality. But my works, collages, are actually diagrams of traditional Chinese landscape paintings and the Chinese still life painting genre of birds and flowers.

 

Interesting difference between ink painting in West and East: perspective

Having explored ink painting in Western art, Liang Quan observed a major difference between it and Chinese landscape painting: multiple points of perspective are used where Western painting uses only one or two.  As he relates to RedBox,

To view a Chinese painting, one’s eye usually follows the flow of water from the bottom of the mountains as it meanders farther into the hills and up the composition of the painting.

Following this philosophy and adding paper strips and color makes Liang’s painting abstract.

After exploring the multiple points of perspective in Chinese landscape painting, Liang Quan combined this concept with the ideals of Nan Pai, also known as Southern School. As said in the RedBox article,

By addressing the theme of Chinese tradition, he is distinguished from his contemporaries choosing to use painting as a depiction of or social response to modern society.

SB/KN/KCE

Related Topics: Chinese artists, definitions, ink

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Comic art of Popok Tri Wahyudito portrays scenes of transport calamity

Posted by artradar on September 1, 2010


GALLERY SHOWS COMIC ART DRAWING INDONESIA

In July this year, Valentine Willie Fine Art (VWFA) partnered with Kuala Lumpur’s The Annexe Gallery to bring “BERGERak” to Malaysia. In his first Malaysian solo, Indonesian artist Popok Tri Wahyudi, uses “Jogja comic style” to create paintings which narrate the experiences of “cattle-class” airline travellers and other mass transport users. His work is accessible to a wide audience because of its familiar subject matter and simple, colorful presentation.

'Please Let Me Go', 2010, acrylic on canvas, 40 x 188 cm. Image courtesy of VWFA.

'Please Let Me Go', 2010, acrylic on canvas, 40 x 188 cm. Image courtesy of VWFA.

“Popok Tri Wahyudhi’s works in his first Malaysian solo exhibition are stories about commuting, travelling, human mobility and migration. Presented in a wide range of media, from paintings and drawings to woodblock prints, silkscreen on canvas and mini sculptures, these bittersweet and sometimes macabre narratives negate the glamorous images of the jet set…” Valentine Willie Fine Art

The artist is one of the founding members of Apotik Komik, an artist group formed in 1997 by thirteen students from Indonesian Institute of the Arts, Yogyakarta. The group first created mural work and then moved into printing comics, publications more visual and alternative than what was available in Indonesia at that time. Their style, influenced heavily by popular culture, is known as “playful”.

'...oops!!!', 2010, woodcut on paper, 79.5 x 54.5 cm. Image courtesy of VWFA.

'...oops!!!', 2010, woodcut on paper, 79.5 x 54.5 cm. Image courtesy of VWFA.

He is most well known for portraying Indonesian life and political situations in a sinister comic light. However he has worked with international subject matter, most notably during artist residencies at California’s 18th Street Art Center in 2001 and the Akademie Schloss Solitude in Stuttgart in 2007. In addition to making paintings in his signature comic style, he has also worked on large scale wall art and created and exhibited three-dimensional pieces.

Popok Tri Wahyudi was born in Mojokerto, East Java, in April, 1973.

KN

Related Topics: Indonesian artists, Southeast Asian artistsgallery shows, drawing

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