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Posts Tagged ‘Fotan Arts District’

Your interpretation or mine? Hong Kong artist Chow Chun Fai reflects in video interview

Posted by artradar on July 14, 2010


HONG KONG FOTANIAN ARTIST VIDEO INTERVIEW

In the four-minute video, Chow Chun Fai [art]attack 6, Hong Kong-born artist Chow Chun Fai shares his views on the ever-evolving interpretation of art and his own role as an artist.

A graduate of the Chinese University of Hong Kong‘s Department of Fine Arts, Chow is currently an active member of the Fotan art community, working primarily in Hong Kong and Beijing.

His works have been exhibited in Hong Kong, Beijing, Shanghai, Singapore, Manchester, Munich, Salzburg, Vienna, Palermo, and Verona.

In his “Painting on Movie” series, Chow appropriates stills from popular cinema. Through the remaking process, the artist explores the differences between his own understanding and the audience’s interpretation.

…everyone has his or her own interpretation of things. Sometimes even the artist’s interpretation of his or her own artwork can change over time.

Chow Chun Fai, 'Infernal Affairs, “I want my identity back”', 2007, Enamel paint on canvas

Chow Chun Fai, 'Infernal Affairs, “I want my identity back”', 2007, enamel paint on canvas.

While everyone’s interpretations may not be exactly the same, Chow believes the messages of culture and identity can easily transcend borders. On his first movie painting depicting a scene from the film Crouching Tiger, Hidden Dragon, he remarks:

There are many scenes in this movie that cannot be translated, but you would still understand the movie regardless of your cultural background.

Despite being a well-established artist and winning multiple awards such as the Hong Kong Arts Centre 30th Anniversary Award Grand Prize and the Sovereign Asian Art Prize, Chow says being a Hong Kong artist remains a considerable challenge:

…your work needs to involve more than just creativity. You might also need to be your own agent and writer, etc.

The road of creativity can make for a bumpy ride, but Chow maintains a firm belief in himself:

Sometimes you can love what you do. Sometimes you get confused… I believe in everything I do.

Watch the video on the ChooChooTV show [art]attack (length of video, 4:09 mins).

VL/KN

Related Topics: Hong Kong artists, Fotanian artists, videos

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Posted in Chow Chun Fai, Fotanian, Hong Kong, Hong Kong Artists, Painting, Videos | Tagged: , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Photography, symbols and emerging artist – Top ten shows in Hong Kong September 2008 part 3 – Saatchi Online

Posted by artradar on September 12, 2008


EXHIBITIONS HONG KONG 

 

Lai Nga-Yu (Alice): The Garden
7 September to 21 September 2008
Space One, Fotan Arts District

The vibrating fizzing colours of Hong Kong artist Alice Lai’s Kandinskyesque abstract works shimmer with energy and express her love of life: “Our existence must be celebrated” she says. Lai uses negative space and pattern in her acrylic on canvas works to create entrancing fantasy other world landscapes filled with ovoid shapes and craggy lines. This is the first solo show for this promising graduate of the Chinese University in Hong Kong and Leeds University in Britain.

 

Ryan Wong: The Race
Blue Lotus Gallery, Fotan
7 September to 21 September 2008

While you are over in the Fotan warehouse arts district, be sure to check out renowned film and documentary maker Ryan Wong’s photographic show ‘The Race’ in Space One’s sister gallery Blue Lotus. Personal assistant to Jet Li, Ryan Wong has worked with a host of stars in his career including Nicole Kidman and John Woo. Timed to coincide with the start of Hong Kong’s racing season, his show contains rich dramatic shots in which he conserves split seconds in the shifting action of race meetings. Through these images, like motion picture stills, Ryan Wong teases us with flashes of anticipation, absorption and jubilation showing us the exhilarating escapist drama of a race meeting.

 

 


Shao Yinong: Between Sky and Earth – White Dew
10 Chancery Lane Gallery
4 September to 11 October 2008

‘Between Sky and Earth-White Dew’ is one part of a twenty-four part exhibition, planned internationally, in which Shao Yinong explores the Chinese Lunar Calendar. Offering a fresh interpretation of Chinese ideology, this almost experiential installation is made of one continuous painting of traditional Chinese cloud symbols in muted colours, sometimes on silk and sometimes direct on the walls, wrapping the gallery and its corridors as if drawing visitors into a mist that seems to settle wherever it falls. “White Dew” is the first solar date on the Chinese Lunar Calendar that signifies the sudden change in temperature at the start of autumn, forming morning dew so dense that it appears white. Shao Yinong, better known as part of duo Shao Yinong and Muchen who have exhibited in the Pompidou Centre, Shanghai Art Museum and the Mori Museum in Japan, uses “White Dew” as a delicate symbol to explore issues of transition, illusion and change in the modern East.

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