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Posts Tagged ‘Francois Pinault’

Art industry elite meet at inaugural Abu Dhabi Art fair

Posted by artradar on December 21, 2009


ART FAIRS

The inaugural Abu Dhabi Art fair opened to much fanfare on November 19th. The government-run Tourism Development and Investment Company (TDIC) organized the fair, along with the area’s new cultural district on Saadiyat Island.

The project features the Guggenheim Abu Dhabi by architect Frank Gehry, the Louvre Abu Dhabi by architect Jean Nouvel, the Performing Arts Centre by architect Zaha Hadid, the Maritime Museum by architect Tadao Ando, and the Sheikh Zayed National Museum by architect Foster + Partners Ltd.

In attendance at the event were big time players from the Western art world, including London’s White Cube, New York’s Acquavella Galleries, and Dubai’s Third Line and B21. Megacollector François Pinault along with Jeff Koons were in attendance as special patrons.

Jeff Koons on left, François Pinault on right.

According to ArtForum who covered the event, Abu Dhabi Art was really two fairs under one roof. On the one hand, there was a slew of young galleries from places like Bangalore, Damascus, and Dubai, showing works that ranged from calligraphic kitsch to more promising endeavors. The other fair was a higher-stakes arena, featuring major New York and European dealers.

Dealer Iwan Wirth, from Hauser & Wirth, in front of a large Louise Bourgeois spider

Hauser & Wirth brought a large Louise Bourgeois spider sculpture and Subodh Gupta skull, while White Cube offered sparkling paintings by Hirst. Tony Shafrazi hung his ’80s-themed stand with Basquiats, Warhols, and Harings. A consortium of seven dealers, including L&M Arts, Malingue, and Louis Carre & Cie, combined forces with Picassos and Légers.

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Top 10 most influential contemporary art collectors – Apollo Magazine

Posted by artradar on April 13, 2009


CONTEMPORARY ART COLLECTORS

The collectors who really matter to the history of art are not necessarily the very richest or even the most acquisitive says Martin Bailey in Apollo Magazine:

They are those who by their example set standards for others, encourage interest in the art they collect and share their treasures with the public. In short, the collectors of greatest importance are those who wield the greatest influence.

Of APOLLO’S list of the 20 most influential collectors today, 10 collect contemporary work. Here is a list with some brief ntoes. For more information see the full article go to Apollo Top 20 most influential art collectors.

ELI BROAD

Post-war and contemporary Nationality: American Age: 75 Source of wealth: Property and insurance

Eli Broad and his wife, Edythe, began to collect modern and contemporary art in the 1970s, and have amassed one of America’s greatest private collections. They have nearly 2,000 pieces.

Broad was also the founding chairman of the Museum of Contemporary Art in Los Angeles. He has given $26m to help build a Zaha Hadid-designed art museum at Michigan State University; building work is due for completion in 2010.

EUGENIO LOPEZ ALONSO

Latin American and international contemporary Nationality: Mexican Age: 40 Source of wealth: Food processing

Eugenio Lopez inherited the Jumex fruit juice business. Although relatively young, he has amassed one of the largest private collections of modern Latin American art. Lopez’s collection comprises 1,500 works, half Latin American and half international.

FRANCOIS PINAULT

Contemporary Art Nationality: French Age: 71 Source of wealth: Luxury goods

Starting by collecting early modernism, Francois Pinault quickly moved into post-war American painting and finally into contemporary art. In 1998 he purchased a controlling share in Christie’s, which puts him in the centre of the art world. Pinault has long wanted to display his collection, now comprising 2,500 works. After scrapping plans for a museum in a former Renault factory on Ile Seguin, in the Seine in western Paris, he took over Palazzo Grassi in Venice, which reopened in 2006. Even more ambitiously, the Francois Pinault Foundation is transforming Venice’s Punta della Dogana (customs building) into a contemporary art centre, which is due to open in June 2009 for the Biennale.

VIKTOR PINCHUK

Contemporary Art Nationality: Ukrainian Age: 47 Source of wealth: Steel

Viktor Pinchuk’s collecting began in the early 1990s with Russian impressionism. He subsequently developed the idea of opening a public display, and turned towards contemporary art, feeling that this would be more popular. In September 2006 the Victor Pinchuk Foundation opened the Pinchuk Art Centre in Kiev, which is one of the largest public galleries for contemporary art in eastern Europe. Owning 300 works, it comprises both Ukrainian and international art. In January Peter Doroshenko became its artistic director (he is an American of Ukrainian background and formerly director of the Baltic in Gateshead, northern England). Among Pinchuk’s recent purchases is Koons’s Hanging Heart, for which he paid $24m.

LEKHA & ANUPAM PODDAR

Indian Art Nationality: Indian Age: unknown; 34 Source of wealth: Paper industry and hotels

Lekha Poddar, from Delhi, began collecting in the late 1970s and her son Anupam in 2000. Together they recently set up the Devi Art Foundation. They now have 7,000 works of Indian art, ranging from tribal to contemporary (with some from neighbouring countries).

DON & MERA RUBELL

Contemporary Art Nationality: American Age: 66; unknown Source of wealth: Inheritance and hotels

Based in Miami Beach, the Rubells began to collect in the 1960s, and after receiving an inheritance in 1989 were able to expand their ambitions, both to build the collection and open it to the public. Their daughter and son, Jennifer and Jason (and Jason’s wife, Michelle), are closely involved, which explains why it is known as the Rubell Family Collection. In 1996 their Contemporary Arts Foundation opened a public space in a former Drug Enforcement Agency warehouse in Wynwood, north Miami, to show a changing selection of works in 27 rooms. The collection now comprises over 5,000 pieces. The Rubells particularly enjoy discovering up-and-coming artists.

CHARLES SAATCHI

Contemporary Art Nationality: British Age: 65 Source of wealth: Advertising

Charles Saatchi is probably Europe’s most powerful collector of contemporary art. With his first wife, Doris Lockhart, he began with American abstraction in the 1970s. In 1985 he opened his first public gallery, in Boundary Road, north London. By the end of the decade he had turned to British artists, later commissioning Hirst’s ‘Shark’ and buying Emin’s ‘Bed’ and the Chapman Brothers’ Hell Having become the leading patron of the Young British Artists (YBAS), he shot to fame with his controversial ‘Sensation’ exhibition at the Royal Academy in 1997, which then toured to the Brooklyn Museum of Art. In 2003 his gallery moved from Boundary Road to County Hall, where it remained for two years. His current space is  in the King’s Road, Chelsea, in a converted army barracks.

Saatchi not only buys, but also sells, so his collection is constantly evolving. He owns around 3,000 works. Although wanting the public to enjoy his art, he remains a rather private figure.

SAUD AL-THANI–Eclectic, but particularly Islamic and natural history Nationality: Qatari Age 41 Source of wealth: Family wealth

Sheikh Saud al-Thani is a cousin of the Emir of Qatar, Hamad bin Khalifa al-Thani. As chairman of the country’s National Council for Culture, Arts and Heritage, he was responsible for buying for a group of new museums that are being set up in the capital, Doha. However, it has often been unclear whether his purchases were for the national museums or his personal collection. The scope of his purchases is enormous, ranging from antiquities to 20th-century furniture. Money is no problem. Saud al-Thani’s current personal role in collecting is unclear, but other members of the family are voracious buyers.

DAVID THOMSON

19th-century English to contemporary art Nationality: Canadian Age: 51 Source of wealth: Media

David Thomson, the 3rd Lord Thomson, is the son of the media owner Kenneth Thomson, who died in 2006. Kenneth Thomson was a very major donor to the Art Gallery of Ontario, to which he gave 2,000 works in 2002.

GUY ULLENS

Chinese contemporary art Nationality: Belgian Age: 73 Source of wealth: Food processing

Baron Guy Ullens is of Belgian origin, but resident in Switzerland. He began to collect classical Chinese painting while on business trips to China, but in the 1980s, together with his wife, Myriam, he branched out into Chinese contemporary art-famously selling his paintings by Turner to finance his purchases. Today he owns one of the world’s finest collections, with 2,000 works.

In November 2007 Ullens opened a permanent space in a restored military factory in Beijing, the Ullens Center for Contemporary Art. It has changing displays, with works from the Ullens collection and outside loans (including international art).

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Posted in Anupam Poddar, Francois Pinault, Saatchi, Ullens, Viktor Pinchuk | Tagged: , , , , , , , , , , , , , , , | 7 Comments »

Zhukova, girlfriend of Abramovich opens new 92,000 sf art space in Moscow 2008 – International Herald Tribune

Posted by artradar on August 25, 2008


Daha Zhukova, Abramovich

Daha Zhukova, Abramovich

 

 

 

 

RUSSIA NEW CONTEMPORARY ART SPACE opens September 2008

Dasha Zhukova is to open a contemporary art space in the Bakhmetevsky Bus Garage, a giant red-brick Constructivist-era landmark near the Olympic Stadium in Moscow. Popular with architects the garage was designed in 1926 by Konstantin Melnikov.

“I thought Moscow should have a space like this for contemporary art,” Zhukova said. “There is a huge thirst for knowledge among the younger generation for contemporary art, but most of them learn about it by going on the Internet.”

Under its new name the Garage Center for Contemporary Culture this 92,000 square foot space will open next month and its first show will be a retrospective of the artists Ilya and Emilia Kabakov.

Zhukova herself acknowledges being a relative art neophyte. “I didn’t study art history and don’t remember names of artists,” she said. “But if I like an image, I remember it.”

Born in Moscow in 1981, Zhukova is an only child. Her parents divorced when she was young, and when her mother, a molecular biologist, took a job at the University of California, Los Angeles, in the early 1990s, they moved there. Zhukova spoke not a word of English. But she quickly adjusted, she said, attending schools in Los Angeles and then the University of California, Santa Barbara.

A year ago few people in the art world had heard of her.

Zhukova said she isn’t modeling the Garage Center after any specific museum. “I’m taking different aspects of different institutions that are inspiring influences,” she said.

Besides aid from Abramovich, financing is also coming from other private sources and corporations. Admission will be free.

After the Kabakov exhibition that opens next month, the Garage Center plans to exhibit works from the collection of Christie’s owner, the luxury goods magnate François Pinault, whose foundation is based in the Palazzo Grassi in Venice. Dent-Brocklehurst said she was considering commissioning artists to create site-specific works for the space, analogous to installations in the vast Turbine Hall at the Tate Modern.

Asked if the Garage would have its own collection, Zhukova said that would be many years down the road, if ever.”For now I’m trying to learn as much as I can to make up for my lack of art history,” she said. “The more I read, the more I realize what I don’t know.”

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