Art Radar Asia launches Hong Kong Street Art Series: interview with co-owner of Above Second

HONG KONG STREET ART URBAN ART SERIES

While the street art gallery scene in Europe has been pushed into maturity by world-renowned and highly sought after urban artists such as Banksy, it is only in recent years that it has started to emerge in Hong Kong. In response to the burgeoning street art scene in the city, Art Radar Asia is launching a Hong Kong Street Art Series to introduce to you Hong Kong galleries which show urban art. With the prominence of a number of local street artists and the founding of at least three urban art galleries in the city in the past couple of years, we will observe how street art is being taken into new contemporary art galleries in Hong Kong.

We introduce this series with a brief interview with Jasper Wong, co-owner of Above Second art space, in which he presents his views on Hong Kong street art and the urban art business, and how the Hong Kong scene compares with other more established communities.

Jasper Wong wouldn’t call himself a street artist, as he doesn’t like being restricted to any particular form of art. After studying graphic design in Portland, illustration at the California College of the Arts in San Francisco and manga (Japanese comic books) in Kyoto Seika University, he returned to Hong Kong to work on various art projects. Earlier this year, he started Above Second with his partner May Wong.

 

Jasper Wong (middle) at Above Second's September show "Nebula". Image courtesy of Above Second.

 

 

This collaborative work by Jasper Wong and his half-brother Wu Yue was shown in Above Second at the March show "Wham Bam Thank You Ma'am". Image courtesy of Above Second.

 

What do you think of street art in Hong Kong? How is it different from the street art in Europe?

I know a lot of street artists in Hong Kong. They are all doing their own thing in this city, so I really respect that. They get up all over the city and also pursue other creative outlets such as apparel, etc. They have their own styles. It’s not that much different from the rest of the world. The ones in Hong Kong are influenced by their own cultures growing up in Hong Kong, and [they] respond to it. Other artists around the world do the same and respond to their own individual cultures. Hong Kong is very small though. There needs to be more artists out there pushing like SFZ (Start from zero) and Graphicairlines, Invasion guys like Sinic and Xeme. (I meant the Invasion Magazine crew. Invasion Magazine was started by Sinic. They’re one of the few graffiti magazines in Asia and the only one in Hong Kong.)

What about the sticker culture here? Is it a global culture?

Sticker culture is global. It’s an aspect of street art. People do pieces with spraycans, wheatpaste, stickers, and sometimes even create installations by knitting. It’s about taking art to the streets. There are no rules. Look at Invader – he creates art with ceramic tile.

We have been told that in Hong Kong there are lots of limitations for street art. Do you agree with this statement?

The only limitation is yourself. You can do whatever you want, thanks to the Internet. You can get your art to people all over the world. So I don’t agree. I just agree on the point that people in Hong Kong don’t care about art as much, they think of it as useless. But they don’t see that they are surrounded by art from the clothes they wear to the movies they watch and the chairs they sit on.

But shouldn’t street art be in the street rather than the Internet? Or is it changing now?

I’m not talking about art being on the Internet persay. I’m talking about getting people to know about your art. You use the Internet as a tool to get the word out so people can learn about Hong Kong street art through the use of the Internet. The Internet changed the game  for everything.

How would you describe the status of street art in Hong Kong?

Street art is up and coming out here. There is a small group of individuals seeking to get the word out about it and they get up strong around the city. It’ll take some time for it to be[come] bigger but it’s definitely happening.

What do you think about the street art business in Hong Kong?

Street art can’t be thought of as a business. The words together are an oxymoron. Street art is for the people. That’s why it’s on the street; you can view it for free. Some artist segway their art into products and that is a way to get the word out, an additional channel to inform people about your art. In that case, the business plays a role in supporting the art.

So apart from the street, street art business and the Internet, can you identify other channels for showing or promoting street art?

Everything can be a channel if you’re creative. Of course, there are the traditional ones like magazines and television, but there are no rules.

Who are the important street artists in Hong Kong?

Start from zero and Graphicairlines. Those are the two I know personally and they work hard here in Hong Kong.

Over the coming weeks we will be presenting a number of interviews with urban art gallery owners in Hong Kong. With these we hope to provide an in-depth study of the current and future aims of this constantly evolving community.

CBKM/KN/KCE

Related Topics: Hong Kong venues, street art, interviews

Related Posts:

• Hong Kong Adapta Gallery highlights street art in Asia – profile – April 2010 – about a gallery in Hong Kong which shows street art and promotes urban artists
• “Guerilla” gallerist on introducing Banksy to Asia, art atmosphere in Hong Kong – interview – April 2010 – about Fabrik Contemporary Art Gallery in Hong Kong
• What is Street Art? Top 5 street artists in the art world- Part II – March 2010 – an excellent overview of the global street art scene
• What is Street Art? Vandalism, graffiti or public art – Part I – Jan 2010 – an excellent overview of the global street art scene
• Artpartment a Hong Kong space for experimental art – video – Sept 2010 – summarises a video on ChooChoo TV about a studio space dedicated to experimental arts

Subscribe to Art Radar Asia to read about street and urban art in Hong Kong

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Top 8 Art Radar search terms: contemporary art trends revealed

JAPAN KOREA ART GRAFFITI NETWORKING PROPAGANDA POSTERS ART TRENDS

What are Art Radar‘s most popular search terms? Japan tops other Asian countries with most-searched-for art, graffiti moves out from the underground and Chinese art and politics are brought once again to the fore.

Art Radar Asia has now published two lists of original data on our most searched contemporary Asian artists, one in December 2009 and the other in July 2010. With these lists, we attempted to offer some insight into which artists are currently enjoying popularity in the international and Asian art markets.

Chinese propaganda poster.

While doing this research we also noticed that a number of common search engine terms were leading people to our articles. Just as we did for our most searched artists, we have decided to publish a list of most searched terms used by readers, which could hint at current trends within the contemporary art community. This list covers searches undertaken between 30 June 2009 to 30 June 2010.

1. Contemporary art
3,164 searches

2. Japanese art
1,680 searches (including: Japanese art – 503 searches; modern Japanese art – 372 searches; Japanese contemporary art – 334 searches; Japanese artist – 471 searches)

3. Propaganda posters
863 searches (including: Propaganda posters – 546 searches; Chinese propaganda posters – 317 searches)

4. Contemporary art collectors
394 searches

5. Graffiti (Banksy)
374 searches

6.  Art networking sites
340 searches

7. Korean art
246 searches

8. Chinese propaganda
320 searches

Art Radar Asia receives over 27,000 page views in a month. Our readers come to us from numerous places across the Internet: search engines like Google, social networking sites such as Twitter or Facebook, our weekly email newsletter and word of mouth. Our readers are art collectors, gallerists and dealers, art professionals, scholars and artists. For all these people, it is important to understand current trends in art, whether they are influenced by them or not.

We can’t claim that this list is a reliable proxy for the most-searched art terms on the Internet overall (take a look at our notes at the bottom of this article). However, we do think the list throws up some fascinating data. Below, we attempt to decipher some of the standout results from the tallies in this list.

Japanese art in top search spot

Takashi Murakami

Perhaps unsurprisingly, “Japanese art” sits in second place with an overall total of 1,680 searches. In both the December 2009 artist list and the June 2010 artist list, Japanese contemporary artist Takashi Murakami held the number one spot as most searched artist on Art Radar. The desire to know more about this artist could be one of the factors driving this search result.

Propaganda posters and Chinese propaganda

With the work of contemporary Chinese artists continuing to sell for high prices and the artists themselves continuing to make headlines – as artists in China work under strong censorship laws they often create reactionary works – contemporary Chinese art has remained popular for some time. In addition, the current political situation in China drives external interest in the history of the country, ensuring propaganda posters created decades ago remain both relevant to contemporary study and highly collectable.

Art Radar Asia has published a number of stories on Chinese contemporary art and on propaganda art and Chinese propaganda posters.

Banksy, North London.

Art Radar graffiti series proves popular

In January this year, we published a two part series (Part I and Part II) explaining graffiti and street art. These articles have proven extremely popular, hinting at a desire to know more about this contradictory art form; it is one that is still often underground and sometimes even illegal (therefore inaccessible) and at the same time, with artists such as Banksy becoming known internationally, increasingly commercialised and collectible. We think this goes some way to explaining the 374 searches for “graffiti”.

Desire to connect to the international art community

We recorded 340 searches for “art networking sites”. Increasingly popular as a marketing and information tool, social networking sites tailored to art professionals can give members access to the knowledge of other art collectors and investors as well as the opportunity to view the work of artists from around the world. In March 2009, we linked to an excellent list of current social networking sites first published on Art Market Blog.

Notes

This list is not a reliable proxy for the most-searched art terms on the Internet overall. Here is why: If we have not written a story on or tagged this art term, the search engines will not bring us traffic for this search term and it won’t appear on our traffic analysis stats page. As we have only been up for just over two years it is quite possible that we have not yet covered some highly-searched art terms. And even if we have referenced an art term on our site and the art term is highly-searched, the searcher will not come to us unless we have a good page ranking for the story on the search engine.  For example if the story is, say, after page 4 of the search engine results, the searcher probably won’t find our story and will not appear in our stats. Despite these limitations the data is likely to be a reliable indicator for certain trends. Finally even if we have a story and the story is well-ranked, it may be that other stories on the same page are more alluring than ours and readers do not find their way to us.

KN/KCE

Related Topics: lists, from Art Radar, trends

Related Posts:

• Top 20 Asian artists June 2010: Art Radar Asia’s most-searched artists – July 2010 – evaluates the results with regards to artist activities
• What is street art? Top 5 street artists in the art world – Part II – March 2010 – an insightful overview of this controversial art form
• What is street art? Vandalism, graffiti or public art – Part I – January 2010 – an insightful overview of this controversial art form
• Top 17 Asian artists 2009: Art Radar Asia’s most-searched artists – December 2009 – includes some information on each artist
• Top 10 social networking sites for art – March 2009 – extremely useful, even readers’ comments left on this post point out some helpful sites

Subscribe to Art Radar Asia for more art-related lists and resources

What is Street Art? Vandalism, graffiti or public art- Part I

URBAN ART DEFINITIONS

In recent years there has been an increasing interest in an ephemeral and viral form of art that is marking urban settings around the world, and has developed a flourishing sub-culture all its own. Now though, street art is going mainstream. Auctioneers, collectors and museum directors are scrabbling to learn urban art vocabulary and develop positions on the big street art issues. In this primer post Art Radar gives you a heads up on what you need to know.

What is Street Art?

There is as yet no simple definition of street art. It is an amorphous beast encompassing art which is found in or inspired by the urban environment. With anti-capitalist and rebellious undertones, it is a democratic form of popular public art probably best understood by seeing it in situ. It is not limited to the gallery nor easily collected or possessed by those who may turn art into a trophy.

Considered by some a nuisance, for others street art is a tool for communicating views of dissent, asking difficult questions and expressing political concerns.

Its definition and uses are changing: originally a tool to mark territorial boundaries of urban youth today it is even seen in some cases as a means of  urban beautification and regeneration.

Whether it is regarded as vandalism or public art, street art has caught the interest of the art world and its lovers of beauty.

Is street art vandalism?

In an interview with the Queens Tribune, New York City’s Queens Museum of Art Executive Director Tom Finkelpearl said public art “is the best way for people to express themselves in this city.” Finkelpearl, who helps organize socially conscious art exhibitions, added, “Art gets dialogue going. That’s very good.” However, he doesn’t find  graffiti to be art, and says, “I can’t condone vandalism… It’s really upsetting to me that people would need to write their name over and over again in public space. It’s this culture of fame. I really think it’s regrettable that they think that’s the only way to become famous.”

Is street art illegal?

The legal distinction between permanent graffiti and art is permission, but the topic becomes even more complex regarding impermanent, nondestructive forms of graffiti (yarn bombing, video projection, and street installation.)

With permission, traditional painted graffiti is technically considered public art. Without permission, painters of public and private property are committing vandalism and are, by definition, criminals. However, it still stands that most street art is unsanctioned, and many artists who have painted without permission, (Banksy, Shepard Fairey)  have been glorified as legitimate and socially conscious artists.

Although it is extremely difficult, if not impossible, to clearly define what unsanctioned imagery is art and what is not, the effects of such images can be observed and conclusions can be reached regarding images’ function within a public environment.

Banksy, North London

Broken Window Theory: Vandalism vs. Street Art

Vandalism is inexcusable destruction of property, and has been shown to have negative repercussions on its setting. It has also been observed by criminologists to have a ‘snowball effect’ of generating more negativity within its vicinity. Dr. James Q. Wilson and Dr. George Kelling studied the effects of disorder (in this case, a broken window) in an urban setting, and found that one instance of neglect increases the likelihood of more broken windows and graffiti will appear. Then, there is an observable increase in actual violent crime. The researchers concluded there is a direct link between vandalism, street violence, and the general decline of a society.

Their theory, named the Broken Window Theory and first published in 1982, argues that crime is the inevitable result of disorder, and that if neglect is present in a place, whether it is disrepair or thoughtless graffiti, people walking by will think no one cares about that place, and the unfavorable damage is therefore acceptable.

Street Art and Gentrification

Thoughtful and attractive street art, however, has been suggested to have regenerative effects on a neighborhood. In fact, the popular street artist Banksy, who has catapulted his guerilla street art pastime into a profitable career as an auctionable contemporary artist, has come under criticism for his art contributing to the gentrification of neighborhoods. Appropriate Media claims that:

“Banksy… sells his lazy polemics to Hollywood movie stars for big bucks… Graffiti artists are the performing spray-can monkeys for gentrification. In collusion with property developers, they paint deprived areas bright colours to indicate the latest funky inner city area ripe for regeneration. Pushing out low income families in their wake, to be replaced by middle class metrosexuals with their urban art collections.” [Times Online]

Banksy himself has received requests from residents in the neighborhoods he paints, which ask that he stop painting so they can continue to afford homes in the neighborhoods where they grew up.  A letter received by Banksy reads:

“My brother and me were born here and have lived here all our lives, but these days so many yuppies and students are moving here that neither of us can afford to buy a house where we grew up anymore. Your graffities are undoubtably part of what makes these [people] think our area is cool. You’re obviously not from around here, and after you’ve driven up the house prices you’ll just move on. Do us a favor and go do your stuff somewhere else like Brixton.”

Forms of Street Art

Traditional- Painting on the surfaces of public or private property that is visible to the public, commonly with a can of spray paint or roll-on paint. It may be comprised of just simple words (commonly the writer’s name) or be more artful and elaborate, covering a surface with a mural image.

Stencil– Painting with the use of a homemade stencil, usually a paper or cardboard cutout, to create an image that can be easily reproduced. The desired design is cut out of a selected medium, and the image is transferred to a surface through the use of spray paint or roll-on paint.

Sticker– (aka sticker bombing, slap tagging, and sticker tagging) Propagates an image or message in public spaces using homemade stickers. These stickers commonly promote a political agenda, comment on a policy or issue, or comprise an avantgarde art campaign. Sticker art is considered a subcategory of postmodern art.

Mosaic- Mosaic is the art of creating images with an assemblage of smaller parts or pieces, to resemble a single giant piece of art.

Video Projection– Digitally projecting a computer-manipulated image onto a surface via a light and projection system.

Street installation- Street installations are a growing trend within the ‘street art’ movement. Whereas conventional street art and graffiti is done on surfaces or walls, ‘street installations’ use 3-D objects and space to interfere with the urban environment. Like graffiti, it is non-permission based and once the object or sculpture is installed it is left there by the artist.

Wood blocking- Artwork painted on a small portion of plywood or similar inexpensive material and attached to street signs with bolts. Often the bolts are bent at the back to prevent removal. It has become a form of graffiti used to cover a sign, poster, or any piece of advertisement that stands or hangs.

Flash mobbing- A large group of people who assemble suddenly in a public place, perform an unusual action for a brief time, then quickly disperse. The term flash mob is generally applied only to gatherings organized via telecommunications, social networking, and viral emails. The term is generally not applied to events organized by public relations firms or as publicity stunts. This can also be considered mass public performance art.

Yarn bombing- Yarn Bombing is a type of street art that employs colorful displays of knitted or crocheted cloth rather than paint or chalk. The practice is believed to have originated in the U.S. with Texas knitters trying to find a creative way to use their leftover and unfinished knitting projects, but has since spread worldwide. While other forms of graffiti may be expressive, decorative, territorial, socio-political commentary, advertising or vandalism, yarn bombing is almost exclusively about beautification and creativity.

Related Posts

• Street artist Zevs detained in Hong Kong for defacing Chanel logo- interview- July 2009
• Why is Thailand difficult for street artists? Graffiti artist Bundit Puangthong explains- July 2009
• Picasso of China or voice of dissent: Who is Ai Wei Wei? Profile- Sept 2009
• Chinese urban art exhibition in London shows new art medium of laser tagging– Oct 2008

EW/KCE