Art Radar Asia

Contemporary art trends and news from Asia and beyond

  • Photobucket
  • About Art Radar Asia

    Art Radar Asia News conducts original research and scans global news sources to bring you selected topical stories about the taste-changing, news-making and the up and coming in Asian contemporary art.
  • Advertisements

Posts Tagged ‘Heri Dono’

Historically important Indonesian gallery Cemeti closes…to change focus

Posted by artradar on May 12, 2009


INDONESIAN ART GALLERY

Update: 14 May 2009

As rumours swirl in the blogosphere, we are pleased to report that there is a more nuanced story to the Cemeti closure. Mella Jaarsma at Cemeti Art House tells us that the closing will be temporary and will be followed by a change in focus.

We will close cemeti from 1 August till 1 November, because we are going to build some studios. The idea is that we are not going to continue our monthly changing exhibitions, but we will continue and focus more on residency programs and special projects. So we will still do exhibitions and presentations, but we hope to have more time on developing specific projects, publications etc.

Thanks and best wishes, Mella
We thank Mella and contributors for helping us clarify this report and wish Cemeti all the best as it changes focus.

_________________________

 

 

With sadness we learn that the acclaimed Indonesian gallery Cemeti Art House is to close this summer.

The artist husband and wife team Nindityo Adipurnomo and Mella Jaarsma who founded the Yogyakarta-based gallery in 1988,  has made an unparalleled contribution to the development of Indonesian contemporary art.

In 2006 the couple was awarded the prestigious John D. Rockefeller 3rd award for Professional Achievement for their commitment to developing Indonesian artists. The annual award is presented by the New York-based Asian Cultural Council to individuals from Asia and the United States who have made a particularly significant contribution to art in Asia.

What Mella and Nindityo  – the first Indonesian recipients of the Award – cared about was how to accommodate new and alternative creativity that did not have a chance in well-established art galleries. Being artists themselves they knew the pain of unrecognised creations and took it upon themselves to establish such a space so necessary to young upcoming artists.

Part of the house they were renting in Yogyakarta became the Cemeti Gallery which came to play a key role in the shaping of a virtually new generation of artists in Yogyakarta and beyond. It was here that now renowned artists like Heri Dono, Edi Hara, IGAK Murniasih (Murni) started their rise to fame.

What made Cemeti different from other galleries was that it was non-commercial, that the gallery owners continued to be engaged with artists after their exhibition closed and introduced artists to an increasingly wider network within and outside Indonesian borders.

This included keeping up with the artist’s creative development, updating their biodata and recommending them for scholarships, participation in biennials and triennials, and sending them to artist residencies and exchanges, and organizing stimulating projects.

It was of cardinal importance that Jaarsma and Nindityo maintained impeccable management of the gallery and its activities. Over time, they became the most trustworthy resource for local artists to enter the international art world.

Jakarta Post Nov 12 2006

Related posts:

Subscribe to Art Radar Asia for the latest news in Asian art

Advertisements

Posted in Art spaces, Galleries, Indonesia, Indonesian, Market watch, Nonprofit | Tagged: , , , , , | 2 Comments »

Seismic changes in Indonesian art scene since 2007 Borobodur auction

Posted by artradar on December 12, 2008


Jompet Kuswidananto

Jompet Kuswidananto

 

 

ART SCENE INDONESIA

As a side event of the Christie’s autumn sales, a lecture called “Keep on Watching! The Yogyakartan Art Scene Today” was given on 29 November 2008 by Cemeti Art House gallerist Mella Jaarsma. 

Today the Indonesian art scene is driven by the private sector  because of an almost total absence of art infrastructure and government support. Until 2007, the art scene in Indonesia was also overlooked by the international markets. For many years art production was driven purely by the desire for self expression  but since 2007 there have been some profound changes in the motivation, interests and techniques of artists, Mella Jaarsma explained.

Start of Indonesian art boom:  Borobodur auction Singapore October 2007

The Borobodur auction organised in collaboration with dealer Valentine Willie from Malaysia and held in Singapore less than eighteen months ago, was a turning point. Valentine Willie included contemporary works from Southeast Asia in the sale and produced a comprehensive accompanying catalogue explaining artists’ concepts and giving reviews of each Southeast Asian country.  Almost all the works were sold, many to non-Indonesian buyers. This had a powerful effect on the significant Indonesian collectors who already had a tradition of buying Modern Indonesian artists: now they were persuaded of the worth in contemporary Indonesian art too.

Impact on galleries: new galleries opening

As a result of the new market in contemporary art, many new galleries have been opening in Yogyakarta and the capital Jakarta. All the galleries are chasing the same artists however and in order to secure the best-selling artists, they pay high fees to ‘independent curators’ to secure the works of the ‘right’ artists. But the high fees demanded by the curators to bring in desired artists create a self-perpetuating dynamic which demands that galleries attract top-selling art just to survive. This means there is little interest by galleries in showing experimental or less marketable work.

Impact on curatorship: higher status but less independence

One of the positive repercussions of this art market ecology is that curators are now being given more status and opportunities: they get to travel (for example to art fairs) and to publish (in catalogues, books and art magazines). But in their role as paid brokers or middlemen between galleries and artists, they lose the independence which is commonly regarded as a valuable aspect of curatorship.

Impact on young artists: poor bio data

Young artists fresh from art institutes are hopping from one exhibition to the other and are only producing works when invited for a show and according to the theme set by the curator. They are losing the opportunity to develop a unique vision and their own body of work. Some artists cannot even produce biodata as they skip opportunities for residencies and biennales in favour of producing directly for collectors via galleries.

These practices are in marked contrast to those of the mid-career artists such as Heri Dono, Agus Suwage, Ugo Untoro who work in studios, research and experiment. They produce difficult-to-sell works such as installations, performances and posters in addition to their marketable pieces.

New art: fast food

Most of the young artists belong to art communities which are related to specific media:

  • Mes56 – photography
  • Daging Tumbuh – comics
  • Mulyakarya  – comics
  • Jogja Mural Forum – street art
  • Grafis Minggiran – print-making
  • Vivid Animix – animation, comics
  • Gas – print-making, design
  • Pisangseger – print-making
  • Simponi – fiber and textile

In Mella Jaarsma’s view the concerns and activities of young Indonesian artists mirror those of young artists throughout Asia:

“These young artists engage in safe play with little introspection and the works produced are often sweet, non-critical and ready to be consumed….It is an observation true all over Asia. Eileen Legaspi-Ramirez, a curator and writer from Manila, calls this new generation image-crafters and object makers of fast food art.”

Jaarsma then ended the lecture with an encouraging series of images of works by young artists who are, despite all, developing their own unique oeuvre such as Jompet Kuswidananto whose work Java’s Machine Phantasmagoria has been shown at the Yokahama Trienniale 2008 and is now on show at Cemeti.

Agree or disagree? What do you think of Indonesian art? Why not leave a comment below.

Related posts

Subscribe to Art Radar Asia to read the opinions of the influential

Posted in Auctions, Collectors, Individual, Indonesia, Indonesian, Market watch | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »