Bessmertny's Causarum Cognitio Philosophicus
Courtesy Rossi & Rossi
RUSSIAN ARTIST TALK EXHIBITION
A technical impresario who underwent rigorous formal training, Konstantin Bessmertny has risen to become one of Macau’s foremost artistic ambassadors.
Raised in Far Eastern Russia on the Chinese border, Bessmertny learned the traditions of European painting while studying under Russian dissidents exiled eastward by the Soviets. Later moving to Macau, a city of Chinese and Portuguese history, perpetually shadowed by the bustling Hong Kong, Bessmertny is a creature of boundaries between times, cultures and places. He represented the Chinese enclave at the Venice Biennale in 2007.
Konstantin Bessmertny, La Battaglia di Anghiari dell'Opera Perduta di Leonardo (Copy after Leonardo No. 2) 2009
Bessmertny’s works address the many absurdities of contemporary living and our understanding of history. The paintings are lush, thick with coded allusions to high and low culture. They gleefully portray challenges of basic, almost universally accepted understanding of zeitgeist and history.
Rossi & Rossi, in association with Amelia Johnson Contemporary, is holding an exhibition of much anticipated new paintings and sculpture by Bessmertny — Causarum Cognitio or Knowledge of Causes.
The exhibition is to be held from May 7 to June 3 at Rossi and Rossi www.rossirossi.com. An artist’s talk was held on May 8 with Pamela Kember, a director of the Asia Art Archive, Hong Kong. Kember is a curator and historian of art. She has lectured at the Hong Kong Arts School and the Academy of Visual Arts in Hong Kong. She has contributed to Asian Art News, World Sculpture News and Art Asia Pacific.
The exhibition is accompanied by a catalogue 52 pages in length.
Konstantin Bessmertny
Courtesy Museu de Arte de Macau
Pamela Kember
Courtesy Chelsea College of Art & Design
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