Posted by artradar on October 20, 2010
VENICE BIENNIAL CENTRAL ASIAN PAVILLION ART CURATORS
How and with whom does the contemporary art of Central Asia communicate? To whom is it addressed? In which language does it speak? Does it use a lingua franca, the language of most effective communication, or does it twist its language towards outsiders?
This is the proposition set down by the curators for the Central Asian Pavilion at next year’s 54th Venice Biennial. Georgi Mamedov (Moscow) Boris Chukhovic (Montreal) and Oksana Shatalova (Rudnyi) have sent out an open call to artists from Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan to submit work under the theme of “Lingua Franca”. The project has been commissioned by Asel Akmatova (Bishkek) and Andris Brinkmanis (Venice) with Beral Madra (Istanbul) and Gulnara Kasmalieva and Muratbek Jumaliev (Bishkek) as special consultants.
Oksana Shatalova, 'Red Flag', 2008, five lambda prints on dibond, 180 x 155 cm each.
The focus of the pavilion looks to play upon the gap in artistic communication, similar to the project Making Interstice that featured at Venice two years ago. The curators maintain that in communicative terms, the contemporary art history of Central Asia is balanced between two poles; communicating with the international “Western” art scene and with the “local” community.
How far are these respective forms of communication effective? Next year’s project will explore not only this gap in communication but how they might be brought together.
Installation view of Making Interstices, Central Asian Pavilion, 53rd Venice Biennial, 2008. Image taken from centralasiaart.org.
Related Topics: Central Asian artists, Kazakhstani artists, biennials
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Posted in Biennials, Central Asian, Communication, Curators, Venice | Tagged: 54th Venice Biennial, Andris Brinkmanis, art curator, art curators, Art East, art projects, Asel Akmatova, Beral Madra, Boris Chukhovic, Central Asian art, Central Asian artists, Central Asian contemporary art, Central Asian Pavilion, Central Asian Pavilion 54th Venice Biennial, communication, curators of Asian art, Graphy, Gulnara Kasmalieva and Muratbek Jumaliev, Hugh Govan, Kazakhstan, Kyrgyz art, Lingua Franca, local community, Making Interstice, Oksana Shatalova, Red Flag, Stills.kg, Tajikistan art, Turkmenistan, Uzbekistan art, Western art scene | Leave a Comment »
Posted by artradar on October 15, 2010
NEW MEDIA ART FESTIVAL INSTALLATION
Akbank art centre, Istanbul continues with its exhibition “The Rhythm of Istanbul“, in collaboration with the Akbank Jazz festival. Marking the twentieth anniversary of this world renowned music festival, it will feature installations by six internationally acclaimed artists working in sound and new media.
Julian Opie, 'Rod and Verity Walking', 2010, lightbox installation. Image courtesy of Akbank Art Centre.
Curator Gisela Winkelhofer is using the commission to approach the use of sound and rhythm and to explore how movement combines with the architectural spaces of the festival, shedding new light on the confrontation between mass media and the individual.
Angela Bulloch, 'Progression of 8 Peverted Pixels', 2008, 7 DMX modules, 1 black box module. plexiglas, printed aluminium panels, DMX cables, 1 RGB lighting system DMX controller, size 52 x 52 x 52 to 62 x 70 x 62 cm. Image courtesy of Akbank Art Centre.
Accordingly, artists with a reputation for transforming the spatial encounter will be present. Canadian-born Berlin-based Angela Bulloch is showing her Progression of 8 Perverted Pixels (2008), taking the light transmitted from ordinary TV programmes, abstracting them beyond recognition and projecting them as shape-changing beams.
Specially commissioned by the festival, Tony Oursler‘s new work also evokes the spectator’s virtual relation to their surroundings. Both movement within the work and the transgression of different media takes central place in the exhibition. Another new work Rod and Verity Walking (2010) by Julian Opie positions itself on the fringes of two distinct mediums, in this case film and drawing.
Tony Oursler, 'Marlboro, Camel, Winston, Parliament, Salem, Marlboro Light, American Spirit', 2009, PVC tubes, video projection, dimensions varied. Image courtesy of Akbank Art Centre.
Related Topics: festival, installation, sound art, crossover art
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Posted in Electronic art, Festival, Laser, Light, New Media, Turkey | Tagged: Akbank, Akbank Jazz festival, Angela Bulloch, architecture, contemporary art, exhibition, festivals, Gisela Winkelhofer, Hugh Govan, installation, installation art, Istanbul, Julian Opie, Light art, Marlboro Camel Winston Parliament Salem Marlboro Light American Spirit, movement, New Media, Peter Kogler, Progression of 8 Peverted Pixels, rhythm, Rod and Verity Walking, Sound art, space, Stephan Reusse, the individual, The Rhythm of Istanbul, Tony Oursler, Turkey, Video art | Leave a Comment »