Art Radar Asia

Contemporary art trends and news from Asia and beyond

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    Art Radar Asia News conducts original research and scans global news sources to bring you selected topical stories about the taste-changing, news-making and the up and coming in Asian contemporary art.

Posts Tagged ‘Leung Kui-ting’

14 China rim artists show landscapes at opinion-leading Hong Kong gallery Hanart

Posted by artradar on February 9, 2009


Wucius Wong, Water Melody #5, Ink acrylic watercolour

Wucius Wong, Water Melody #5, Ink acrylic watercolour

Zheng Dianxing Moebius 2

Zheng Duanxiang Moebius 2

CHINESE LANDSCAPE SHOW

This show interests us because it points to the classic/contemporary trend in which we see a juxtaposition of  the historic and traditional with the new. Many contemporary Chinese artists are rediscovering the traditional medium of ink and using it in new ways or to depict contemporary concerns. In  this show we see ink used in this way but we also also see an interesting reversal, the classical quintessentially Chinese subject of landscapes is reinterpreted using modern media. The slow art trend – a backlash against fast-paced motion of new media – is here too and this show is a good place to get acquainted with some of the China rim (Hong Kong, Macau, Taiwan) artists who are attracting growing interest.

Landscape Panorama

Hanart Gallery, Hong Kong 25 Feb to 31 March 2009

From the Press Release:

This exhibition features a variety of landscape images created by veteran artists from Hong Kong, Macau, Taiwan, and Mainland China of diverse media including oil, ink, relief sculpture, lacquer and video works.

As veteran ink painter Wucius Wong has mentioned: “We can make use of this very nature to create a new approach to ink painting by seeking new directions that cut across cultures, across media, and across forms. The shifting paradigm in landscape painting is also seen among younger Chinese painters. For example, Qiu Anxiong has shifted from painting on canvas to classical Chinese ink medium. Feng Mengbo, now a leading figure in contemporary multi-media Chinese art moved the main crux of his creation to computer-generated video sequences. The line of these works, often criticizing the cynicism of computer games and aimed at utilizing their formal procedures, recently ended in a return to painting.

Participating artists:

Arnaldo Acconci
Feng Mengbo
Li Xubai
Leung Kui Ting
Liu Guosong
Lois Conner
Lucia Cheung
Qiu Anxiong
Qiu Shihua
Wang Tiande
Wang Tianliang
Wucius Wong
Yu Peng
Zheng Duanxiang

About Hanart

“This very tiny gallery (in the same building as American Express) has been exhibiting, promoting, and selling experimental art from mainland China, Hong Kong, and Taiwan since 1983. ” Frommer’s Review New York Times more

Sources: Hanart

Related categories: Ink, photography, reports from Hong Kong, Chinese artists

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Manga, ink and new generation Chinese – Top ten shows in Hong Kong September 2008 part 1 – Saatchi Online

Posted by artradar on September 4, 2008


EXHIBITIONS HONG KONG
Yoshitaka Amano 'Deva Loka Bleu'

Yoshitaka Amano

Yoshitaka Amano – New Works

Art Statements Gallery
30 August to 10 October 2008

Fans of Japanese cartoons and animations are in for a treat this September at Art Statements Gallery where legendary Japanese manga artist Yoshitaka Amano is presenting a solo exhibition of new works. No longer a subculture with a limited following, manga has grown into one of the most significant creative forces exported from Japan in recent history and its influence on mainstream popular culture in film, advertising, industrial design, fashion and graphic design is now regarded as nothing short of a phenomenon. Born in 1952 Amano shot to fame in the 1970s with his cartoon series ‘Gatchaman’ (G-Force) and since then has created many popular epics including the hugely successful video game series ‘Final Fantasy’. Featuring several 2 metre long aluminium panels depicting fantastical creatures, warriors, heroines and superheroes, this is a must-see show for manga buffs and manga neophytes alike.

Chan Yu 'Where is my childhood? no 9'

Chan Yu

Showcase 82 Republic!


Mixed media group show: Chan Yu, Liu Ja, Guo Hongwei, Wan Yang, Zhou Siwei
Connoisseur Gallery
1 September to 30 September 2008

September is going to be an exciting month for Connoisseur’s stable of young artists who will be exhibited in four locations across Asia. Known as the 82 Republic artists, this generation Y group of four painters and one sculptor was born in the eighties and incubated in their own dedicated gallery of the same name. Now ready for the world, their work will be shown in two of Connoisseur’s gallery spaces in Hong Kong – Connoisseur Art Gallery and Connoisseur Contemporary – as well as at the international art fairs at ShContemporary in Shanghai and KIAF in Seoul, Korea and in Connoisseur’s Singapore gallery as a parallel event of the Singapore Biennale 2008. Zhou Siwei’s cartoon-like character in ‘Infection – Astroboy no 7’ and the flat translucent shapes of Chan Yu’s ‘Where is My Childhood? No 9’ exemplify the new ‘spirit’ of this era which has been powerfully influenced by animation, toys and digital culture.

Xue Song: A Tale of Our Modern Time
Kwai Fung Hin Art Gallery
4 September to 27 September

An alarming accident was responsible for a crucial turning point in Xue Song’s art practice: “In 1990, a big fire broke out in my dormitory”. His books, magazines, newspapers, pictures and prints, damaged and burnt, were “released from their frames” leaving Xue Song with a new deeper understanding of the fragmentary, mutable nature of life. From these ashes emerged the embryo of his own significant unique visual language quite distinct from his contemporaries: a language of burning, restructuring, collage and drawing. The retrospective show exhibits Xue Song’s range of interests since the fire from his pop art-coloured Mao series made in the 1990s inspired by leader portraits, model operas, big-character posters (Dazibao) and Red Guards to his more recent preoccupation with modern Shanghai and the intriguing relationship between people and cities.

New Ink Art: Innovation and Beyond
Group exhibition
Hong Kong Museum of Art
22 August to 26 October 2008

“Ink has been part of our history for over 3,000 years,” says guest curator Alice King. “I want to show people how Chinese ink painting has evolved through the ages. It is no longer painted the way it was even twenty years ago”. Comprising 64 works by nearly 30 artists from Hong Kong and the mainland, this thorough survey places the increasingly popular Chinese contemporary ink genre in its historical context with a particular emphasis on the part played by Hong Kong master Lui Shou-kwan who, with his New Ink Movement, has inspired ink artists since the 1960s, amongst them Wucius Wong, Leung Kui-ting, Irene Chou and Kan Tai-keung. The exhibition looks to the future too with some controversial exhibits in the boundary-pushing section called “Is it Ink Art?” Some would say that works such as Cai Guoqiang’s gunpowder images, organic installations and digital works are not ink art at all. This show asks us to question our view of ink as a medium and to appreciate it as an essence, an aesthetic which can find expression in a variety of forms.

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Posted in Anime, Cartoon, Chinese, Collage, Cultural Revolution, Drawing, Emerging artists, Hong Kong Artists, Ink, Japanese, Manga, Mao art, Painting, Reviews, Yoshitaka Amano | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments »