Abu Dhabi’s Venice Biennale curator Catherine David says only 6 interesting artists from Emirates, whom will she show?

 

Hani Rashed

ART ABU DHABI

The Abu Dhabi Authority for Culture and Heritage (ADACH) announced late last month that the city-state will participate in next year’s 53rd Venice Biennale of Visual Art, entitled “Making Worlds,” a first for the oil-rich Gulf state.

Rather than renting a national pavilion, as most recent arrivals to the event do, Abu Dhabi will contribute the “ADACH Platform for Venice,” to be curated by Paris-born curator Catherine David. David has worked Venice before, presenting her “Contemporary Arab Representations” at the Biennale’s 50th edition, “Dreams and Conflicts,” in 2003. She is perhaps best known for having been artistic director in 1997 of documenta X, a highly conceptual multifaceted art event that takes place every five years in the German city of Kassel.

 

Catherine David

In an ambitious attempt to become a cultural hub, Abu Dhabi has recently initiated partnerships with many high-profile institutions such as the Frankfurt Book Fair and the New York Film Academy, and will soon be host to outposts of the famous Guggenheim and Louvre museums.

“Why are we looking at the Gulf?” asked David. “In front of you, you have India, Iran, Pakistan. It’s not in an island.”

Although she could not provide much in the way of details, as much of the content of the platform is still under discussion, she did imply that her selections would not hail exclusively from Abu Dhabi.

“To be frank, there are only five or six very interesting artists from the Emirates,” she said.

Perhaps some of her choices will be drawn from her recently curated show “In the Middle of the Middle,” on until March 2009 at the Sfeir-Semler Gallery. This features 12 artists living and working across the Middle East, particularly in Cairo, Beirut, Damascus, and Occupied Palestine.

Artists include

Jawad Al Malhi

 

Yasser Alwan

Yasser Alwan has lived in Switzerland and Lebanon and studied photography in America. Evocative and intimate, his portraits of people working or passing by the streets of Cairo are inscribed in the long tradition of documentary photography. His photographs have been exhibited in Cairo, New York, Frankfurt, San Francisco, London and Canterbury.
Ayman Baalbaki
Anna Boghiguian
Rami Farah
Joude Gorani
Wafa Hourani
Simon Kabboush
Waël Noureddine
Hani Rashed

 

Walid Sadek

Walid Sadik is an artist and writer from Lebanon. He is currently assistant professor at the Department of Architecture and Design at the American University of Beirut.

Akram Zaatari

Original story Daily Star further artist information and images Galerie Sfei-Semler

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First UK survey of Iranian women film, photography artists in London to January 2009

Shadi Ghadirian Be Colourful

IRANIAN ART PHOTOGRAPHY FILM WOMEN 27 September 2008 – 10 January 2009

30 Years of Solitude is a survey show of photography and film by some of Iran’s most talented women artists and is the first exhibition in the UK featuring artists who all live and work in Iran.

Curated by architect Faryar Javaherian and artist Haleh Anvari the exhibition focuses on the feelings of anxiety, isolation and the sense of loss that Iranian society has experienced in the last 30 years.

Thirty Years of Solitude came about after the art critic Edward Lucie-Smith was struck by the quality of the work coming out of Iran, and persuaded the president of New Hall, Anne Lonsdale, to consider mounting an exhibition. New Hall, one of two all-women colleges in Cambridge, is a long-time supporter of women artists and displays the world’s second-largest collection of women’s art on its college walls.

Lonsdale then booked herself on an anonymous tourist holiday to Iran – “I didn’t want to get anyone into trouble” – to sound out Javaherian, a Harvard-educated architect, about the possibility and saw immediately that it would be worth doing. “These directors and photographers deserve to be better known,” she says. “Let’s hope this is part of an increasing dialogue between Britain and Iran.”

Maryam Kia

 

For younger artists, who cannot remember pre-revolutionary Iran, restrictions are simply a fact of life. Farzaneh Khademian is Iran’s leading woman photojournalist, whose work appears regularly in news magazines around the world. She has covered everything from battles in Beirut to sex-change operations and says “you can do almost everything you like, only sometimes you have to do it more quietly.”

Her photographs in the exhibition show veiled women kayaking and kick-boxing, although normally, she points out, the women would be doing this in sports clothes. “It was only because I was there, they had to put on their scarves.” She is aiming for a full set of sportswomen, from golfers to skiers, to show how fully Iranian women live their lives, but has given up for the moment because “you ask and ask for permission and nothing happens, and then you get tired, and you think you will just put it down for a year and go back to it later.”

Iranian women’s lives are full of contradictions. They do not have he same rights as men, and their testimony in a court of law is worth exactly half of a man’s. Yet they drive, travel and do jobs of all kinds. “People think that we are living like the Arabists (sic),” says Khademian, “but it is not like that. Women are far more active now than they ever were before the revolution. They are studying, working, doing everything they want to do.”

• For article originally published in Independent via Hilary Wilce
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