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Posts Tagged ‘Middle Eastern art collectors’

Antonia Carver named Art Dubai director, lends Middle Eastern art insight to fair

Posted by artradar on July 22, 2010


ART PROFESSIONALS ART INDUSTRY APPOINTMENTS MIDDLE EASTERN ART INDUSTRY

Antonia Carver, an arts writer and administrator who is often credited with pushing contemporary Middle Eastern art into the limelight, has been named Fair Director of Art Dubai. She succeeds co-founder John Martin, who remains on the fair’s board.

Carver has been living in Dubai for the past eight years and is currently editor-at-large of Bidoun Magazine and director of Bidoun Projects. She has been a member of this renowned Middle Eastern arts organisation since its founding in 2004 and will remain on their board.

Antonia Carver at the 2009 Dubai International Film Festival.

Antonia Carver at the 2009 Dubai International Film Festival. Taken from zimbio.com.

The fifth edition of Art Dubai takes place in March 2011, coinciding with Sharjah Biennial 10, and as quoted on ARTINFO,

Officials from the fair say that they plan to work closely with the Sharjah Biennale to raise the international awareness of artists from the Middle East, North Africa, and South Asia as they expand into those regions. Recently there has been a surge in contemporary art in the Middle East, as wealthy locals have flocked to international and regional art fairs, snapping up works along the way.

So what changes, if any, does new Fair Director Antonia Carver aim to make to Art Dubai? As she points out in an interview with Time Out Dubai,

“Any fair is ultimately a place to do business, but Art Dubai is also one of the city’s premier cultural events. We’re continuing with the Global Art Forum and projects, as well as educational events, and there’s more to come. At the last fair I was the director of Bidoun Projects: we commissioned projects such as artist Daniel Bozhkov’s ‘World’s Fastest Tour of Art Dubai’. We want to continue with these types of events – they’re different to what other fairs do and they’re a way to help audiences interact with the work.”

She has a deep knowledge and understanding of Middle Eastern contemporary art although, as she states in a 2008 interview with ForYourArt, this is a term only recently coined:

“Dubai has – dramatically – established itself as a commercial art capital in the last 2-3 years. This has meant that for the first time, in commercial terms at least, it’s possible to refer to ‘Middle Eastern art,’ and compare this nascent market with India, China, Latin America, and so on.”

On the Middle Eastern art market she is quoted as saying in The Art Newspaper that…

“There’s never been such a level of international interest in the region and its art and culture. There is a new maturity in the market with a group of young Emirati and UAE-based collectors who are interested in how the market works and are looking at international as well as regional artists.”

Carver graduated in 1994 and since then has worked in publishing and the arts in Sydney, Australia and London. She was a correspondent for The Art Newspaper and has contributed to journals, newspapers and exhibition catalogues worldwide. As a film curator, she is a member of the programming teams for the Dubai International Film Festival and Edinburgh International Film Festival, specialising in Arab and Iranian cinema.

KN

Related Topics: Middle Eastern artists, events – fairs, art professionals

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Posted in Antonia Carver, Business of art, Directors, Events, Fairs, Middle East, Professionals, Promoting art, Venues | Tagged: , , , , , , , , , , , , , , , , , , | Leave a Comment »

Asians, women show momentum and banks tumble in Art Review’s Power 100 2008

Posted by artradar on October 23, 2008


INFLUENCERS ART

Art Review monthly magazine has published its Power 100 list for 2008.  Produced annually since 2001 it is a ranking of the most influential participants in the art world and includes artists, gallerists, auctioneers and collectors.

Trends this year include

  • Higher rankings and numbers for women in a market tradtionally dominated by men – Kathy Halbreich is first woman to appear on her own in the top 10. Ranked third, behind Hirst and gallerist Larry Gagosian, she is the newly appointed Associate Director of MoMA, New York.
  • Tumbling influence of banks  – as the global credit contagion spreads, financial institutions take a tumble  with both UBS and Deutsche Bank, longtime key art sponsors, ranked 62 and 63 respectively in 2007, falling off the Power 100 in 2008. 
  • Asian participants showing momentum or appearing for the first time.

Takashi Murakami (28), a superbrand not dissimilar to Damien Hirst’s model comes in at 61 places above his 2007 ranking for a year that saw a major exhibition of his work, including a Louis Vuitton store selling Murakami’s own branded products, travel across the US and draw record numbers of museum goers.

Ongoing artistic and financial strength in emerging markets has seen new listings for collectors Roman Abramovich and Dasha Zhukova (54) and a strong rise by Chinese artist Cai Guo-Qiang (69, from 99 in 2006), with first-time appearances by the Beijing-based Long March Project (93) and Delhi-based gallerist Peter Nagy (95).

 

Asian artists

  • Takashi Murakami no 28 (Japanese) wiki site
  • Ai Weiwei no 47 (Chinese)
  • Cai Guo Qiang 69 (Chinese) wiki
  • Subodh Gupta 92 (Indian)  pics
  • The Long March Project 93 (Chinese) pics  site

 

Collectors from Asia

  • Sheikh Mohammed bin Zayed al Nahyan no 30
  • Roman Abromovich and Daria Zhukova no 54
Asia-based gallerists

Entrants are judged on the following four criteria, each of which carries a 25 percent weighting.

1. Influence on art development: entrants must exert influence over the type, style and shape of contemporary art being produced in the previous 12 months.

2. International influence: as the list is international, entrants must exert influence on a global scale rather than as big fish in small-to-medium ponds.

3. Financial clout: entrants are judged on the extent to which they have shaped, moulded or dominated the art market, whether as artists, dealers or collectors.

4. Activity within the last 12 months: entrants are judged on having actually done something during the period September 2007 to August 2008. It’s not enough to sit on your powerful behind.

Posted in Ai Weiwei, Cai Guoqiang, Chinese, Collectors, Corporate collectors, Indian, Individual, Japanese, Subodh Gupta, Surveys, Takashi Murakami, Trends | Tagged: , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »