India’s first art museum Devi employs student curators for its second show – review Livemint

Shilpa Gupta Blame

 

INDIAN ART MUSEUM SHOW

Where in The World to 3 May 2009 Devi Art Foundation

Renowned Indian art collector Anupam Poddar opened India’s first art museum, the Devi Art Foundation in 2008. ‘Where in the World’ is its second exhibition and contains works from the Lekha and Anupam Poddar collection of contemporary Indian art. According to Devi’s website

This collection will be the future’s memory of this phase in Indian art. In the absence of other such collections, it may be our only memory of these years.

”Where in the World’ was curated by the students from the first class on art curating at Jawaharlal Nehru University and the result is  ‘adolescent’ says Livemint which at the same time lauds collector Anupam Poddar’s ‘noble’ efforts to promote art education.

while the curating of the show may be weak, it speaks volumes for the foundation that it chose to work with students rather than experienced curators for its second show. It shows that the foundation’s mission is to encourage education just as much as it is to display and promote art.

Happily the  ‘shaky’ execution of the display in which artworks overlap and descriptions are taped to the wall, is more than compensated for by the quality of the works

the artwork is without question some of the best contemporary art in the country.

Poddars before Jaguar in love

In particular Livemint likes

Atul Dodiya’s mixed media painting B for Bapu, which traps Gandhi behind a rolling grill shutter and Sudarshan Shetty’s giant T-Rex fornicating with a Jaguar (the car) in Love (both of which) have rarely been displayed in the public sphere before.

And overall the show can be enjoyed for its

  sense of playfulness: Rooms hum with the clattering of typewriters and odd machines blow bubbles. Viewers must walk into Shilpa Gupta’s strange apothecary shop, Blame, where the word “Blame” pulsates off flourescent-lit glass bottles.

Newer work, such as the installation Untitled by Susanta Mandal that plays with bubbles; and the video installation piece Pan(i) City by Gigi Scaria, are also given space alongside more monumental pieces from the recent past.

In sum

While there are still some kinks to work out, the exhibit proves Poddar’s genius. The foundation is a force to be reckoned with: It is not about consumerism or the marketability of Indian art, but the simple pursuit of celebrating contemporary art in India.

Livemint

The exhibition includes works by A Balasubramaniam, Atul Bhalla, C. Nannaiah, Sheba Chhachhi, Krishnaraj Chonat, Nikhil Chopra, Atul Dodiya, Anita Dube, Nicola Durvasula, Sheela Gowda, Probir Gupta, Shilpa Gupta, Subodh Gupta, Sonia Jabbar, Bharti Kher, Sonia Khurana, Susanta Mandal, N. Pushpamala, Jeetander Ojha, Jagannath Panda, Srinivasa Prasad, Ashim Purkayastha, Gigi Scaria, Mithu Sen, Tejal Shah, Sudarshan Shetty, T.V.Santhosh, and Navin Thomas.

Related:

• New non-profit museum Devi ground-breaking first for India September 2008
• Contemporary Indian art group show at Mori in Japan November 2008
• show Indian contemporary art Highway at Serpentine December 2008
• Indian contemporary art reaches a new stage of development December 2008

More about Indian artists, reports from India, events on now and events coming, survey shows, collectors, 

 Subscribe to Art Radar Asia for news of important international exhibitions of emerging art

Advertisement

New nonprofit museum of Indian art groundbreaking first for India – Christies, New York Times

Anupam Poddar and his mother Lekha

MUSEUM INDIAN ART NEW MEDIA EXHIBITION to 30 September 2008

Spread over two floors and 7,500 square feet in an office tower in the Gurgaon suburb of New Delhi , the Devi Art Foundation, as it is called opened in August 2008 with an inaugural show of photography and video called “Still Moving Image.” It features the work of 25 artists, a fraction of the roughly 2,000 contemporary pieces that make up the collection of 34 year old hotel magnate and leading art collector Anupam Poddar, along with an estimated 5,000 folk and tribal pieces, which are his mother’s passion.Devi is India’s first noncommercial, nonprofit exhibition space for contemporary art from India and the subcontinent. Yamini Mehta, director of modern and contemporary Indian art at Christie’s auction house in London, described it as “a truly groundbreaking first for India.”

The New York Times says “the birth of the Devi Art Foundation signals a sort of turning point in the Indian art scene, in that it opens up a private family trove to the public and is devoted entirely to contemporary art.””The Poddars are known in the art world here for their daring eye, for seeking out artists before they start fetching high prices or become recognizable names at fashionable Delhi dinner parties. Mr. Poddar scouts art college graduations for new talent, though it must be said that many of the artists he sought out years ago, like Subodh Gupta and Sudarshan Shetty, are now among the most recognizable names at those fashionable parties.”

The post-Indian-independence generation of artists known as the Progressives collected by his mother did not resonate with the son. He gravitated toward artists of his own generation. “Their vision of India was similar to mine,” he said. “It was being part of this – I hate this word – global world. It wasn’t just India. It wasn’t so isolated. They were working with sculpture, installation, with new media.”His first acquisition, in 1999, was a life-size pink fiberglass cow by Mr. Gupta. “It was quintessentially Indian but modern in its essence,” he said. “That’s what spoke to me.”

The inaugural exhibition of contemporary photography and video brings together the works of Aastha Chauhan, Baptist Coelho, Atul Bhalla, Avinash Veeraghavan, Bharti Kher, Kiran Subbaiah, Mithu Sen, Nalini Malani, Navin Thomas, Pushpamala N., Ram Rahman, Rameshwar Broota, Ranbir Kaleka, Ravi Agarwal, Sheba Chhachhi, Shilpa Gupta, Sonia Khurana, Sudarshan Shetty, Surekha, Susanta Mandal, Tejal Shah, Tushar Joag, Valay Shende, Varsha Nair and Vivan Sundaram.

 Related:

• Latest Indian contemporary art news
• Review of Still Moving Image by Asia Art Archive
• Devi Foundation website
• Recent posts on collectors of Asian art, important museum surveys, events on now, events coming

 If you enjoyed this post, subscribe to Art Radar Asia for email updates direct to your inbox

Charles Wallace India Trust supports emerging and mid career Indian artists

INDIAN ARTISTS KOLKATA CHARLES WALLACE INDIA TRUST: Many of its young artists, including GR Iranna and Eleena Banik are making a mark abroad, while names like Samit Dey, Sunil Gawde, Mithu Sen and Paula Sengupta have had overseas shows

The Charles Wallace India Trust extends support to artists in the early or middle stage of their career. Formed in 1981 in memory of Charles Wallace, co-founder of the Shaw Wallace company, to date, the trust has handed out around 2,500 grants.

“For close to three decades, the Charles Wallace India Trust has thrown open the window for Indians working in the arts, heritage conservation and the humanities to work in a focused manner in the UK. The Trust is run by four trustees and a secretary. The British Council India has also been actively advising the trustees,” an art market source told ET.

The trust awards four types of grants. While certain assignments in the arts and heritage conservation and visiting fellowships stretching over 2-3 months are fully funded, grants for short research or professional visits do not cover the full costs. The trust also awards grants for the penultimate or final year of doctoral study.

Some of the artists who have won the Charles Wallace grant are Delhi’s GR Iranna, Sunil Gawde of Mumbai, Ravi Kumar Kashi and A Balasubramaniam of Bangalore and Kolkata’s Eleena Banik, Samit Dey and Paula Sengupta.

“The awards help an artist to get a view of international art through the residency programmes. The benefit is that artists, are exposed to this experience at a very crucial stage of development in their career. Besides, the fellowships make way for interaction between Indian and overseas artists. As the artists establish their identity and style over time, the Charles Wallace awards, together with other accomplishments, are a true value addition,” the source said.

In fact, many of the young artists, including GR Iranna and Eleena Banik are making a mark abroad, while names like Samit Dey, Sunil Gawde, Mithu Sen and Paula Sengupta have had overseas shows. “My whole trip to Europe was very exciting. Charles Wallace took me to the Glasgow School of Art. I gathered so much experience and knowledge. I was introduced to the global art scenario. I was overwhelmed to see great art works from pre-historic till modern to post-modern and contemporary. I never looked back after that,” said Eleena Banik.

Source: Indian Art News/Economic Times
Image details: Paula Sengupta 'For Misses and Girls'