Posted by artradar on October 6, 2010
MIDDLE EAST CONTEMPORARY ART LONDON CONFERENCES
ArtInsight, the events partner of leading art market research firm, ArtTactic, has organised what we think looks to be a very important conference for early October in London. State of the Art – Middle East [The Future of the Middle East Contemporary Art Market] will focus on trends and opportunities in the Middle Eastern contemporary art scene.

Artwork by Houria Niati. Image courtesy of Janet Rady Fine Art.
As detailed in the latest press release from ArtInsight, State of the Art – Middle East will include talks and in-depth panel discussions with leading figures from all facets of the Middle Eastern art world, including curators, gallerists, consultants, museum professionals, artists, patrons/collectors, auction house specialists and art market experts. With this event, ArtInsight hopes to provide an comprehensive insider’s perspective of both market and artistic trends in the Middle East today, and into the future.
Key issues and topics to be explored and debated at State of the Art – Middle East will include:
- The impact of substantial museum building plans and activities throughout the region
- Collector opportunities: The effect of the rapid and growing visibility of Middle Eastern artists across the international art scene and art market
- The significance of the roles of auction houses, art fairs and galleries, in the development of the region’s art market
Leading speakers listed are:
- Lulu Al-Sabah: Founding Partner, JAMM-Art
- Alia Al-Senussi: Collector, Curator and Advisor
- Bashar Al-Shroogi: Director, Cuadro Fine Art Gallery (Dubai)
- Maryam Homayoun Eisler: Leading Patron/Collector and Contributing Editor
- John Martin: Co-founder and former Fair Director, Art Dubai
- Ahmed Mater: Artist
- Jessica Morgan: Curator, Contemporary Art, Tate Modern
- Anders Petterson: Founder and Managing Director, ArtTactic
- Dr Venetia Porter: Curator, Islamic and Contemporary Middle East, The British Museum
- Janet Rady: Director, Janet Rady Fine Art
- Stephen Stapleton: Director, Edge of Arabia
- Steve Sabella: Artist
- Roxane Zand: Director, Middle East & Gulf Region, Sotheby’s
- Conference Moderator Jeffrey Boloten: Co-founder and Managing Director, ArtInsight
State of the Art – Middle East [The Future of the Middle East Contemporary Art Market] will take place on Friday 8 October this year and runs from 9:00 a.m. to 5:00 p.m. at Asia House in London. The £195 conference fee includes a Halal lunch and there is a student discount available. For bookings, visit www.artinsight.eventbrite.com.
MS/KN
Related Topics: Middle Eastern artists, promoting art, art market
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Posted in Advisors, Asia expands, Business of art, Collectors, Conference, Critic, Curators, Directors, Events, Gallerists/dealers, Globalization of art, London, Middle Eastern, Professionals, Resources, Scholars, Trends, UK, Venues, Writers | Tagged: Ahmed Mater, Alia Al-Senussi, Anders Petterson, art collecting, art collectors, Art Dubai, art market, art professionals, ArtInsight, Arttactic, Asia House, Bashar Al-Shroogi, Collectors, Conference, Cuadro Fine Art Gallery (Dubai), Dr Venetia Porter, Edge of Arabia, Halal, Houria Niati, JAMM-Art, Janet Rady, Janet Rady Fine Art, Jeffrey Boloten, Jessica Morgan, John Martin, lectures, Lulu Al-Sabah, Martha Soemantri, Maryam Homayoun Eisler, Middle East Contemporary Art, Middle Eastern art, Middle Eastern art scene, Middle Eastern contemporary art, panel discussion, Panel discussions, Roxane Zand, Sothebys, State of the Art - Middle East, State of the Art - Middle East [The Future of the Middle East Contemporary Art Market], Stephen Stapleton, Steve Sabella, Tate Modern, The British Museum | Leave a Comment »
Posted by artradar on August 24, 2010
MARRAKECH MOROCCO ART FAIRS ARAB ART
In October this year, the tourist hotspot Marrakech, Morocco, will host the country’s first modern and contemporary art fair. The fair points towards a growing trend of interest and investment in art in the Middle East where Dubai, currently the top art city in the Middle East, is facing increasing competition from upcoming art ventures in Abu Dhabi and Sharjah. (Read our report on this recent trend.)

Gjdn Neshat's 'Untitled96'. Neshat is a participant in this year's Marrakech Art Fair.
Morocco, characteristically, is a country that culturally and geographically straddles the “east meets west” junction. That the Marrakech Art Fair shares some of these characteristics make it all the more special. Out of the thirty galleries exhibiting at the fair, half come from the Arab world, primarily North Africa while the other half come from Europe. For art lovers, this could provide an incredible opportunity to sample international contemporary art.
The city also plans to host simultaneous art events throughout the days of the fair. Some of these are special exhibitions at select museums and galleries in Marrakech. The idea behind engaging the city as a giant art fair in itself is to offer rare insights into Moroccan heritage and its contemporary art world.
The Marrakech Museum, for example, is hosting “Resonance: Contemporary Moroccan artists across the world”, which showcases fifteen artists of Moroccan origin who are based outside of Morocco. Inventing and re-thinking ideas of identity versus the global, these artists will work through various mediums such as painting, installation and video art to map new thoughts about the reality of art in Morocco. Another interesting intervention looks at the culmination of popular culture and art. Six graffiti artists will create spontaneous art to the music of Moroccan rapper BIGG over the period of one night.

Zoulikha Bouabdellah's 'Love'. Bouabdellah is a participant in this year's Marrakech Art Fair.
Other events include talks such as the panel discussions led by Roxana Azimi, a specialist in the international art market, that will deal with the twin issues of “Art market in the Arab world” and “The role of patrons and collectors.” Pascel Amel, a writer and director, will lead a debate on “Art in Morocco at the dawn of globalization.” The talks seem to be marked with hope and enthusiasm for the place of Moroccan art in the world market as well as a belief in the possibility of internal development.
Fifteen of the galleries invited to the fair will respond to a set theme of “From Orientalism to nowadays.” The Jean Brolly gallery is one such participant that intends to showcase work by two artists of different origins – Mahjoud Ben Bella and Francois Morellet. Local galleries are active participants at the fair. The Tindouf Gallery and the Galerie 127 are based in Marrakech itself. Other galleries that are showing at the fair come from Tunisia, the UAE, France and Morocco. The fair will be held from 9 to 11 October this year. For more details, visit the fair’s website.
AM/KN
Related Topics: art fairs, Middle Eastern art, promoting art
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Posted in Africa, Asia expands, Business of art, Crossover art, Fairs, Globalisation, Middle East, Promoting art, Venues | Tagged: Abu Dhabi, Ananya Mukherjee, art fairs, art fairs in Asia, Art in Morocco at the dawn of globalization, Art market in the Arab world, art news, Asian art fairs, BIGG, contemporary art, Dubai, East meets West, Europe, France, Francois Morellet, Galerie 127, Gjdn Neshat, Global art, graffiti art, Identity art, installation art, Jean Brolly Gallery, Mahjoud Ben Bella, Marrakech, Marrakech Art Fair, Marrakech Museum, Middle East, Middle Eastern art, modern art, Moroccan heritage, Morocco, North Africa, October, paintings, Panel discussions, Pascel Amel, rap music, Resonance: Contemporary Moroccan artists across the world today, Roxana Azimi, Sharjah, Talks, The role of patrons and collectors, Tindouf Galler, Tourism, Tunisia, UAE | Leave a Comment »