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Posts Tagged ‘Parastou Forouhar’

Stop…look again! Work of Iranian activist artist Parastou Forouhar is not what it seems…

Posted by artradar on September 22, 2009


CONTEMPORARY IRANIAN ART

For a revealing insight into contemporary art and its relationship with political and gender issues in Iran today, don’t miss this intriguing interview with Parastou Forouhar in which she describes how she challenges viewers to take a second look.

Parastou Forouhar

Parastou Forouhar, from Series II, Tausend und ein Tag, 2009.

Art by Iranian artist Parastou Forouhar takes on political proportions with her intriguing delicate imagery of torturous acts being perpetrated by Iran’s authoritarian regime.

Political violence is a deeply personal issue for the activist artist, whose parents were the victims of a politically motivated murder in Iran.

In an interview with DB Art Magazine, she discusses this trauma and her artistic style of creating beautiful ornamental artworks, which upon closer inspection reveal twisted scenes of cruelty.

Forouhar, who is now based in Germany, has exhibited at the 2nd Berlin Biennial in 2001, the Global Feminisms show in 2007 at the Brooklyn Museum of Modern Art, and her works can currently be seen in Iran Inside Out — a comprehensive exhibition at the New York Chelsea Art Museum. However, at the moment the artist is “more involved with politics than with art.”

Forouhar says she consciously intended for viewers to first see her ornamental images and feel they are beautiful, and then become shocked when the true subject matter becomes apparent. She says:

I challenge the viewer to take a second look. At first glance, you see the beautiful pattern and think you’ve understood it. And then you get a little closer and realize, no, it’s completely different, I didn’t understand anything at all. To challenge the viewer to take a second look is exciting to me. The viewer is thrown back on himself and is forced to reevaluate his perception.

This compelling interview also covers whether Islamic art is becoming ‘more Catholic’, (and yes, she agrees it is leaning more towards visual Islamic-pop elements and ritual), and questions the attitude of the young male Iranian generation towards their patriarchal past (they are reportedly ‘fed up’ with the traditional masculine character.) Read full interview here.

-contributed by Erin Wooters

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Posted in Activist, Germany, Iranian, Museum shows, Parastou Forouhar, Political | Tagged: , , , , , , , , | Leave a Comment »

56 artist show Iran Inside Out – Will election unrest fan the debate about Iranian contemporary art?

Posted by artradar on June 30, 2009


IRANIAN CONTEMPORARY ART EXHIBITION US

New York’s Chelsea Art Museum is holding its “groundbreaking” exhibition Iran Inside Out (26 June to 5 September 2009) which features 35 artists living and working in Iran alongside 21 others living in the diaspora.

We are promised a “multifarious portrait of 56 contemporary Iranian artists challenging the conventional perceptions of Iran and Iranian art”. However, do not be at all surprised if unfolding events in Iran and the very art itself will result in heated debate and deep schisms about this interpretation.

Pooneh Maghazehe, Hell's Puerto Rico Performance Still, 2008 copyright artist

Pooneh Maghazehe, Hell's Puerto Rico Performance Still, 2008 copyright artist

The debate was ignited by ‘Unveiled’, a show of Middle Eastern art (half of it Iranian) at The Saatchi Gallery London in the early months of this year. The exhibition garnered plenty of critical attention but strongly divided views were expressed about the success of the organisers’ claim to overturn the cliched idea that the Middle East is synonymous with violence and intolerance.

According to Henry Chu of LA Times , “Unveiled is an exhibition which offers an alternate vision: the Middle East as a source of lively, stimulating contemporary art — informed by conflict, certainly, but not consumed by it.” Nonsense, says Dorment in The Telegraph who claims the show is replete with references to bombs, religious police and the denigration of women.

This debate will be fanned anew by recent political disturbances in Iran. Relations between foreign powers and Iran are now severely strained following the disputed re-election on 12 June of President Mahmoud Ahmadinejad.

Click to browse Iran Inside Out catalogue

Click to browse Iran Inside Out catalogue

“Iran has repeatedly accused foreign powers – especially Britain and the US – of meddling after the 12 June election, which officially handed him a decisive victory” says the BBC while The New York Times gives us a specific quote:

President Obama, who made his most critical remarks of the Iranian leadership on Friday, when he called the government’s crackdown “outrageous” … said the prospects for a dialogue with Iran had been dampened.

…“Didn’t he say that he was after change?” Mr. Ahmadinejad asked. “Why did he interfere?”

Unfolding political events will challenge the New York show’s curators, artists and museum staff and test their courage. Even before the protests, in reference to Iranian art in ‘Unveiled’, the Guardian was saying:

It is still amazing how far into politics this art bravely goes and it is no overstatement to speak of bravery in this case. One of the artists represented here, who lives in Tehran, is muffled in the gallery’s publicity shot to conceal his identity. Another, the prodigiously gifted Tala Madani, has escaped Tehran for Amsterdam but still refused to have her face revealed in a photograph. Guardian

The museum’s website raises the interesting point – and this is perhaps the nub of it – that artists in the diaspora and at home in Iran choose different forms of expression:

Ironically, contrary to one’s expectations, the artists living abroad often draw more on their cultural heritage, while those on the inside focus more on issues of everyday life without much regard to what ‘the outside’ views as specifically Iranian references.

But, whereas the museum’s writers see the focus of home-based artists on the  ‘everyday’ as an act of choice, there are some who suggest it is an act of self-preservation. Time will tell whether the description of this show will be excoriated like that of the catalogue description of ‘Unveiled’:

In her catalogue introduction to .. ‘Unveiled: New Art from the Middle East’, Lisa Farjam airily dismisses European perceptions of the Middle East as a place synonymous with political oppression, religious intolerance, and terrorism as unthinking ‘clichés’ that prevent us from understanding the richness and diversity of Muslim societies.

All I can say in response is that the artists in this show profoundly disagree with her sunny take on this part of the world. The evils Westerners see from a distance are the everyday context in which many of these painters and sculptors make their work – and it was precisely to escape repression at home that so many of the best of them now live in New York or Paris.

Their art isn’t (like so much Western art) about consumerism or celebrity or art itself; it’s about suicide bombers, religious police, unending war, and the denigration of women in Islamic societies. While I admit I was surprised that those still working in Tehran feel able to treat the subjects of gender, sexuality, religion, and politics without risking imprisonment or death, among the photos of the artists displayed at the end of the show, I noticed that one, who still lives in Tehran, has taken the precaution of wearing a balaclava. Telegraph

Related links: Exhibition description on Chelsea Art Museum site

Catalogue

In a still unusual and much-appreciated move, the museum has put the show’s catalogue online. It is a glorious glimpse of a very active art scene. Text and works by artists sit alongside interviews with collectors and galleries. Buy the ‘Iran Inside Out’ catalogue here.

FEATURED ARTISTS:

Inside Iran (35)

Abbas Kowsari, Ahmad Morshedloo, Amir Mobed, Alireza Dayani, Arash Hanaei, Arash Sedaghatkish, Arman Stepanian, Barbad Golshiri, Behdad Lahooti, Behrang Samadzadegan, Bita Fayyazi, Daryoush Gharahzad, Farhad Moshiri, Farideh Lashai, Golnaz Fathi, Houman Mortazavi, Jinoos Taghizadeh, Khosrow Hassanzadeh, Mahmoud Bakhshi Moakher, Majid Ma’soomi Rad, Mehdi Farhadian, Nazgol Ansarinia, Newsha Tavakolian, Ramin Haerizadeh, Reza Derakshani, Reza Paydari, Rokni Haerizadeh, Sadegh Tirafkan, Saghar Daeeri, Shahab Fotouhi, Shirin Aliabadi, Shirin Fakhim, Siamak Filizadeh, Siavash Nagshbandi, Vahid Sharifian

Outside Iran (21)

Ala Ebtekar, Alireza Ghandchi, caraballo–farman, Darius Yektai, Kamran Diba, Leila Pazooki, Mitra Tabrizian, Nazanin Pouyandeh, Negar Ahkami, Nicky Nodjoumi, Parastou Forouhar, Pooneh Maghazehe, Pouran Jinchi, Roya Akhavan, Samira Abbassy, Sara Rahbar, Shahram Entekhabi, Shahram Karimi, Shirin Neshat, Shiva Ahmadi, Shoja Azari

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Gender examined in Pergamon Museum of Islamic Art’s exhibition of Iranian contemporary art to September 7 2008

Posted by artradar on August 23, 2008


Ahmad Morshedloo Untitled

Ahmad Morshedloo Untitled

IRAN CONTEMPORARY ART MUSEUM SHOW  to 7 September 2008

 

 

 

The relation of the sexes to each other is at the very forefront of the various debates on societies shaped by Islam which are currently being held all over the world. The exhibition “Naqsh – Insights into Gender and Role Models in Iran” aims to present a differentiated view of the subject, by taking Iran as an example and by looking at the debate going on within the country itself, with all of its peculiarities and contradictions. The show is being held at Pergamon Museum in its Islamic section on Berlin’s museum island.

The subject of “Gender, Feminism and Islam” is approached on two different levels: firstly in the form of theoretical documentation and secondly in artistic execution. On display will be works of art from Iranian artists and a German artist of part-Iranian parentage who all use various media to tackle the subject of constructions of gender identities. The documentary component will comprise audio and video interviews from Iran and the diaspora, in which representatives of secular and Islamic feminism and a transsexual man are given the chance to speak alongside scholars and activists.

Participating artists include Bita Fayyazi, Parastou Forouhar, Alireza Ghandchi, Shirin Homann-Saadat, Ahmad Morshedloo, Neda Razavipour, Maryam Salour.

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Posted in Feminist art, Iranian, Islamic art | Tagged: , , , , , , , , , , , , , , | Leave a Comment »