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Posts Tagged ‘Russian curator’

World premiere of new AES+F photo collages at Moscow’s Garage Center – video

Posted by artradar on August 10, 2010


RUSSIAN ARTIST COLLECTIVE PHOTOGRAPHY VIDEO

Made up of artists Tatiana Arzamasova, Lev Evzovitch, Evgeny Svyatsky, and Vladmir Fridkes, internatinoally acclaimed Russian collective AES+F returns once again to Moscow’s Garage Center for Contemporary Culture in the center’s newest exhibition, “The Feast of Trimalchio“.

AES+F, The Feast of Trimalchio. Triptych #1. Panorama #2. 2010, Digital Collage.  Image courtesy of Garage Center for Contemporary Culture

AES+F, 'Triptych #1. Panorama #2', 2010, digital collage. Image courtesy of Garage Center for Contemporary Culture.

Curated by Olga Sviblova, the collective’s interpretation of Satyricon, a work by Roman poet Gaius Petronious Arbiter, features a nine channel video installation of a hotel resort paradise threatened by disaster. The artists’ website states:

the atmosphere of ‘The Feast of Trimalchio’ can be seen as bringing together the hotel rituals of leisure and pleasure … On the other hand the ‘servants’ are more than attentive service-providers. They are participants in an orgy, bringing to life any fantasy of the ‘masters’.

The show, which runs from 19 June to 29 August, features both the video installation as well as several brand new, never-before-seen panoramic digital collages.

Watch Garage Center’s short preview of “The Feast of Trimalchio” here (video length, 1:07 mins)

EH/KN

Related Topics: AES+F, Russian, photography, video art

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Russian curators prosecuted for showcasing banned art: media round-up

Posted by artradar on August 2, 2010


RUSSIAN ART CURATORS BANNED ART LAW

After a two-year trial, two Russian curators, Yury Samodurov and Andrei Yerofeyev, were declared guilty of “inciting religious hatred,” despite massive protest. Although they escaped the three-year prison sentence demanded by the prosecution, the judge declared them guilty and each had to pay a hefty fine. Critics fear the results of this trial are proof of cultural oppression in Russia.

They had showcased art banned from other Russian museums in an exhibition entitled “Forbidden Art” at the Sakharov Museum.

Alexander Kosolapov's 'This Is My Body', from "My Blood My Body" series, one of the works from the controversial exhibition "Forbidden Art 2006" at the Sakharov Museum.

Alexander Kosolapov's 'This Is My Body', from "My Blood My Body" series, one of the works from the controversial exhibition "Forbidden Art" at the Sakharov Museum.

Strong public interest in the case

Most media leans in favor of the Russian curators and sees the verdict as a sign of cultural oppression and censorship in Russia. However protesters from both sides were present outside the courthouse on the day of the ruling. Those offended by the paintings and who initiated the prosecution were mostly fundamentalist Russian Orthodox Christians while those against the prosecution consisted generally of artists and human rights activists. Multiple blogs and news agencies have covered the trial, ranging from arts websites to Russian interest magazines and blogs about human rights.

Extreme factions from both sides have voiced their protests. The New York Times reports that radical art performance group, Voina, released cockroaches into the courtroom, an act criticized by Samodurov. According to the Associated Press, extremist members of the prosecution threatened the curators in court, reminding them of the fate of Anna Alchuk, curator of “Caution: Religion!” who was found dead in Berlin in 2008.

Artists “incited religious hatred”

'Chechen Marilyn' by Blue Noses Group (2005, colour print, 100 x 75 cm), one of the works from the controversial exhibition "Forbidden Art 2006" at the Sakharov Museum.

'Chechen Marilyn' by Blue Noses Group (2005, colour print, 100 x 75 cm), one of the works from the controversial exhibition "Forbidden Art" at the Sakharov Museum.

The works in question include an icon made of caviar, a depiction of Christ with a Mickey Mouse head, and an image of Christ with the McDonald’s sign and the words “This is my body”. There were also some non-Christian symbols included in the list of offensive images such as Chechen Marilyn and the Chinese invading the Kremlin. The exhibition spurred a lot of anger amongst religious groups.

In a video interview with Russia Today, a member of the Russian Orthodox Church explains that,

Orthodox believers, as citizens of their country…have the right to protect their sacred symbols. It was not the church that initiated this prosecution, but the people who were offended. The investigation proved that the art at the exhibit was offensive towards believers, and incited religious hatred.

The New York Times also mentioned, however, that Russian Orthodox Church officials believed that while displaying the paintings was criminal and the curators should be punished, they shouldn’t be imprisoned. Furthermore, the Russian Minister of Culture was critical of the prosecution.

A fight against censorship

The defendants’ view is that this exhibition was a critique of the materialism of Russian society and a fight against censorship of the arts, and had nothing to do with religion. Ironically, critics fear that results of the trial have shown that censorship is quite powerful in Russia.

Samodurov faced similar charges for a 2003 exhibition called “Caution: Religion!” He says the Church has reacted more strongly in the “Forbidden Art” trial.

Human rights and arts activists fully disapprove of the judge’s ruling, and are alarmed not only at the guilty verdict but at the fact that this trial even took place. The BBC News reported that thirteen renowned Russian artists signed an open letter to President Dmitry Medvedev protesting the trial. Russia Today reports that,

…much more concerning [than escaping the jail sentence] for people in their circumstances is what they’ve seen as a curb from their freedom of expression.

In addition support from other artists and curators has been prevalent. The Associated Press reports that Marat Gelman, a Moscow gallery owner, declared his support for the pair by saying he would launch his own “Forbidden Art” exhibition should the ruling be in favor of the church. One sympathizer stated for the Associated Press before the verdict was declared,

‘I am very afraid for them,’ she said. ‘The church is now younger, more energetic.’

Some fear a return to a cultural oppression similar to that of Czarist Russia. Some suspect the Kremlin may have had a role in lightening the punishment of the curators to prevent tarnishing their international image. Critics have predicted that people will be wary of displaying and producing potentially offensive art in Russia, and this will make Russian art less competitive globally.

MM/KN

Related Topics: Russian artists, curators, venues – Moscow

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Russian new media artists at MOMA Moscow where interest in electronic art grows

Posted by artradar on September 21, 2008


 

 

SURVEY NEW MEDIA ART RUSSIAN ARTISTS to 19 October 2008

CRITI-POP

Dates: September 19 – October 19, 2008
Location: Moscow Museum of Modern Art at Ermolaevsky lane, 17 (floors 2-5)

“It seems incredible, but interactive and communicative art in Russia is practiced only by Chernyshev, Shulgin and Efimov, working together or individually” says curator and gallerist Elena Selina. “Recently, interest in new media art has increased in Moscow. Not only professionals, but also collectors and the public, have overcome inner barriers that prevented (their acceptance) of the new media language”.

Presented by the Moscow Department of Culture, Russian Acacademy of Arts, the Moscow Museum of Modern Art with XL Gallery, the CRITI-POP exhibition showcases three artists, two creative groups, forty works and plenty of themes including information overflow, reconstruction of identity, genetic pop-engineering, the poetry of stock-exchange deals and news broadcasts, aesthetics of data transmission and science art.

Interactive installations by Vladislav Efimov and Aristarkh Chernyshev, who worked together from 1996 to 2005, bring us art that deals with genetic engineering, statistical modeling of processes, computer games and robotics. The viewer becomes a hero of the work — a colleague of an insane scientist modeling DNA, a creator of 3-D avatars, a conqueror of robots or a terminator hunting for artists.

Electroboutique  (Aristarkh Chernyshev and Alexei Shulgin since 2003) is a unique art group that unites artists, developers of electronics, programmers and designers. Using techniques taken from social psychology and perception theory, the artists transmit their critical message directly into the unconscious of the viewers and entertain them with bright colors and garish forms. In his solo projects, Aristarkh Chernyshev creates art from information streams like TV-channels, Internet-news or stock-exchange tapes while the solo work of Alexei Shulgin  looks at our addiction to technologies and gives variants of creative rescue. One of the historic exhibits is a legendary rock band 386 DX, made of an outdated computer playing ever-young hits of British-American and Russian rock.

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Posted in Curators, Electronic art, Gallery shows, Interactive art, Museum shows, New Media, Pop Art, Russian, Video, Virtual, West Asian | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »