Artpartment a Hong Kong space for experimental art – video

ARTIST-RUN SPACES VIDEOS PERFORMANCE ART VIDEO ART STOP MOTION

We bring you another summary of an [art]attack show by ChooChooTV, this one profiling C&G Artpartment, founded by Clara Cheung, who studied art in the United States for four years, and Cheng Yee Man (Gum), an HKAPA and RMIT graduate. Artpartment is a gallery and studio space in Hong Kong dedicated to the production and exhibition of experimental art.

Artists Clara Cheung and Cheng Yee Man (Gum) discuss their Hong Kong studio and gallery C&G Artpartment on ChooChooTV.

We set up Artpartment for two reasons. Firstly we wanted a place to exhibit artworks, like an art gallery or a space for experimental art, and secondly we wanted to create a studio to teach painting. Clara Cheung on [art]attack

The artists own collaboration lies in performance art pieces, mostly conducted on the streets of Hong Kong. Says Gum,

“I totally disagree that an exhibition doesn’t require an audience;… for any exhibition, the more audience you have the better it is. We want to do things that attract people and performing art can provide that. You are forced to view it since we are on location in front of you.”

The video focuses on art created by the pair for the stop motion art group exhibition, “No Money for Art vs. No Time for Art”, held at Artpartment. They use video, drawing and painting to create videos expressing the social aspirations behind their work.

“We went to Poland in September for an art camp, it’s similar to an artist residency programme, and there were a lot of artists from different countries. Our work that we are exhibiting was inspired during that programme.” Clara Cheung on [art]attack

Both artists have strong views about the job of an artist and these are expressed in the video.

“The direction of our artwork is firstly, about our society and secondly, about the art society…. Art should create awareness, it should also be something we’ve not seen before, so the way we should approach art is to use it to reflect the society and political issues.” Cheng Yee Man (Gum) on [art]attack

“Different art media should all be part of the art scene. We need to unite and strengthen the art scene.” Clara Cheung on [art]attack

Watch the video here (length 6:39 minutes)

KN/HH

Related Topics: videos, video art, performance art, Hong Kong artists, artist-run spaces

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This is Hong Kong: video art exhibition highlights differences between Hong Kong and the mainland

HONG KONG VIDEO ART MOVING IMAGE

Hong Kong’s identity revealed through moving image

Hong Kong: a Chinese city, a territory, a post-colonial state. Since China regained sovereignty of the area from Britain in 1997, Hong Kong has been struggling to define its identity. In the internationally touring video programme, This is Hong Kong, participating artists have used moving image to provide a visual portrait of today’s political, social and architectural Hong Kong.

Kingsley Ng, Record Light, 2008

Hong Kong’s recent history has been very different to that of mainland China; from the mid-1800s to 1997 it was under British rule. Now returned to Chinese control, the territory is struggling with issues of identity common to many postcolonial states. It is in a unique position, as China has continued to allow the “special administrative region” cultural and economic freedoms that are not available on the mainland.

Chilai Howard Cheng, Doors, 2008

This is Hong Kong aims to show just how different the area is from the mainland and sees moving image as the medium with which to do it. It showcases 16 video works by 15 contemporary Hong Kong artists; these renowned artists are Chow Chun Fai, S.T. Choi Sai Ho, Silas Fong, Ip Yuk-Yiu, Linda Lai, Leung Mee Ping, MAP Office, Adrian Wong, Kacey Wong, Woo Ling ling, Ban Zhang, Kingsley Ng, Hung Keung, Leung Chi Wo and Chilai Howard Cheng. The four sections of the exhibition, (Transitional) Architecture, Diaries, Fictions and Tactile Positions, each deal with a different side of the city, and represent the different strategies developed by the artists.

Images of traditional neighbourhoods, unique architecture, underground communities, postcolonial identity and “life in the big city” all combine in videos with strong, compelling soundtracks. This is Hong Kong helps the viewer to build an overall picture of what it’s like to live in one of the most important economic and cultural metropolises in the world.

Silas Fong, When The Door Opens, 2008

This is Hong Kong is supported by Hong Kong-based Para/Site Art Space, a non-profit art organization headed by Executive Director and Curator, Alvaro Rodriguez Fominaya. Fominaya is also the curator of the exhibition and believes it “is a great opportunity to show at an international level the vibrant art scene of Hong Kong”.

After being successfully shown at LOOP Festival in Barcelona, Spain, the programme made its way to LOOP Alternative Space in Seoul, Korea, Hamburg’s Subvision Festival, EastSide Projects, Birmingham, and IFA Gallery, Berlin.

This is Hong Kong is currently showing at the Kuandu Museum of Fine Arts in Taipei, Taiwan, and will conclude at Kunsthalle Wien, Austria, in March this year.

Visit the exhibition page on the Para/Site Art Space website for more details on individual videos. Curator Alvaro Rodriguez Fominaya can be contacted directly through this site. Fominaya also writes his own informative blog – visit it here.

KN/KCE

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