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Posts Tagged ‘Sopheap Pich’

Four Asian artists nominated for NYC PULSE Awards

Posted by artradar on March 9, 2010


EMERGING ASIAN ARTISTS –  ART PRIZES

 

Four Asian artists were nominated for Pulse Awards at the PULSE art fair  which took place in New York City and Miami between 4-7 March 2010: Shun Duk Kang from Korea, Hiroshige Furuhaka from Japan, Farsad Labbauf from Iran and Sopheap Pich from Cambodia.

Though none of these four artists won either the PULSE award or the People’s Choice award, the fair gave them extensive exposure (they each won their own booths) and point to their status as emerging names in the global scene.

Shin Duk Kang, Heaven and Earth, 2008

Shin Duk Kang, Heaven and Earth, 2008

Shin Duk Kang, a South Korean artist, is represented by Seoul’s Galerie Pici. She creates installation art that reflect the limits of her material while evoking nature in her work. She also makes prints, which utilize geometric forms to continue exploring the subject of nature.

Hiroshige Fukuhara, The Night Became Starless, 2008

Hiroshige Fukuhara, The Night Became Starless, 2008

Ai Kowada Gallery 9 represents Hiroshige Fukuhara, who specialises in drawings with graphite and black gesso on wood. Viewers are drawn to the simplicity of his works, as well as the subtle addition of graphite, which makes his black-on-black drawings shimmer from certain angles. Before PULSE, he was featured in PS1’s 2001 show “BUZZ CLUB: News from Japan.”

Farsad Labbauf, Joseph, 2007

Farsad Labbauf, Joseph, 2007

Iranian artist Farsad Labbauf combines figurative painting with Iranian calligraphy to create a unified image, regardless of the content of the words or pictures within that image. He refers to his Persian heritage as his inspiration, especially its carpet-making tradition: that unrelated elements were able to come together in linear patterns to create a whole. He concludes that his work is “often an attempt for the union of the internal.”

Sopheap Pich, Cycle, 2005

Sopheap Pich, Cycle, 2005

Sopheap Pich is a Cambodian artist represented by Tyler Rollins Fine Art of New York. His work mostly consists of sculptures of bamboo and rattan that evoke both biomorphic figures and his childhood during the Khmer Rogue period. He has become a major figure in the Cambodian contemporary art scene.

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Posted in Asian, Cambodian, Drawing, Emerging artists, Fairs, Iranian, Japanese, Korean, New York, Painting, Prizes, Sculpture, USA | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment »

First New York solo show for Sopheap Pich, Cambodia’s most prominent contemporary artist

Posted by artradar on November 23, 2009


SOUTHEAST ASIAN CONTEMPORARY SCULPTURE

On November 12th, Tyler Rollins Fine Art (TRFA) introduced another Southeast Asian artist to the New York art scene. Bamboo sculptor Sopheap Pich’s first solo exhibition in New York will run until January 9th 2009, ending the Fall exhibition season.

RAFT, 2009 BAMBOO, RATTAN, WOOD, WIRE, METAL BOLTS 89 X 177 X 52 IN.

According to TRFA, Pich has been very active on the international stage in recent years and is now considered to be Cambodia’s most prominent contemporary artist. In addition, Pich’s artwork is currently part of the 4th Fukuoka Asian Art Triennale ending on November 23rd.

"THE PULSE WITHIN" INSTALLATION VIEW

“Issues of time, memory, and the body are integral to Pich’s work. For this exhibition, he has created a dynamic group of sculptural forms derived from the internal organs of the human body, such as the heart, lungs, and intestines. These function as visceral reminders of the past and of the intimate, physical connections between human beings” – quoting TRFA’s website

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Posted in Body, Cambodian, Emerging artists, Gallery shows, Handicraft art, Installation, New York, Rattan, Sculpture, Sopheap Pich | Tagged: , , , , , , , , , , | Leave a Comment »

5 60s and 70s born contemporary Cambodian artists in documentary show Forever Until Now

Posted by artradar on March 12, 2009


CAMBODIAN CONTEMPORARY ART

This post features introductory profiles of 5 Cambodian contemporary artists born in the 1960s and 1970s in the 14 artist historic group show curated by Cambodia-based curator Erin Gleeson, Forever Until Now which aims to document the development of Cambodian contemporary art.

This group of artists spent their formative years during and after the Pol Pot regime 1975 – 1979, in some cases in exile. This regime killed the majority of educated people and it is estimated that 90% of artists were lost.

Hobbled for years by political repression as a result of the Pol Pot regime, the art scene in Cambodia is only now beginning to flourish and gain attention beyond its borders. Even today there are only 50 or so practising artists in a Kingdom of 14 million people.

Rithy Panh, film maker

Rithy Panh, film maker

  • Rithy PANH (1964) – documentary film director – he has made more than 10 award-winning works which focus on the aftermath of the Khmer Rouge regime. In 1979 he escaped to France at age 15 having lost his parents and his sister. As a young refugee he wanted to forget the past and reject all ties with Cambodia. Eventually he found that the only way he could rebuild a life was to face what had happened to himself, his family and country. In this show his chilling 2003 documentary S-21: The Khmer Rouge Killing Machine reunites Khmer Rouge prison guards with their innocent captives. It stars S-21 survivor Vann Nath who is an artist also exhibiting in the show Forever Until Now.
Sopheap Pich, Duel, bamboo

Sopheap Pich, Duel, bamboo

  • Sopheap PICH (1971) – Sopheap Pich is another of a number of Cambodian immigrant artists who have returned to Cambodia after a period of years abroad and is probably the best known contemporary Cambodian artist outside Cambodia. He has been influential in bringing conceptual art and the practise of art criticism to Cambodia which has no history of art theory or analysis. His family fled Cambodia in 1979 when the Vietnamese army invaded the country and ousted Pol Pot’s Khmer Rouge. They spent 4 years in refugee camps and when Sopheap Pich was 13 his family emigrated to the US where against their wishes he studied art. In 2002 he returned to Cambodia for a visit and immediately felt he had arrived home. His art concerns itself with the complex economic and social transitions which his country is now undergoing. Originally working in paint, Pich began to feel that his work was not connecting with his people and seeking a new direction began to sculpt using rattan and cigarette packets. When he saw a picture which his girlfriend took of him working with the rattan, his happiness was evident and he realised he had discovered his medium. Many of his rattan sculptures refer to human organs such as lungs and stomachs because Cambodians have a lot of health problems, particularly stomach problems after the poor nutrition resulting from the Pol Pot repression.
Leang Seckon, Three Greens, Acrylic on canvas

Leang Seckon, Three Greens, Acrylic on canvas

  • LEANG Seckon (1974) – collage artist – Known as the Basquiat of Cambodia, he is perhaps the artist who is most well known to local Cambodians having popularized The Rubbish Project his ongoing work with communities around Cambodia to raise awareness about the environment. His most recent project Naga 2008 was a 225 meter serpent made of bamboo and reclaimed clear plastic installed in the Siem Reap River for World Water Day. Leang has four pieces of collage work in this show dealing with political and social change. In Gam Chendal he pieces together images representing periods of Cambodian history including the French Protectorate, Japanese occupation, Independence, the Civil War, the Khmer Rouge Regime, Vietnamese rule, United Nations Transitional Authority and the current constitutional monarchy. Three Greens on the other hand is a light comment on the adjustment of people to new rules: the greens refer to traffic lights which have appeared in Cambodia only in the last two years.
Khavay Samnang, Reminder, Video projection

Khavay Samnang, Reminder, Video projection

  • KHVAY Samnang (1977)  – photography, video – Khvay is a teacher in a rural province who is acutely aware of the information gap about the Khmer Rouge era in the Ministry of Education certified history books.  The youngest generation learns about this time only through the ubiquitous iconic black and white mug shots of prisoners at the infamous Tuol Sleng prison where fourteen thousand people died. While performing the task of photographing nearly 1,000 school children for their diplomas he noted 2 dominant reactions: shyness typical of youth and a more culturally specific repsonse, resistance to being portrayed as a prisoner. His video projection ‘Reminder’ shows shot after shot of identically-dressed school children in a comment on how in an individual photograph, a person can retain his or her identity but if there is more than one image of a person ie a repeated image,  this becomes a reference to and reminder of prison mugshots and Cambodia’s suffering during the Khmer Rouge repression.

denis-vantha-min-kim-duel-1

  • Denis Vantha MIN-KIM (1978) – Min-Kim studied art at various schools in France and in 2001 moved to Phnom Penh where he worked on a large scale in black Chinese ink on canvas for two years. Min-Kim’s new series ‘Duel’ is an exploration of his interest in the fight of the Reamker, a Khmer story based on the Indian Hindu epic Ramayana. By painting multiple fighters and stances in the same ring, he references the ancient art form of Pradal Serey – a unique form of Southeast Asian martial arts characterised by shifting fight stances. At the same time it portrays Min-Kim’s personal experience adjusting to the complexities of modern day Cambodia.

This is the second post in a 3 part series covering the historic documentary show Forever Until Now at Chancery Lane Gallery.

Related categories: political art, collage

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Posted in Cambodian, China, Emerging artists, Gallery shows, Hong Kong, Human Body, Identity art, Overviews, Political, Prison, Profiles, Social, Surveys | Tagged: , , , , , , | Leave a Comment »

Historic show documents development of Cambodian art – Forever Until Now

Posted by artradar on March 9, 2009


CAMBODIAN ART SHOW

In a unique documentary and historic show, Cambodian-based curator Erin Gleeson brings the works of  14 Cambodian modern and contemporary artists  to 10 Chancery Lane Gallery in Hong Kong. This post is the first in a three part series.

 Sopheap Pich, Cycle 2008

Forever Until Now – 10 Chancery Lane, Hong Kong to 25 April 2009

The ground-breaking show aims to provide an overview of the evolution of experimental and contemporary art in Cambodia and covers 3 generations of artists born between 1933 and 1988.

What prompted the exhibition? 

Dealer Katie de Tilly began planning the exhibition last summer when she took an exploratory trip to Cambodia  and was shown around by bamboo sculptor Sopheap Pich and  US- born curator Erin Gleeson who has been based in Cambodia for the last 5 years. Whereas Thailand and Vietnam have been receiving international exposure for some time, Cambodian contemporary artists are on the cusp of  interntional recognition. The work of Cambodian artists will be shown for the first time at the up-coming Asia Pacific Triennial 2009.

 Why is Cambodian art getting attention now?

Until a decade ago contemporary art in Cambodia simply did not exist but after the opening of the Reyum Institute of Art and Culture in 1998 and other galleries such as Java Cafe, more cutting-edge works began to emerge among the traditional works of silk weavings, silver and stone sculptures.

It has been over 30 years since the 1979 toppling of the Khmer Rouge and Pol Pot’s totalitarian regime. During the last decade Cambodia has enjoyed a period of political stability which has allowed an opening up to external cultural influences and a gradual blooming of the art scene.

During the Khmer Rouge from 1975-1979 a dozen or so artists left the country to study abroad  but when they returned there was little art infrastructure to support their practice.

Despite an absence of government funding for the arts, international collectors are beginning to become aware of the significant changes in Cambodian art practice thanks to the activities of private galleries (from Thailand in particular), curators ( like Erin Gleeson who established the artist resoure centre Bassac in Phnom Penh last year) and artists themselves such as Sopheap Pich who was selected for the Best of Discovery section at Shanghai Art Fair in 2008.

The artists

The artists fall into three groups. The first group only – artists born in the 1950s or before –  are covered in this post.

The following artists born from 1930s – 1950s  were formative in the development of today’s Cambodian contemporary art because each in different ways appropriated new sources of inspiration. Grandfather of art, Svay Ken focuses on the immediate and everyday instead of the sublime whereas Vann Nath’s dark  heavy work reflects the experiences of terror and torture which Cambodia suffered during Pol Pot. Stylistic development is apparent in the comic art and illustration work of Em Satya while Duang Saree is influential for innovating the traditional motifs and representations in temple art into new forms which better reflect contemporary society.

 Svay Ken, Flood at the Wedding, oil

  • SVAY Ken (1933-2008) – painter – Known locally by the respectful title Lok Ta (grandfather), Svay was remarkable for turning away from traditional art practice glorifying ancient monuments and rural landscapes and depicting in his rough self-taught style the every day moments and objects of Cambodian life. His work as a porter at the lavish Raffles hotel led to sales of his art to tourists which in time evolved into international recognition. He is collected by Fukuoka Asian Art Musuem, the Singapore Art Museum and the Queensland Art Gallery. He will represent Cambodia in the 6th Asia Pacific Art Triennial 2009.

Vann Nath, Pray for Peace, oil 

 

  • VANN Nath (1946) – one of the most honoured figures in Cambodia he is one of 7 survivors of the Khmer Rouge’s secret prison known as S-21 where 14,000 people were tortured and executed during the 1975-79 Pol Pot regime. His jailors spared his life so that he could be put to work painting and sculpting portraits of Pol Pot. Vann Nath typically paints the dark and violent events he has witnessed.

 

Duong Saree, Kbach Tonle Sap 2, watercolour

Duong Saree, Kbach Tonle Sap 2, watercolour

  • DUONG Saree (1957) – Duong Saree is a renowned teacher and innovator of Cambodian Traditional Painting. Over 6 months in 2007 she completed the largest traditional painting in Cambodia (outside the Royal Palace Walls). What is interesting about Duong Saree’s practice is that she is evolving the traditional motifs of temple painting  – usually strictly adhered to – in order to better represent the contemporary world. In this show she innovates new forms for water to complement the five surviving representations of water found in temples.

 

Em Satya, Deadly Curse of the Diamond, Watercolour

Em Satya, Deadly Curse of the Diamond, Watercolour

  • EM Satya (1952) – a comic artist – Cambodian comics first appeared in the 1960s taking inspiration from the style of French and the colour of Indian comics. He is best known as “Nono” the pseudonym under which he drew caricatures and political cartoons for newspapers in the 1990s. His newest graphic novel Flower of Battambang (2006) is already seen as a contemporary classic.

This is the first of a three-part series on this show.

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Posted in Bamboo, Cambodian, Cartoon, China, Gallery shows, Hong Kong, Illustration, Museum collectors, Political, Profiles, Social | Tagged: , , , , , , , , , , , , , , | Leave a Comment »

Art fair Shanghai breaks new ground with Best of Discovery emerging artists – Financial Times, Artkrush

Posted by artradar on September 14, 2008


 

Tushar Joag 

ART FAIR CHINA EMERGING ARTISTS

“Best of Discovery” is a unique curated section of Shanghai’s premier art fair ShContemporary 08 featuring over 30 selected emerging artists from the Asia Pacific region who are presented to a global audience for the first time. 

In a “ground-breaking move”  ShContemporary founder Rudolf has commissioned a team of  independent curators with knowledge of their given regions to make an informed selection of work by promising younger artists largely unknown on the international stage says the Financial Times.  They have scoured not only China but Australasia, Central Asia, India, Indonesia, Japan, Korea, the Middle East, Taiwan and Thailand.

The works are on display in an open-format, museum-like installation in the grounds of and inside the imposing Soviet-built Shanghai Exhibition Centre, where the ShContemporary fair is held from September 10 to 13 2008.

Selected on merit not gallery affiliation

The pieces have been selected not on gallery affiliation but on merit alone. “In fact” says the Financial Times “half the artists selected had no gallery representation at all. For the purposes of the fair, exhibiting dealers have sponsored these artists, forging temporary relationships that may well continue after the event.”

“Markedly experimental”

The 11 international curators selected a range of “markedly experimental” works says Artkrush. “Pieces by better-known figures such as Beijing’s Wang Luyan – a muscular satirist of consumption and politics – share space with Yael Bartana who employs cultural symbols to unpack political concerns, and from Japan, upstart provocateur Tadasu Takamine – most notorious for his controversial Kimura-san video, which shows the artist helping a disabled friend masturbate – is grouped with his more sedate countryman Sakae Ozawa.”

Intriguing art from Central Asia, Caucasus

The Financial Times notes that “the most intriguing is the work being produced in those regions where creativity has been frozen, corrupted or isolated for decades, even centuries”. Perhaps least known is the art of the new Central Asian republics which first made their debut on the international stage at the Venice Biennale in 2005. To represent Central Asia and the Caucasus, curator Sara Raza has alighted on the work of the outlandish Kazak performance artist Erbossyn Meldibekov and also on the emerging Georgian artist Sophia Tabatadze.

List of Asian artistsCambodia: Sopheap Pich (1969 Cambodia), Central Asia: Sophia Tabatadze (1977 Georgia), Erbossyn Meldibekov (1964 Kazakhstan), China: Wang Luyan (1956 Beijing), Zhu Jinshi (1954 Beijing), Wang Zhiyuan (1958 Tianjin China), Shi Yong (1963 Shanghai), Chen Yenling (1969 China), Taiwan: Effie Wu (1973 Taiwan), Huang Po-Chih (1980 Taiwan), India: Tushar Joag (1966 India), Vibha Galhotra (1978 India), Ved Gupta (1975 India), Sumedh Rajendran (1972 India), Indonesia: Agus Suwage (1959 Indonesia), J Ariadhitya Pramuhendra (1984 Indonesia), Japan: Tadasu Takamine (1968 Japan), Sakae Ozawa (1980 Japan), Hiraki Sawa (1977 Japan), Korea: Jina Park (1974 US works in Korea), Clara Shin (1974 Brazil works in Korea), Jo Jong Sung( 1977 Korea), Thailand: Dearborn K Mendhaka (1979 Thailand), Vietnam: Nguyen Thai Tuan (1965 Vietnam), Israel: Yael Bartana (1970 Israel), Iran: Reza Aramesh (1968 Iran)

List of Asian specialist curators: Erin Gleeson (Cambodia), Sara Raza (Central Asia, Western Asia, Middle East), Huang Du (China), Sean CS Hsu (Taiwan), Deeksha Nath (India), Rikky Effendy (Indonesia), Reiko Tsubaki (Japan), Shin Young Chung (Korea), Sutee Kunavichayanont (Thailand), Din Q Le (Vietnam)

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Posted in China, Chinese, Fairs, Georgian, Indian, Indonesian, Iranian, Israeli, Japanese, Kazakhstani, Korean, Middle Eastern, Southeast Asian, Taiwanese, Thai | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »