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International contemporary artists produce unique works for Istanbul

Posted by artradar on October 15, 2010


NEW MEDIA ART FESTIVAL INSTALLATION

Akbank art centre, Istanbul continues with its exhibition “The Rhythm of Istanbul“, in collaboration with the Akbank Jazz festival. Marking the twentieth¬†anniversary of this world renowned music festival, it will feature installations by six internationally acclaimed artists working in sound and new media.

Julian Opie, 'Rod and Verity Walking', 2010, lightbox installation. Image courtesy of Akbank Art Centre.

Julian Opie, 'Rod and Verity Walking', 2010, lightbox installation. Image courtesy of Akbank Art Centre.

Curator Gisela Winkelhofer is using the commission to approach the use of sound and rhythm and to explore how movement combines with the architectural spaces of the festival, shedding new light on the confrontation between mass media and the individual.

Angela Bulloch, 'Progression of 8 Peverted Pixels', 2008,  7 DMX modules, 1 black box module. plexiglas, printed aluminium panels, DMX cables, 1 RGB lighting system DMX controller, size 52 x 52 x 52 to 62 x 70 x 62 cm. Image courtesy of Akbank Art Centre.

Angela Bulloch, 'Progression of 8 Peverted Pixels', 2008, 7 DMX modules, 1 black box module. plexiglas, printed aluminium panels, DMX cables, 1 RGB lighting system DMX controller, size 52 x 52 x 52 to 62 x 70 x 62 cm. Image courtesy of Akbank Art Centre.

Accordingly, artists with a reputation for transforming the spatial encounter will be present. Canadian-born Berlin-based Angela Bulloch is showing her Progression of 8 Perverted Pixels (2008), taking the light transmitted from ordinary TV programmes, abstracting them beyond recognition and projecting them as shape-changing beams.

Specially commissioned by the festival, Tony Oursler‘s new work also evokes the spectator’s virtual relation to their surroundings. Both movement within the work and the transgression of different media takes central place in the exhibition. Another new work Rod and Verity Walking (2010) by Julian Opie positions itself on the fringes of two distinct mediums, in this case film and drawing.


Tony Oursler, 'Marlboro, Camel, Winston, Parliament, Salem, Marlboro Light, American Spirit', 2009, PVC tubes, video projection, dimensions varied. Image courtesy of Akbank Art Centre.

HG/KN/HH

Related Topics: festival, installation, sound art, crossover art

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