Art Radar Asia

Contemporary art trends and news from Asia and beyond

  • Photobucket
  • About Art Radar Asia

    Art Radar Asia News conducts original research and scans global news sources to bring you selected topical stories about the taste-changing, news-making and the up and coming in Asian contemporary art.
  • Advertisements

Posts Tagged ‘Transition’

Curator Tobias Berger talks about Korean contemporary art scene in 4 questions

Posted by artradar on September 20, 2010


SOUTH KOREA CONTEMPORARY ART INTERVIEW CURATOR

Art Radar Asia recently spoke with German-born curator Tobias Berger, who currently holds the position of Chief Curator at the Nam June Paik Art Center, about the Center’s exhibition “The Penguin that goes to the Mountain“. During this interview, Berger also revealed a few of his observations on living and working in the Korean art environment.

Korean art has always been in the shadow of Japanese and Chinese artistic success, often “dismissed as a mere conduit between the two mega cultures.” This may be because few of the local magazines, exhibition catalogues and other art texts produced on Korean contemporary art are available in English. As Berger states, “There are none. They’re all in Korean. There’s nothing really good in English.” And while the local art scene is perhaps not on par with what can be experienced in these neighbouring countries, Berger notes that the art that is being produced in Korea is of a very high quality, due to good art schools, a diversity of art spaces, talented pioneers and governmental support.

This Korean contemporary art sculpture was shown at "Korean Eye: Moon Generation".

'Shamoralta Shamoratha' (2007) by Inbai Kim was shown at "Korean Eye: Moon Generation" in 2009. Korean Eye was founded in 2009 as a way to support emerging Korean artists by providing international exhibition opportunities.

As a European who formerly lived and worked in the Hong Kong art scene, how do you find the South Korean art scene compares?

“The Seoul art scene is probably the most sophisticated art scene in Asia. It has really good independent spaces, good commercial galleries, interesting art schools and good museums. It has this whole pyramid of different art spaces, exhibition possibilities, and it has a lot of really good and wonderful artists. That level of depth and the level of different kinds of art spaces is incomparable. Certainly in Beijing [you] have galleries, but you don’t have any independent spaces, and in Tokyo it’s also very different.”

How do you keep up to date with the Korean art scene?

That is a problem because it’s all in Korean and it’s very difficult to keep up [with]. I mean, you just go to the 10-15 [art] spaces once a month … and you talk to your friends and your colleagues that go to the big exhibitions…. You just have to look at how it is. There was a [recent] survey show called “Bright Future” but it only had twelve artists.

Tell us about the art school system in Korea? How does it differ from other places?

It’s the most sophisticated [system] because it had some good pioneers [and] a lot of governmental help. [South Korea] has some good art schools and it has a lot of good artists that have studied overseas and come back. This allowed a lot of critical discourse and [there were] a lot of magazines. That allowed the art scene to grow well and in the right way.

Korean art is becoming popular with international collectors. “Korean Eye, for example, was shown at The Saatchi Gallery in London earlier this year. Can you tell us why you think this is happening now?

“Here in South Korea you don’t feel that there’s much happening. The Korean scene is nothing compared to what’s happening in China…. On the one side, these shows, where this is popular or that is popular, don’t really mean a thing. There is a lot of good art in South Korea and the quality of the art is really on a high level, because art education has been good for 15-20 years. A lot of people are educated in Europe and America and have very good support and certainly output good quality art…. I mean, you don’t want to buy or you don’t want to show an artist because he’s Korean, you want to show an artist because he’s a good artist.”

JAS/KN/HH

Related topics: Korean artists, interviews, Tobias Berger, curators

Related posts:

Subscribe to Art Radar Asia for more on contemporary Korean art

Advertisements

Posted in Art spaces, Artist-run, Asia expands, Curators, From Art Radar, Generation art, Globalization of art, Interviews, Korean, Museums, Tobias Berger | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Not-so-underground artist showcased in basement gallery: Tsong Pu’s TFAM solo

Posted by artradar on June 23, 2010


TAIWAN ART ART MUSEUM SHOWS SOLO EXHIBITION

The Taipei Fine Arts Museum (TFAM) in Taipei, Taiwan is currently exhibiting the works of Taiwanese artist Tsong Pu. The exhibition, entitled “Art from the Underground: Tsong Pu Solo Exhibition, displays over 100 works representative of Tsong Pu’s thirty year career, ranging from his earliest works from the 1970’s to his more recent installation pieces, drawings and paintings. It comes amid rumblings from the art community that the Taipei Fine Arts Museum is failing to represent local artists.

“My first exhibit was held in this space 20 years ago. It seems that I haven’t improved much over that time because 20 years later I’m still … underground.” Tsong Pu, as quoted in the Taipei Times.

You Are The Beautiful Flower, Mix Media, 1996:2010 (re-presented in TFAM)

You Are The Beautiful Flower, Mix Media, 1996:2010 (re-presented in TFAM)

Tsong Pu was born in Shanghai (China) in 1947. He attended Fu-Shing Commerce and Industry High School in Taipei, Taiwan, and went on to study at Las Escuela Superior de Bellas Artes de San Fernando de Madrio, Spain. He professes to choosing a school where he would be forced to draw realistically, a style that is in direct contrast with the abstract work he has created since leaving Spain and returning to Taiwan in 1981.

Tsong Pu, the artist. Photo taken in TFAM

Tsong Pu, the artist. Photo taken in TFAM

Tsong Pu has had a keen interest in European and American abstract expressionism since he was quite young. His early influences included Western art magazines from Japan and the US; the knowledge he took from these separated him from his peers.

In 1984, Tsong was presented with an award in the Taipei Fine Arts Museum sponsored “Contemporary Art Trends in the R.O.C. Exhibition”, an award hailed as being “an index of progress for Taiwan’s contemporary art world.”

He has held numerous solo exhibitions since 1983 in Spain and in Taiwan, as well as participated in domestic and international group exhibitions all over Asia, in Spain, the US, the UK, and Australia.

Tsong Pu is most well known for a painting style he developed during the 1980s, in which he paints an abstract pattern based on a grid, occasionally with diagonal lines of white. This is a method often praised by art critics as it has the ability to promote an emotional response while being thoroughly mechanical.

Transition, Acrylic on canvas, 130x193.5 cm, 1999

Transition, Acrylic on canvas, 130x193.5 cm, 1999

Tsong Pu is often viewed as one of the most progressive artists working in Taiwan today. His 1983 solo exhibition, “A Meeting of Mind and Material”, broke with established rules of painting, the result of his desire to abstain from simply drawing realistically and seeking new ways to present his ideas. He has been praised for his ability to embrace new concepts and new media, as he composes his paintings using inspiration from his everyday surroundings.

Enticing Encounter II, Mix Media, 193x130 cm, 1983

Enticing Encounter II, Mix Media, 193x130 cm, 1983

Editors’ Note:

We have since published a three-part interview in which Tsong Pu discusses six of his artworks in depth. This is framed by some discussion of the Taiwanese contemporary art community, past and present.

Read Part I
Read Part II
Read Part III

MM/KN

Related Topics: Taiwanese artists, museum shows, painting

Related Posts:

Subscribe to Art Radar Asia for news on exhibitions in Asia

Bookmark and Share

Posted in Museum shows, Taiwan, Taiwanese, Tsong Pu | Tagged: , , , , , , , , , , , , , , , , , , , , , , | 2 Comments »