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Posts Tagged ‘Victoria Lu’

Animamix Biennial – an alternative biennial pushes aesthetic of comic art – interview curator Victoria Lu

Posted by artradar on February 16, 2010


ANIMATION ART BIENNIAL

The Animamix Biennial is unique. The first was held in 2007, organised by Victoria Lu, an experienced curator and the Artistic Director of the Museum of Contemporary Art in Shanghai. This years show, also curated by Lu, spans four galleries: the Museum of Contemporary Art (Taipei, Taiwan), the Museum of Contemporary Art (Shanghai, China), Today Art Museum (Beijing, China) and the Guangdong Museum of Art (Guangzhou, China).

Animamix Biennial, 2009-2010, MOCA Shanghai

It presents art that develops or embodies the Animamix aesthetic, artwork that combines the styles of animation and comics.

The term “Animamix” was actually coined in 2004 by Lu when she became aware of the emerging stylistic trend while curating Fiction.Love at the Museum of Contemporary Art in Taipei, Taiwan.

Fiction.Love, 2004, MOCA Taipei

Animamix is now entering the mainstream, pushing the artists who have developed this style into the spotlight, artists such as Takashi Murakami (Japan), mixed-media visual artist Trenton Doyle Hancock (U.S.A.) and Brazilian painter Oscar Oiwa. As the style encompasses a broad range of mediums, and is often brightly coloured with bizarre narratives, it has an inherent ability to attract attention.

Animamix Biennial, 2009-2010, Guangdong Museum of Art, China

Always interested in exploring emerging trends, Art Radar Asia spoke briefly with curator Victoria Lu about the Biennial:

On Animamix as an artistic trend

The Animamix Biennial was inaugurated in 2007. Since then, has this art direction become more recognisable to mainstream audiences or does it still sit on the fringes?

This answer is rather difficult to define. If I judge by the growing numbers of Animamix direction artworks in the international art fairs, I can say yes. The Animamix direction is growing internationally.

Is this style popular internationally (for audiences, dealers and buyers) or is the popularity restricted to the Asian region?

There is more Animamix kind of artworks available in Asia market for the moment, so I believe Animamix art is more popular in Asia. But there are more and more artists in Europe working [with an] Animamix direction.

On the Biennial

Why did you want to start this Biennial?

I am tired of the current international biennials. There are a group of curators [which have been] leading the conceptual direction for too long. You will find [that] very similar artists list no matter where you go. So I want to try something new, something different. My concept for the Animamix Biennial is an ongoing evolution of art exhibitions and activities. This kind of biennial can really reflect the local art scene.

Would it be fair to say this Biennial is an Asian-initiated event focussing on an art trend that is becoming more globalised?

International biennials were started in Europe in the early last century. Now biennials are becoming more and more popular in the Asia, starting from the beginning of this century. Many cities in Asia are competing for the exposure of their art and culture.

Generally, how has the exhibition been received by critics and museum patrons?

My Animamix shows are very well received by audiences. So far we have also been well received by the critics.

Which artists have been well received by critics and audiences? Are there any “stars” of the Biennial?

I cannot say who the stars are. They are all important to me.

Animamix Biennial, 2009-2010, Today Art Museum, Beijing

The final leg of the Animamix Biennial, Dazzled and Enchanted – New Age Animamix, is now showing at the Guangdong Museum of Art in Guangzhou, China. The show will close on 28 February 2010.

KN

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Posted in Anime, Beijing, Biennials, Body, Brands, Brazilian, Cartoon, Celebrity art, China, Conceptual, Consumerism, Curators, Emerging artists, Fantasy art, Guangzhou, Illustration, International, Interviews, Japanese, Manga, Museum shows, Pop Art, Professionals, Shanghai, Taiwan, Takashi Murakami, Technology, Toys, Urban, Video game art | Tagged: , , , , , , , , , , , , , , , , | Leave a Comment »

Sovereign Asian Art Prize 2008 emerging artists on show in Hong Kong

Posted by artradar on October 29, 2008


ASIAN ART PRIZE

The Sovereign Asian Art Prize carries a first prize of US$25,000 and is in its 5th edition. This time the acceptance criteria have been broadened from all forms of painting to all forms of 2D media. Thirty finalists have been selected by a panel of experts from 1000 entries. A public prize is also awarded to the painting which receives the most votes from the public who attended the exhibition or cast their votes on the website.

The culmination of the prize is a public auction where it is hoped that funds will be raised to support charities and a ‘first of its kind in Hong Kong’ three year residency programme for international artists.

Judges are Uli Sigg (collector) Peter Aspden (Financial Times critic) Pamela Kember (art historian and critic) Victoria Lu(musem consultant) Pooja Sood(Director of Khoj Foundation) and Xu Bing (artist).

Finalists

Australia: Bundit Puangthong, Chris Wake, China: Collette Fu, Hou Yan Yan Hong Kong: Caroline Chiu, Chow Chun Fai, Man Fung-Yi, Gretchen So, Peter Steinhauer, Angela Su, Anothermountainman India:Seema Kohli, Indonesia:Terra Bajraghosa, Suroso Isur, Saputro Uji Handoko Eko, Japan: Yu Hara, Maiko Sugano, Noriko Yamaguchi Korea: Dongi Lee, Lim Taek Malaysia: Chan Kok Hooi, Hoo Kiew Hang, Myanmar: Mor Mor Philippines: Robert Langenegger Singapore: Mee Ai Om Taiwan: Chiu Chien-Jen Thailand: Jaratsri Prasongdee, Laura Spector, Sirat Ubolyeam Vietnam: Le Thiet Cuong

Radar’s picks

Lim Taek

Lim Taek

Korean artist Lim Taek’s work is inspired by 18th century traditional Korean black and white ink drawings. Tael transforms these into 3D sculptures made of plastic and Korean traditional paper which he installs in a gallery.  He then photographs animals trees rocks and people and places these images into the installation. His intention is to create a dreamlike sensation for viewers as they gaze at his imaginary world.

Maiko Sugano

Maiko Sugano

Japanese artist Maiko Suganowas nominated by Asia Art Archive. She is interested in bridging barriers and misunderstandings by seeking common ground across cultures. In 2002 Sugano was presented with the Jack and Gertrude Murphy Fine Arts Fellowship sponsored by San Francisco foundation. She also runs an artist residency house called ‘YomoYama House’.

Angela Su

Angela Su

This work ‘Amorpha Juglandis’ is part of a series and drawings and embroideries in a project entitled ‘Paracelsus Garden’ – an imaginary location inhabited by insects and plants which on closer inspection reveal themselves to be a bizarre juxtaposition of bones muscles and organs. This work takes the form of a moth which uses the cochlear (part of the human inner ear) and scapulas(shoulder blades) as wings. The entire work is embroidered with fine polyester filament on silk.

Noriko Yamaguchi

Noriko Yamaguchi

Noriko Yamaguchi was born in 1983 and her work crosses over the mediums of photography and performance art. In the ‘Ketai Girl’ series Yamaguchi wears a bodysuit made of cellphone keypads a comment on today’s society where people are in constant telephonic touch but ache for physical connection. In 2004 she received the Panel of Judges Award at the 21st Century Asia Design Competition held by Kyoto University of Art and Design.

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Posted in Australian, China, Chinese, Emerging artists, Handicraft art, Hong Kong, Hong Kong Artists, Human Body, Indian, Indonesian, Japanese, Korean, Malaysian, Performance, Photography, Sculpture, Singaporean, Southeast Asian, Taiwanese, Thai, Thread, Vietnamese | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »