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Posts Tagged ‘Xing Danwen’

Xing Danwen’s perfect world gets noticed at the Ooi Botos Gallery in Hong Kong

Posted by artradar on March 3, 2010


CHINESE FINE ART PHOTOGRAPHY IN HONG KONG

Duplication 1 (2003), by Xing Danwen. c-print.

Chinese artist Xing Danwen’s first solo exhibition in Hong Kong titled ‘In a perfect world…’ at the Ooi-Botos gallery in Wan Chai has been the subject of extensive media coverage recently, which is itself an extraordinary feat in the competitive contemporary art world.

However, Xing Danwen is an extraordinary Chinese artist, exceptional because she has been working with artistic photography before it was considered an art form in China, and frankly, she is a woman.

While the art world has largely been a man’s game in China, this strong feminine artistic voice, touted by Kee Magazine as “one of China’s leading female artists”, was a pioneer in Chinese photography and is now turning more than a few heads in Hong Kong with her two photo series Duplication and Urban Fiction.

Xing Danwen was trained as a painter in Beijing at the prestigious Central Academy of Art, but is best known for her photographic works completed during her M.F.A. residency at the School of Visual Arts in New York. However, prior to that, she was an artist and traveling freelance photojournalist, which included travels to remote regions of China to document villagers and members of China’s 56 ethnic minorities.

Although her creative interests had shifted from painting to photography, she did not consider the potential of her photo work to be fine art until her late 20’s. In an interview with Art in America, she reveals that upon seeing the work of Wolfgang Tillmans, featuring life-like shots of bohemian youth, she realized, “If his pictures could be art, maybe mine could be, too.”

However, Xing does not cite any specific influences that drew her to photography. She states:

“Photography was a coincidence. I never had any influences that drew me towards photography. For me, art was very simply painting or sculpture, because they were very classical forms of art and all I had seen.”

One of the series of works on display at Ooi Botos is Xing’s Duplication (2003), featuring photographs of objects witnessed during the artist’s travels through the manufacturing regions in Southern China. It remarks on the effects of globalization on a region and the individual, which effectually lose their identity. On her subject matter, she says:

“My work is about human beings and the world. I’m sure you find universal language in my work but at the same time you find identity in where I came from. My inspiration and ideas are all based on my life experience in China or on being Chinese throughout the world.” [Kee]

Urban Fiction, Image 9 (2004), by Xing Danwen. c-print.

Also on display at ‘In a perfect world…’ is Xing’s series entitled Urban Fiction, created in 2004. For this, the artist focused on portraying the individual in his or her own environment. However, the subject is presented through realistic photographs of scale-models of building developments, complete with models of miniature people doing various activities, which creates a surreal effect that tricks the eye. On her decision to do this, she says:

“When I started this work it was clear to me that this subject was nothing new. There has been a lot of successful artwork done already by very well-known, established artists. For artists it’s important to create original work, so I decided to use the fake to talk about reality.”[Kee]

Xing’s recent media coverage has included articles in the following publications:

Art in America, Xing Danwen by Richard Vine. Feb 5, 2010

Muse, Seeing things her way by Koon-Yee Wan. Dec 2010

South China Morning Post, Model Citizen by Kevin Kwong. Dec 8, 2009

Vogue China, Blooming in Art, August 2009

Yishu: The Journal of Contemporary Chinese Art, Xing Danwen: Revealing the Masquerade of Modernity. July/Aug 2009

Kee Magazine, Identity Check, Jan 2010

Ming Magazine, Xing Danwen: On the Subtraction Philosophy, October 2009

City Magazine, The Flaneur, Jan 2010

Time Out Hong KongInterview with Xing Danwen, Nov 25, 2009

‘In a perfect world…’ runs at the Ooi Botos gallery in Hong Kong from Nov 27,2009- March 6, 2010.

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Posted in Chinese, Gallery shows, Hong Kong, Interviews, Photography, Xing Danwen | Tagged: , , , , , , , , , , | Leave a Comment »

Book: Chinese Contemporary Art 7 Things You Should Know

Posted by artradar on October 23, 2008


BOOK OVERVIEW CHINESE CONTEMPORARY ART

Chinese Contemporary Art: 7 Things You Should Know – Melissa Chiu

In China today, contemporary art is readily available in public museums and private galleries in burgeoning gallery districts, and in three new art fairs in Beijing and Shanghai. Abroad, Chinese artists are the subject of museum retrospective exhibitions and grace the covers of international art magazines.

Chinese contemporary art has come of age; yet there are few reference books for the reader who wants a quick but precise history of the field. This book aims to fill that gap. Short and to the point, it is arranged into seven sections outlining the rudiments of Chinese contemporary art: what you need to know about the artists, the art market, and what can legitimately be called a new art movement, perhaps the first great art movement of the 21st century.

Sections:

  • Contemporary art in China began decades ago
  • Chinese contemporary art is more diverse than you might think
  • Museums and galleries have promoted Chinese contemporary art since the 1990s
  • Government censorship has been an influence on Chinese artists, and sometimes still is
  • The Chinese artists’ diaspora is returning to China
  • Contemporary art museums in China are on the rise
  • The world is collecting Chinese contemporary art

 Artists:

Weiwei AI(艾未未), Guoqiang CAI(蔡國強), Xin CANG(蒼鑫), Fei CAO(曹斐 b.1978), Danqing CHEN(陳丹青 b.1953), Zhen CHEN(陳箴), Xiuwen CUI(崔岫聞 b.1970), Lijun FANG(方力鈞), Mengbo FENG(馮夢波), Jianyi GENG(耿建翌), Dexin GU(顧德新), Wenda GU(谷文達), Bo HAI(海波), Duoling HE(何多苓 b.1948), Hao HONG(洪浩), Lei HONG(洪磊), Rui HUANG(黃銳), Yan HUANG(黃岩 b.1966), Yongping HUANG(黃永砅), Shan LI(李山 b.1942), Shuang LI(李爽), Tianmiao LIN(林天苗), Yilin LIN(林一林 b.1964), Wei LIU(劉煒 b.1965), Xiaodong LIU(劉小東), Desheng MA(馬德升), Liuming MA(馬六明), Zhilong QI(祁志龍 b.1962), Zhijie QIU(邱志傑 b.1969), Rong RONG(榮榮), Dong SONG(宋冬), Jianguo SUI(隨建國), Du WANG(王度), Gongxin WANG(王功新), Guangyi WANG(王廣義), Jianwei WANG(汪建偉), Jin WANG(王晉 b.1962), Jinsong WANG(王勁松), Keping WANG(王克平 b.1949), Qingsong WANG(王慶松), Shanzhuan WU(吳山專), Lu XIAO(肖魯 b.1962), Danwen XING(邢丹文), Bing XU(徐冰), Lei YAN(顏磊), Peiming YAN(嚴培明), Fudong YANG(楊福東 b.1971), Jiechang YANG(楊詰蒼 b.1956), Shaobin YANG(楊少斌), Xiuzhen YIN(尹秀珍 b.1963), Minjun YUE(岳敏君 b.1962), Fanzhi ZENG(曾梵志), Wang ZHAN(展望), Dali ZHANG(張大力), Huan ZHANG(張洹), Peili ZHANG(張培力), Xiaogang ZHANG(張曉剛 b.1958), Chunya ZHOU(周春芽), Ming ZHU(朱冥 b.1972)

Buy this book on Amazon.

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